Skip to main content

Review of The Crucible by University of Northampton BA Actors at Jacksons Lane Theatre, Highgate, London

There is no denying that Arthur Miller's The Crucible is a classic and well-regarded play and that in the hands of the always brilliant University of Northampton BA Actors, it should have been a thrill of innovation and epic theatre. So, why, when there was so much talent, did it become just an uninspired, by the numbers production?

I had only seen the play, formed around the 1690s Salem Witch Trials, once before in a vibrant school production that, while clearly long and drawn out (it's a heck of a long play in this, it's pure form), always remained entertaining, especially being performed by that young and enthusiastic cast. Here in this version directed by Nadia Papachronopoulou, it should have been so, so good, with the actor's talent, the potential for a dramatic stage version crackling with inspired moments was so overwhelming.

So why did with end up with just a static, curiously soulless affair? In principle it does nothing wrong, performances are strong, with a confident one again from Alexander Forrester-Coles as John Proctor, the way he depicted the characters weaknesses especially comes across tremendously well. Elsewhere, Farrah Dark was a revelation as the bolshy and forthright Abigail Williams, a character having to act in a way far beyond her years.

D. B. Gallager was a truly scary Judge Danforth, causing a lot of uncomfortable moments as he proceeded over the affairs. In the complete opposite was the kindly, and sweet-natured Elizabeth Proctor, played with such a gentle touch that perhaps only Ceara Coveney could, in this year group of actors. Finally, I enjoyed Anya Gallagher's Mary Warren, a confused state of a character, wanting to be part of the gang, then not wanting to be, and switching back again in an attempt to recover the situation, only to make it worse. Warren is a great side character in the play, and I really enjoyed Gallagher's portrayal of her.

So, what was wrong with The Crucible then? Well, for me, it just lacked ambition, scenes are motionless, the way the witches are handled uninspired, and just so lacking in creative aspects, less so than the school production I saw even. In a group where we have had a female Richard II, the strongest Flash Festival of my five years, some innovative Christmas shows allowing the actors to develop more in different areas, and Accused, one of the best-devised shows I have seen, The Crucible in this form, gives them nothing to get their teeth into. They often felt unsure as well, with the most slips of dialogue that I have ever seen from a University show, and a few that I know to be excellent actors, giving poor performances.

There is no other way of putting it, other than I was really disappointed with The Crucible, and it's a tremendous shame that this was one part of the work of these actors on display in London, they are all much better than this show allowed them to be. Far too safe, and safe isn't something the University of Northampton BA Actors have ever done before in my experience.

Performance reviewed: Thursday 7th June 2018 at Jacksons Lane Theatre, Highgate, London

The Crucible was one of three shows performed at Jacksons Lane Theatre by the University Of Northampton BA (Hons) Actors from Thursday 7th to Saturday 9th June 2018.

Details of Jacksons Lane can be found by visiting their website at https://www.jacksonslane.org.uk/

Popular posts from this blog

Review of Pride & Prejudice* (*sort of) at Royal & Derngate (Derngate), Northampton

It is a truth universally acknowledged... No Stop! That is too obvious an opening line to a review of any Pride & Prejudice . Let us begin anew... Of all the classic regency novels from the 19th century, perhaps, one of the most famous is that of P ride & Prejudice by Jane Austen. The novel of manners telling the story of the Elizabeth Bennet her development and her family is maybe more famous now for the many adaptations the novel itself has had, including a certain wet-shirted Colin Firth edition from the nineties. Due to this, it is ripe for many a reworking and with a guaranteed audience waiting for it. Pride and Prejudice* (*sort of) is one of the more bold of those adaptations. However, for all its boldness, does this new version work, or in truth, is it one step too far? The answer is a clear yes, as this dynamic and brilliant reworking by writer and director Isobel McArthur has proven since first taking to the stage back in 2018 and now into this second UK tour, reachin...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of Cinderella, performed by University Of Northampton BA Actors at Maidwell Hall (Avenue Campus), Northampton

So, this is a bit different, the third year actors (my fifth group of them!) do panto, Cinderella to be precise. Pantomime is my perennial favourite bit of theatre. Oh no, it isn't! However, I have long acknowledged that for an actor, the form is both incredibly important, because if you can entertain kids, you can probably do anything, it also provides a large opening for a regular gig each year as they are so abundant. Therefore, it comes as no surprise that the intelligent bods teaching these students have come to the decision to create a little panto action of their own. This first of three (and the other two are very different beasts, as you will learn from the next reviews) is the ever so traditional one. Formed partly from the work of Looking Glass Theatre and director James Smith, I first saw much of this piece in January 2015, and although I didn't remember a great deal of it after this time, the cheese song managed to flash back to me, perhaps, sadly. So, ...