Skip to main content

Review of Cinderella, performed by University Of Northampton BA Actors at Maidwell Hall (Avenue Campus), Northampton

So, this is a bit different, the third year actors (my fifth group of them!) do panto, Cinderella to be precise. Pantomime is my perennial favourite bit of theatre. Oh no, it isn't! However, I have long acknowledged that for an actor, the form is both incredibly important, because if you can entertain kids, you can probably do anything, it also provides a large opening for a regular gig each year as they are so abundant. Therefore, it comes as no surprise that the intelligent bods teaching these students have come to the decision to create a little panto action of their own.

This first of three (and the other two are very different beasts, as you will learn from the next reviews) is the ever so traditional one. Formed partly from the work of Looking Glass Theatre and director James Smith, I first saw much of this piece in January 2015, and although I didn't remember a great deal of it after this time, the cheese song managed to flash back to me, perhaps, sadly. So, how do these students get a grip of the piece?

The answer mostly is pretty well, if on occasion just a little less enthusiastic than it needs to be. I and fellow blogger The Real Chrisparkle made perhaps a good decision to attend the 9.45am performance of the show, as having winged their crocodile way from Barry Primary were a gaggle of as many as sixty kids, and they turned out to be half the star of the show at times. There is nothing better than hearing seven or eight years olds shout out the most ridiculous things during a panto, and also almost sabotage the script in their infinite knowledge of where the story is going. They were really great, and either full of sugar, or just the endless enthusiasm that I left behind thirty odd years ago.

The cast coped admirably from the (requested) interference, most especially those of ugly sisters, Elouise (Mo Samuels) and Ermintrude (Chris Tyler) and stepmother (Alexandra Pienaru), who had the brunt of the boos and hisses and still managed to get most of their lines out. The Ugly Sisters were nicely played by Samuels and Tyler, with the latter especially getting a manly butch style out of Ermintrude, pumping iron for his muscle-bound physique. Curiously though, a potential flaw in this styling came when he was unable to lift the wallpaper in the later, but brilliantly physical comedy scene. Perhaps a switch of character would have been better there? Pienaru is a "delight" as the wicked stepmother, creating a real boo-hiss performance for all, and covers well when trapped within one of her dresses, a really great and enjoyable performance.

The main lady of Cinderella truly is captured in a gentle, and perfectly cast performance from Ceara Coveney, where she portrays perfectly that innocent style that we all recognise of lovely Cinders. Her transformation from the dowdy to the perfect princess is created also to stunning effect. Simply a delight of a performance. Also clearly having enormous thigh-slapping fun, eventually (if a little dour as befits at first) are Zoe Mayall as Prince Charming, and Chloe Hoffmeister as Dandini, they make a brilliant pairing together.

While it is a generally ineffectual character at times, I still didn't quite get the feeling that Hal Gallagher got enough out of his role as Baron Hardup. All of his scenes had little impact, and in the case of the custard pie scene, there was also little impact there either, with little custard on the face. Just a little disappointing really, as if you have a character like this, you have to just put that bigger effort in, and for me, Gallagher didn't quite do so.

Where making much of the lesser parts did occur was with Tiffany Mae Rivers and Liza Swart, bringing enormous humour to their blokey roles of Mutt and Jeff, where making a big audience-pleasing performance out of just simple scene changes, shows great effort on the actors part. Swart once again especially, shines far above her size and remains at this point for me, one of my ones to watch from this group.

As a first attempt for a panto from the students, it's a reasonably impressive one. The material at times is a little one directional, laying mostly for the younger members of the audience. However, as a piece for the students to learn how to play to a young audience, it works very well, and they handled their very enthusiastic and dynamic spectators impressively well. A worthy and successful experiment that should certainly be repeated.

Performance viewed: Thursday 14 December 2017 (morning) at Maidwell Hall, University of Northampton (Avenue Campus), Northampton
Twitter feed for the University actors is @BA_Actors

Popular posts from this blog

Review of Mog's Christmas at Royal & Derngate (Royal), Northampton

Back in 2022, the theatre group The Wardrobe Ensemble created a sweet and adventurous staging of Judith Kerr's classic children's character, Mog - The Forgetful Cat . For this Christmas season at Royal & Derngate, Mog returns with, suitably enough, Mog's Christmas . The show, just a crisp, action-packed hour, retells two past adventures alongside a Christmas vignette. Kerr's Mog first appeared in 1970, and it launched a remarkable run of books over 50 years featuring the puzzled feline, culminating in the final book released in 2020, following Kerr's death at 95 in 2019. Kerr is most famous for one of her other tales, The Tiger Who Came to Tea . However, in Mog's Christmas , the show presents three entertaining little stories featuring her other, slightly lesser-known feline character. Over the course of the hour, we see Mog successfully foil a burglar, survive a trip to the V.E.T., and then, in the brand-new stage story, a Christmas adventure where Mog gets...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...

Review of Mog - The Forgetful Cat at Royal & Derngate (Royal), Northampton

I have seen The Wardrobe Ensemble twice in the past, and on both occasions, they performed adult shows you wouldn’t take the kids to. However, with their new show they take on an adaptation of Judith Kerr’s Mog - The Forgetful Cat , and as a result, they present a brilliant, uplifting, hugely entertaining hour of theatre. Kerr’s Mog first appeared in 1970 and it started a remarkable run of books published over 50 years to feature the puzzled feline, culminating in the final book released in 2020 following Kerr’s death, at 95, in 2019. Kerr is perhaps most famous for one of her other many tales The Tiger Who Came to Tea . However, here, seeing Mog on stage brings a great deal of entertaining little stories to the stage. Mog - The Forgetful Cat from The Wardrobe Ensemble here takes influence from several Mog books, including Mog and the Vee Ee Tee and Mog’s Bad Thing , featuring an unforgivable act following an encounter with a flippy-flappy thing (you will need to see it to discover ...