Skip to main content

Review of The Planets: An HD Odyssey by the Royal Philharmonic Orchestra at Royal & Derngate (Derngate), Northampton

I very nearly wasn't at The Planets, as following a tremendous lack of understanding of the popularity of the show, less than two weeks before show night, I was without ticket and languishing upon the sold out waiting list. However the stars (or planets) aligned and a precious seat, and a good one, became available. Therefore when I wasn't in the Derngate foyer being mistaken as staff and asked about food options or help to carry peoples instruments, I sat transfixed in my seat in row N.

The line-up for this show was what I happily described as my desert island classical selection, all well known to me, all favourites. As well as Holst's The Planets themselves, we had a warm-up pre-interval act which featured Richard Strauss' Also Sprach Zarathustra, Johann Strauss II's Blue Danube, Toccata And Fugue In D Minor from Bach, Beethoven's Symphony No.7 Allegretto and John Williams' Star Wars main theme. Possibly a few of the names might not be familiar to you, however pop them into YouTube and I assure you, all will become clear. Mostly I will imagine like myself, you will have heard them in a film or two. They are all well used, and really quite brilliant. Hearing them live was something else.

Back at the podium, following his lively presentation at last years The Music Of John Williams, was conductor Robert Ziegler. He is a very lively personality and as last years pre-show talk showed, knowledgeable of the material and fully encompassing of being inventive with a classical concert to bring a different type of audience to the venues. It worked last year and clearly by the demographic in the theatre on this night, it had clearly worked again.

The show piece of this event was the after interval presentation of The Planets and its HD accompanying images of the planets themselves. I myself, while I enjoyed every moment of the music, was most absorbed oddly by the pre-interval music as the second half did drift away somewhat in enjoyment by what sadly turned into the distraction that was the HD presentation, rather than a delight. The opening piece of Mars was where is peaked and shot its bolt, as the overwhelming wealth of footage of the red planet could never be matched as we progressed through the solar system. The images became a rather garbled mess of colours and spinning images at times, which while I don't doubt represent well these alien worlds, were poorly presented occasionally. The timing however was second to none, as at suitable peaks and switches in the music, the images shifted on screen.

So yes, the music was sublime. The largest orchestra I have seen to date, 91, filled the Derngate auditorium with gorgeous sound under the briskly waved baton of Ziegler and the music is where the show worked brilliantly. Saying that the HD presentation was a failure would be wrong, as it had clearly created an absorbed new audience across the ages, and packed the Derngate to its very edges. It just at times seemed a little flimsy compared to the pure musical background of previous concerts.

««««


Performance reviewed: Sunday 26th June, 2016 at the Royal & Derngate (Derngate), Northampton.

The Planets: An HD Presentation was a single night performance at the Royal & Derngate on Sunday 26th June, 2016 and ended its tour.

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Frankenstein at Royal & Derngate (Royal), Northampton

Over 200 years since its first publication it is remarkable to think that what is, in essence, a scientific novel such as Frankenstein is still so relevant in content today. However, as science evolves endlessly, and now with AI becoming so dominant and controversial, the difference between right and wrong, good and evil in science, and what is too inhuman is as current as ever. Tilted Wig's production, now at the end of its UK tour at Royal & Derngate and written and directed by Sean Aydon takes the original story and sets it about halfway between the first publication and modern day, around the time leading up to the Second World War. Aydon's adaptation works really well in placing the story within this degenerating world, a place where true horror is around the corner, and veiled ideas of their (Germany's) interest in Frankenstein's work are gently developed. However, while Aydon clearly had this idea in his head and his pen when scripting this version, the polit

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)

Review of Flashdance - The Musical at Milton Keynes Theatre, Milton Keynes

For the second week running, the Milton Keynes Theatre is overrun by a wave of eighties nostalgia as Selladoor's production of Flashdance The Musical follows hot on the heels of An Officer and a Gentlemen. However, is it nice to have more of that classic decade upon the stage? The answer mostly is yes, despite the fact that the story driving Flashdance is that light and flimsy at times, you just have to sit back and watch the dancing and the bright colours to get you through. Welding genius, Alex Owens, has her sights set for a bigger thing beyond this tired and struggling factory in Pittsburgh.  Hoping to take her dancing beyond Harry's bar, she plans to make big, via Shipley Dance Academy.  Then, also drifting into her life comes Nick Hurley, who initially unknown to her, happens to be the factory bosses son, the scene is set for romance. Flashdance has a generally excellent cast led with a tremendously good performance from Joanne Clifton as Alex Owens. Those famili