Skip to main content

Review of The Flint Street Nativity, performed by University Of Northampton BA Actors at Maidwell Hall (Avenue Campus), Northampton

The Flint Street Nativity was presented by the BA Actors as part of a double bill with The Night Before Christmas, and you could hardly imagine such a difference in style. Tim Firth's genuinely, quite endearing play was quite the opposite to the rough and vicious Christmas spirit of the previous show.

Flint Street offers the intriguing situation of adult performers acting as children as they present to their audience (and always watched by the unseen, but a creepy red lighted teacher, Mrs Horrocks), their production of the nativity. It forms quite a delight of totally recognisable characters from your school days if you are able to remember that far back.

Among my favourite performances from this are Gemma Fensham as the total brat Gabriel, never seeming to have an expression other than sucking a lemon, as she breezily switches her best friend back and forth with abandon. She rather stylishly perfected the sulking strutting off routine as well, fabulous! Playing up to his size with menace (but high humour mostly), Jake Wyatt brought a style to his sudden appearances as the Innkeeper, which were all perfectly timed.

There was a delightful performance from Robert Charles as the sweet-natured, but unfriended Wise Frankincense, who garnered much of the audience sympathies, along with an equally understated performance from Terell Oswald as Ass. Robert Barnes created some brilliant humour as Herod/Joseph, in a character that reminded me much of Max in The Play That Goes Wrong, who himself is still a child at heart. Barnes' timing, and audience reactive ease, clearly made clear that there is quite a performer there.

I found Farrah Dark quite delightful and suitably innocent as Mary, despite the constant threat of role usurpation from the plotting Gabriel. She also achieved quite an impressive puke, if that can be listed as a suitable acting achievement for the CV? Finally, my favourite performance came from Megan Leask-Walters as the Narrator, not necessarily a showy role, but one that with great effort, can be made one. For me, Leask-Walters did this rather brilliantly, who of all the cast, nailed down the youthful nature of the role the best. Trying desperately as she might to keep the show moving along as the chaos surmounted around her. Really delightful.

The play itself is great fun and makes a sensible one act option despite the fact that it is populated with a large number of characters. They all get fully realised by both writer and performers within this fifty minute or so play, and while they might even during that short time become over-familiar, it remains an entertaining piece of theatre throughout. A nice friendly and really quite sweet play, nicely performed.

Performance viewed: Friday 15 December 2017 (matinee) at Maidwell Hall, University of Northampton (Avenue Campus), Northampton
Twitter feed for the University actors is @BA_Actors

Popular posts from this blog

Northampton Theatre Preview - September 2016

With the Summer downtime coming to an end for the theatres of Northampton, the curtain is ready to rise again on a new season of shows in the town. Top pick at Royal & Derngate has to be the return of the hit adaptation of Charles Dickens' A Tale Of Two Cities. Adapted by Mike Poulton and directed by the R&D artistic directer James Dacre, this version first seen in 2014 plays for seven nights in the Royal before setting off on a national tour. Dates in Northampton are Saturday 10th to Saturday 17th with matinees on Wednesday, Thursday and the second Saturday. For those wanting to revisit the turbulant times of the 1989 political world, there is a chance to see Jonathan Maitland's touring Dead Sheep. Telling the story of the ramifications of Geoffrey Howe's sacking at the hands of PM Margaret Thatcher and her eventual downfall at the hands of this "dead sheep". It stars Steve Nallon, Paul Bradley and Graham Seed and runs at the Royal & Derngate be...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Camden Fringe Review: FEET by Emma And Lawrence Wrote A Play at Etcetera Theatre, London

While some issue plays tend to miss the point of providing fun and entertainment as well as making their point on a relevant issue, FEET is certainly not one of them. Written, produced, directed and performed by the two-person team of Emma And Lawrence Wrote A Play, this is clearly a labour of love of the two, full names Emma Brown and Lawrence Smith, it is fun and engaging throughout. It's "issue" is loosely about selling your body for money or art and how far you might be willing to push it. Lucy Winwood (Emma Brown) is your typical young actress, struggling hard to get those money making roles, or roles in general, and in need of money she stumbles upon the world of feet fetishism (as you, of course, would) and slowly from just images of her feet sold online, it becomes feet in jelly and then finally personal meetings with clients for full on feet interaction. The path that FEET takes is that is this denigration of your body in selling your feet actually worse than...