Skip to main content

Review of Made In Dagenham - The Musical by the Northampton Musical Theatre Company at Royal & Derngate (Derngate), Northampton

Back in 2015, the Northampton Musical Theatre Company performed Sister Act as their yearly show at the Royal & Derngate. It surpassed their own excellent South Pacific the year before, and set a benchmark for amateurs performances that have been difficult to beat, NMTC including. Over the last few years their choices of shows have been populist (bums on seats), but more than a little formulaic, and some of them sadly pretty average shows. So, with Made in Dagenham, can we now move on from talking just about Sister Act? You know something, I reckon we can.

Made in Dagenham - The Musical is based on the 2010 film which told the story of the 1968 Ford strike by the female machinists working towards an equal pay deal. Along the way, unexpected political activist, Rita, finds herself in the presence of Prime Minister Harold Wilson, and Barbara Castle among many other high flyers. Is it a battle she can win though? History already knows that answer.

Made in Dagenham is an inspired choice of NMTC, it is bright, breezy, superbly written, rarely seen, and a perfect showcase for some old faces of NMTC and some stunning new ones.

One of the new faces is Bethany McDonnell as lead Rita O'Grady, and she is superb, strong in character, with the slowly growing strength of her character brilliantly portrayed. She also handles the poignant moments delightfully and shows a lovely singing voice from the outset with the wonderful Busy Woman.

Her husband, Eddie, is portrayed by NMTC regular and favourite Dan Hodson, and once again he doesn't disappoint. Big in character, and like McDonnell gets the balance between happy and sad perfect. Their work together is particularly strong, with delightful work on I'm Sorry I Love You in particular, and Hodson probably guarantees a tear in the eye with his poignant performance of the stirring The Letter.

Both Brett Hanson and Sally Whitestone have great fun as Harold Wilson and Barbara Castle, both nail their characters in a big deliberate caricatured way, with Hanson especially strong and exuberant and nails the hilarious cupboard moment especially. Great fun!

Jayne Minter-Maryan gives a lovely portrayal of factory union worker Connie, and her performance of Same Old Story suitably leaves a tingle. Kelly Steele provides a lovely little performance of Lisa Hopkins, wife of Ford boss, and strong ally of the strikers.

Youngsters Noah Taylor-Whitley and Lily-Grace Tofte are good fun as the O'Grady's children Graham and Sharon, with Lily-Grace growing up fast following her sweet performance as Cossette in Les MisĂ©rables back in 2018 with the NMTC Youth Society.

Finally the always reliable Ben Stanton elicits out of place boos from the audience with his performance of Tooley, always a delight to see on stage and while it isn't a huge role, he makes the role his own and commands the opening of act two with his powerful performance of the superb song This Is America.

A constant strength of NMTC shows, whatever the show, is the brilliant work of the ensemble, and with Made in Dagenham it is no different, and perhaps here they are at the best I have seen them, especially as this show provides so many opportunities for them. They once again show the stunning harmonies which are always one of the best moments, and in particular in Storm Clouds, where the skin tingled just like it did in the epic Poppies sequence in The Wizard of Oz two years ago. Enormous fun is also to be had from their work in Cortina, another brilliant song, epitomising the sixties period. Their whole work is delightful, but I now expect nothing less.

While performances were excellent throughout, the curse of time in the theatre had some very disappointing effects on the show, with a couple of sticky set changes, sound issues, and some big lighting problems. It did affect the quality of the second act in particular. However, there is no question this will be less obvious as the week goes on, so, is no real judgement on the show as a whole.

The director shows his usual ability to get the best out of the excellent cast, and Made in Dagenham goes beyond the slightly repetitive recent years with the NMTC shows. Graham Tear is once again at the helm of his eleven strong orchestras, delivering brilliantly the superb music that this show has.

Made in Dagenham is a true delight. A fresh show, brilliantly written by Richard Bean (book) and Richard Thomas (lyrics) with stunning music from David Arnold, funny and sad in equal measure. I do not hesitate in recommending that you get along and see this brilliant production of a stunning show. The Northampton Musical Theatre Company very much back on form!



Performance reviewed: Tuesday 29th October 2019 at the Royal & Derngate (Derngate).

The Northampton Musical Theatre Company perform Made in Dagenham until Saturday 2nd November 2019. They have a website which can be found at https://www.northamptonmusicaltheatrecompany.co.uk/ Twitter @theNMTC and Facebook at https://www.facebook.com/NorthamptonMusicalTheatreCompany


For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk



Photos: Graeme White Photography



Popular posts from this blog

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of The Wizard Of Oz by the Northampton Musical Theatre Company at Royal & Derngate (Derngate), Northampton

The last couple of shows from the award-winning Northampton Musical Theatre Company has been a slightly mixed bag, with their last show at Derngate the rather difficult to get a grip on thrills of Grease , a woefully inferior stage version of the classic film despite being very well performed. Their best show recently was ironically Summer Holiday , hidden at the much smaller Cripps venue. Therefore still in the wake of the exceptional Sister Act , does The Wizard of Oz create the Derngate magic once again? The answer for me, is both yes and no, it is as always an exceptional production filled from top to tail with talent, as NMTC is so renowned for, and packing the audience in and thrilling them like perhaps nothing like Oz can in the musical department, you cannot question its selection really. However, like Grease , and to readjust a requote, "it's just Oz". This time I use it in the way that Oz is just a little over-familiar, I am desperate for the buzz that I go...