Skip to main content

Launch of Splash! at Royal & Derngate, Northampton

This Tuesday I attended the launch of a brand new initiative in the arts to help disabled children get greater access to the field and improved job success. Based in the East Midlands and covering Derbyshire, Leicestershire, Lincolnshire, Nottinghamshire and Northamptonshire, the Northampton event was the central stop of a day of events. With the group set off from Leicester in the morning before heading down the waterways towards Northampton, they stopped over at the brand new University of Northampton Campus on the banks of the River Nene. Following this, the Northampton launch took place in the Royal Theatre, before then finally heading to Nottingham for the evening launch.

By the time the Royal stage event was reached, things hadn't totally got to plan timewise, so a little late, the event began. Following a brief welcome from Royal & Derngate artistic director, James Dacre, The Mighty Creatives chief executive, Nick Owen, launched into an explanation of what was planned.

Over the next year, the project will be working with over 2,500 young people with learning disabilities and their families, seeing the team engaging with 128 head teachers and senior staff of special schools in the region, and a planned site-specific event presented in front of 30,000 audience members, both live and online.

It was explained that there are three stages to the project, starting with a weeklong creative residential, taking place this week, where disabled artists will collaborate, test and design a robust artistic brief for the project with disabled access at the heart of it.

Then from October 2018 to February 2019 a programme of audience development and engagement activities will take place across the East Midlands, working with SEND schools, local authorities and families.

The final phase of the project next spring and summer will be to plan and produce an outdoor touring production, led by project partners Diverse City and Extraordinary Bodies. Taking the waterways of the region as the central inspiration, this production will be performed first in Northampton (hopefully at the University of Northampton campus on the River Nene), before transferring on to other locations around the East Midlands.

While the event didn't go entirely smoothly as technical gremlins got the better of the afternoon, it was clear that this was looking set to be an interesting initiative, and much needed. While full details of the plans for the performance are very early in the process and not fully explained during the launch, the Splash! of the title is not an accident, with this very much building on personal experiences and thoughts of the public of life on or around the waterways of England, made clear by the post-show projects scattered around the bar area of the Royal.






While it is early days for this project, I look forward to seeing future developments. There is clear enthusiasm from those both running the project and those set to be involved in a more artistic way.

Event launch: Monday 10th September 2018 at Royal & Derngate, Northampton

www.themightycreatives.com


Splash! Consortium:
Attenborough Arts Centre and Curve, Leicester;
Canals and River Trust East Midlands,
Lincoln Drill Hall;
Graeae Theatre Co., London;
Deda and Hubbub Theatre, Derby; NEO Learning,
Nottingham Playhouse;
Royal & Derngate, Northampton,
The Mighty Creatives
University of Derby.

Splash Artist Ensemble:
Aminder Virdee: interdisciplinary artist
John McDonald: visual artist
Katie Walters: spoken word poet
Laura Guthrie: theatre designer and director
Lucy Hayward: writer and producer
Lucy Nicholls: producer, performer, Change Maker
Mary Strickson: photographer and facilitator
Nikki Charlesworth: Theatre Designer and Puppet maker
Onaissa Jamal: textile artist
Rachel Ross: theatre director

Lead Artists:  Diverse City / Extraordinary Bodies



Popular posts from this blog

Review of War Horse at Milton Keynes Theatre

Michael Morpurgo's novel War Horse was published in 1982. While it was highly regarded and thought to be his best work, perhaps it eventually came to most people's attention when this striking play stormed the stage, thanks to the National Theatre, back in 2007. Now, War Horse arrives at Milton Keynes Theatre as part of another vast UK tour. Adapted by Nick Stafford in association with the award-winning Handspring Puppet Company, War Horse tells the story of the First World War through the eyes of one horse, Joey, sold for a record price from a family battle but eventually shipped off to war-torn France much to the distress of his original owner, 16-year old Albert. The sprawling and epic story should take some staging, but the vast cast, beautiful structure, stunning folk music and, of course, what this play has become known for, magnificent puppetry, all bring the story to life. This production, directed by Tom Morris and revival director Katie Henry, is a magnificent thin...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...