Skip to main content

Flash Festival 2018: Persecuted by United-Force Theatre Company at Hazelrigg House, Northampton

It's perhaps a shame that the major talking point after United-Force Theatre Company's production of Persecuted is its final scene, and more so over the sheer realism of it, rather than anything directly related to the acting and writing of it. The shame is that it overshadows what is quite a brilliant piece of theatre in its own right, well constructed and superbly acted by the trio in the group, Alexander Forrester-Coles, Chris Tyler and Radostin Radev.

The date is 11th May 2005 and the Iraq War is no longer having the initial success that it had after destroying Sadam Hussain's regime. In a camp in Basra, Mohammed bin Osama bin Laden (Radostin Radev) is captured and under interrogation by commander James Farrell (Alexander Forrester-Coles), the good cop of the story, and Dan (Chris Tyler),  a Lieutenant, very much of the bad cop variety.

It's an ugly, but also a very vivid tale, claustrophobic and always intimidating. When the actors are not churning through the intimidation and attempt to break both Bin Laden, and us the audience, a cleverly constructed collection of video spreads further pain upon the audience. It's all very uncomfortable but brilliant as a result.

Then we reach the final sequence where, if the audience isn't already broken, we have one of the most challenging sequences of physical violence that I have seen on stage. This is full intensity, full contact, "stage combat", it is at times very challenging to watch, not because of what is happening story-wise, but the uncomfortableness of whether the performers are actually safe. I wouldn't had wanted to be involved in the health and safety and disclaimers on this one.

Even now, some considerable time after seeing the show, I don't feel comfortable remembering this sequence, and while, I am sure all great care was taken to stage it, and that is was safely achieved, you also have to consider the reaction to such things from an audience. It's fine to make an audience uncomfortable from a story, or sequences in a play, but not to leave them uncomfortable with potential injury from actual violence. Tyler might be a fighter in his other world, but the audience was not present to watch a real punchup on this occasion, and as I result, I concede myself, it made me very uncomfortable.

Persecuted though was still an excellent piece of theatre, the cast sublime with the ever-reliable Forrester-Coles once again assured, and brilliantly controlled as his character required. Tyler not only
looked the part of the fiery character, bent on revenge for his loss, but genuinely a very frightening performance. Radev meanwhile was a quietly calculating Bin Laden, feeling extremely confident despite his position, cold and oh so far from his recent performance as a bizarre elf. A classy turn of acting from all.

I admired Persecuted for its performances, and would never be disappointed for having seen it, however, that final scene will remain in my mind as a step too far. It was a poignant reminder also of a time period for the country as well, which set the scene for many problems to come.

Performance viewed: Friday 27th April 2018

The Flash Festival 2018 ran between Monday 23rd and Friday 27th April 2018 at three venues across the town.

Popular posts from this blog

Review of 2:22 A Ghost Story at Royal & Derngate (Derngate), Northampton

2:22 A Ghost Story continues an endless rise and run of success on the stage. This play by Danny Robins was first staged as recently as August 2021 at the Noel Coward Theatre and since then the show continued to run in London for two years, moving to four further London theatres, before eventually closing in the city to embark on this tour, which began in September last year. During these runs, the cast has constantly been updated with often populist actors, and some, which are not even associated with acting. As this reaches Royal & Derngate, now even the touring cast has been swept clean and four further performers take on the incredible success of a show. This is the second time I have seen 2:22 A Ghost Story , and it is safe to say that on that first viewing, with the previous tour cast, I was not as blown away by the play as the success seemed to warrant. The aforementioned populist casting seemed to have driven a so-so ghostly tale into success beyond its quality, and with th...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...

Preview of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

Coming the Milton Keynes Theatre next week is a return to the stage for the hit production The Great Gatsby brought to the stage by Northern Ballet. The production reaches Milton Keynes as part of its UK spring tour for 2022 which culminates in Cardiff in June. The production based on the novel by F. Scott Fitzgerald brings all the glamour and seduction of the roaring twenties to life and premiered in 2013 and which has now had three UK tours. Set on New York’s Long Island, in the heady, indulgent days of the 1920s, Nick Carraway comes to know his infamous neighbour Jay Gatsby – a mysterious millionaire with a secret past and a penchant for lavish parties. As the sparkling façade of Gatsby’s world slips, Carraway comes to see the loneliness, obsession, and tragedy that lie beneath. The Great Gatsby was nominated for a UK Theatre Award for Achievement in Dance. David Nixon OBE choreographed The Great Gatsby and earned a nomination for Best Classical Choreography in the 2014 National ...