Skip to main content

Review of Cinderella, performed by University Of Northampton BA Actors at Maidwell Hall (Avenue Campus), Northampton

So, this is a bit different, the third year actors (my fifth group of them!) do panto, Cinderella to be precise. Pantomime is my perennial favourite bit of theatre. Oh no, it isn't! However, I have long acknowledged that for an actor, the form is both incredibly important, because if you can entertain kids, you can probably do anything, it also provides a large opening for a regular gig each year as they are so abundant. Therefore, it comes as no surprise that the intelligent bods teaching these students have come to the decision to create a little panto action of their own.

This first of three (and the other two are very different beasts, as you will learn from the next reviews) is the ever so traditional one. Formed partly from the work of Looking Glass Theatre and director James Smith, I first saw much of this piece in January 2015, and although I didn't remember a great deal of it after this time, the cheese song managed to flash back to me, perhaps, sadly. So, how do these students get a grip of the piece?

The answer mostly is pretty well, if on occasion just a little less enthusiastic than it needs to be. I and fellow blogger The Real Chrisparkle made perhaps a good decision to attend the 9.45am performance of the show, as having winged their crocodile way from Barry Primary were a gaggle of as many as sixty kids, and they turned out to be half the star of the show at times. There is nothing better than hearing seven or eight years olds shout out the most ridiculous things during a panto, and also almost sabotage the script in their infinite knowledge of where the story is going. They were really great, and either full of sugar, or just the endless enthusiasm that I left behind thirty odd years ago.

The cast coped admirably from the (requested) interference, most especially those of ugly sisters, Elouise (Mo Samuels) and Ermintrude (Chris Tyler) and stepmother (Alexandra Pienaru), who had the brunt of the boos and hisses and still managed to get most of their lines out. The Ugly Sisters were nicely played by Samuels and Tyler, with the latter especially getting a manly butch style out of Ermintrude, pumping iron for his muscle-bound physique. Curiously though, a potential flaw in this styling came when he was unable to lift the wallpaper in the later, but brilliantly physical comedy scene. Perhaps a switch of character would have been better there? Pienaru is a "delight" as the wicked stepmother, creating a real boo-hiss performance for all, and covers well when trapped within one of her dresses, a really great and enjoyable performance.

The main lady of Cinderella truly is captured in a gentle, and perfectly cast performance from Ceara Coveney, where she portrays perfectly that innocent style that we all recognise of lovely Cinders. Her transformation from the dowdy to the perfect princess is created also to stunning effect. Simply a delight of a performance. Also clearly having enormous thigh-slapping fun, eventually (if a little dour as befits at first) are Zoe Mayall as Prince Charming, and Chloe Hoffmeister as Dandini, they make a brilliant pairing together.

While it is a generally ineffectual character at times, I still didn't quite get the feeling that Hal Gallagher got enough out of his role as Baron Hardup. All of his scenes had little impact, and in the case of the custard pie scene, there was also little impact there either, with little custard on the face. Just a little disappointing really, as if you have a character like this, you have to just put that bigger effort in, and for me, Gallagher didn't quite do so.

Where making much of the lesser parts did occur was with Tiffany Mae Rivers and Liza Swart, bringing enormous humour to their blokey roles of Mutt and Jeff, where making a big audience-pleasing performance out of just simple scene changes, shows great effort on the actors part. Swart once again especially, shines far above her size and remains at this point for me, one of my ones to watch from this group.

As a first attempt for a panto from the students, it's a reasonably impressive one. The material at times is a little one directional, laying mostly for the younger members of the audience. However, as a piece for the students to learn how to play to a young audience, it works very well, and they handled their very enthusiastic and dynamic spectators impressively well. A worthy and successful experiment that should certainly be repeated.

Performance viewed: Thursday 14 December 2017 (morning) at Maidwell Hall, University of Northampton (Avenue Campus), Northampton
Twitter feed for the University actors is @BA_Actors

Popular posts from this blog

Review of Paranormal Activity at Milton Keynes Theatre

The low-budget film Paranormal Activity , first released in 2007, has since become the starting point of one of the most prolific horror series ever, with seven films now released in the franchise and another due next year. Its unique down-to-earth style of storytelling, inhabiting what is many people’s real life, with dangers within the house, has contributed greatly to its success. So, from one successful medium franchise, it is no surprise the series was developed for theatre in 2024, with a new story by Levi Holloway (though it borrows heavily from the original film). First performed at Leeds Playhouse before heading to both the West End and Broadway, and now, for 2026, a UK and Ireland tour, which this week arrives at Milton Keynes Theatre. So the question is: has the medium successfully crossed to the other side? Newly married couple, James and Lou, move from Chicago to London in an attempt to escape both of their past lives. However, as events begin to repeat themselves, they re...

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...