Skip to main content

Review of The Crucible by University of Northampton BA Actors at Jacksons Lane Theatre, Highgate, London

There is no denying that Arthur Miller's The Crucible is a classic and well-regarded play and that in the hands of the always brilliant University of Northampton BA Actors, it should have been a thrill of innovation and epic theatre. So, why, when there was so much talent, did it become just an uninspired, by the numbers production?

I had only seen the play, formed around the 1690s Salem Witch Trials, once before in a vibrant school production that, while clearly long and drawn out (it's a heck of a long play in this, it's pure form), always remained entertaining, especially being performed by that young and enthusiastic cast. Here in this version directed by Nadia Papachronopoulou, it should have been so, so good, with the actor's talent, the potential for a dramatic stage version crackling with inspired moments was so overwhelming.

So why did with end up with just a static, curiously soulless affair? In principle it does nothing wrong, performances are strong, with a confident one again from Alexander Forrester-Coles as John Proctor, the way he depicted the characters weaknesses especially comes across tremendously well. Elsewhere, Farrah Dark was a revelation as the bolshy and forthright Abigail Williams, a character having to act in a way far beyond her years.

D. B. Gallager was a truly scary Judge Danforth, causing a lot of uncomfortable moments as he proceeded over the affairs. In the complete opposite was the kindly, and sweet-natured Elizabeth Proctor, played with such a gentle touch that perhaps only Ceara Coveney could, in this year group of actors. Finally, I enjoyed Anya Gallagher's Mary Warren, a confused state of a character, wanting to be part of the gang, then not wanting to be, and switching back again in an attempt to recover the situation, only to make it worse. Warren is a great side character in the play, and I really enjoyed Gallagher's portrayal of her.

So, what was wrong with The Crucible then? Well, for me, it just lacked ambition, scenes are motionless, the way the witches are handled uninspired, and just so lacking in creative aspects, less so than the school production I saw even. In a group where we have had a female Richard II, the strongest Flash Festival of my five years, some innovative Christmas shows allowing the actors to develop more in different areas, and Accused, one of the best-devised shows I have seen, The Crucible in this form, gives them nothing to get their teeth into. They often felt unsure as well, with the most slips of dialogue that I have ever seen from a University show, and a few that I know to be excellent actors, giving poor performances.

There is no other way of putting it, other than I was really disappointed with The Crucible, and it's a tremendous shame that this was one part of the work of these actors on display in London, they are all much better than this show allowed them to be. Far too safe, and safe isn't something the University of Northampton BA Actors have ever done before in my experience.

Performance reviewed: Thursday 7th June 2018 at Jacksons Lane Theatre, Highgate, London

The Crucible was one of three shows performed at Jacksons Lane Theatre by the University Of Northampton BA (Hons) Actors from Thursday 7th to Saturday 9th June 2018.

Details of Jacksons Lane can be found by visiting their website at https://www.jacksonslane.org.uk/

Popular posts from this blog

Review of Shrek the Musical at Royal & Derngate (Derngate), Northampton

Once upon a time, there was a splendidly green ogre who went by the name of Shrek. For many years, Shrek starred in a captivating and thrilling adventure set upon a theatre stage. This came to pass following a tale told in a Dream(works) in a cinematic spectacle. His tale was told in a truly fun way, with staging sublime, and endless mirth from a nefarious baddie who in many ways came up short.  However, around the corner, there was greater evil afoot as our green friend's show was undergoing a transformation for further adventures on stage. What possible way could this evil be stopped?  Sadly, for all, it could not and the evil reigned for a full UK tour which journeys most recently to the magical kingdom of the Royal & Derngate after a long adventure across the land. So, dear reader, forgive my fairy tale preamble, and perhaps, from that you might imagine this show isn't up to much and sadly you would be right. Shrek when it toured before to Northampton was a little ligh

Review of Disney's Aladdin at Milton Keynes Theatre

Back in 1992, Disney took the age-old tale of Aladdin and did their classic Disneyfying of the story and with the genius of Robin Williams in the role of the Genie, the film remains an immensely popular one to this day. Forward to 2011 and Disney took the show to the stage for the first time and with it the classic songs from Alan Menken with lyrics by Howard Ashman, Tim Rice and Chad Beguelin with a few additions. Since then it has continued to have huge success across the world. Having now arrived at Milton Keynes Theatre on a new tour of the UK & Ireland, it is easy to see why that success continues. This is a truly epic and spectacular show, perhaps the largest that you could find outside of the streets and avenues of the West End. From the opening number as the Genie welcomes us to the streets of the fictional Arabian city of Agrabah, the show simply oozes quality. Performances are top-notch with a large cast of leads and an ensemble at the top of their game. As Aladdin, Gavin

Review of Shrek (NMTC) at Royal & Derngate (Derngate), Northampton

Three and a half years ago, in a land far far away, in a world very different to the one we are now in, I saw the touring professional production of Shrek The Musical , it was a mixed bag of quality, tilted extremely heavily in favour of one particular character (not the one you might expect) and not firing on all cylinders much of the time. One and a half years after my last visit to the Derngate theatre, I return to see the homegrown Northampton Musical Theatre Company's own take on the very same show. Would they be able to breathe more life into the show than the professionals did in that distant land? It is a bit of a yes and no really. Pretty much all of this is done to the best possible standard, and at times, with being an amateur show you could easily forget, they all have normal day jobs. The show oozes professional quality at times. The set looks magnificent, the costumes (from Molly Limpet's Theatrical Emporium) are superb, and as ever with NMTC, the backstage team c