Skip to main content

Review of The Planets: An HD Odyssey by the Royal Philharmonic Orchestra at Royal & Derngate (Derngate), Northampton

I very nearly wasn't at The Planets, as following a tremendous lack of understanding of the popularity of the show, less than two weeks before show night, I was without ticket and languishing upon the sold out waiting list. However the stars (or planets) aligned and a precious seat, and a good one, became available. Therefore when I wasn't in the Derngate foyer being mistaken as staff and asked about food options or help to carry peoples instruments, I sat transfixed in my seat in row N.

The line-up for this show was what I happily described as my desert island classical selection, all well known to me, all favourites. As well as Holst's The Planets themselves, we had a warm-up pre-interval act which featured Richard Strauss' Also Sprach Zarathustra, Johann Strauss II's Blue Danube, Toccata And Fugue In D Minor from Bach, Beethoven's Symphony No.7 Allegretto and John Williams' Star Wars main theme. Possibly a few of the names might not be familiar to you, however pop them into YouTube and I assure you, all will become clear. Mostly I will imagine like myself, you will have heard them in a film or two. They are all well used, and really quite brilliant. Hearing them live was something else.

Back at the podium, following his lively presentation at last years The Music Of John Williams, was conductor Robert Ziegler. He is a very lively personality and as last years pre-show talk showed, knowledgeable of the material and fully encompassing of being inventive with a classical concert to bring a different type of audience to the venues. It worked last year and clearly by the demographic in the theatre on this night, it had clearly worked again.

The show piece of this event was the after interval presentation of The Planets and its HD accompanying images of the planets themselves. I myself, while I enjoyed every moment of the music, was most absorbed oddly by the pre-interval music as the second half did drift away somewhat in enjoyment by what sadly turned into the distraction that was the HD presentation, rather than a delight. The opening piece of Mars was where is peaked and shot its bolt, as the overwhelming wealth of footage of the red planet could never be matched as we progressed through the solar system. The images became a rather garbled mess of colours and spinning images at times, which while I don't doubt represent well these alien worlds, were poorly presented occasionally. The timing however was second to none, as at suitable peaks and switches in the music, the images shifted on screen.

So yes, the music was sublime. The largest orchestra I have seen to date, 91, filled the Derngate auditorium with gorgeous sound under the briskly waved baton of Ziegler and the music is where the show worked brilliantly. Saying that the HD presentation was a failure would be wrong, as it had clearly created an absorbed new audience across the ages, and packed the Derngate to its very edges. It just at times seemed a little flimsy compared to the pure musical background of previous concerts.

««««


Performance reviewed: Sunday 26th June, 2016 at the Royal & Derngate (Derngate), Northampton.

The Planets: An HD Presentation was a single night performance at the Royal & Derngate on Sunday 26th June, 2016 and ended its tour.

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Death on the Nile at Royal & Derngate (Derngate), Northampton

Agatha Christie is a name synonymous with crime fiction, perhaps the most famous, and her 1937 novel Death on the Nile is among her most notable. Adapted often for the screen and previously also as a stage play back in the forties, here Ken Ludwig brings a new adaptation to the stage, first performed in 2024 and arriving now at Royal & Derngate as part of an extensive UK tour. For this production from Fiery Angel, we return very much to the team that brought Ludwig's Murder on the Orient Express recently to the stage, including director Lucy Bailey. That was a solid adaptation, so, as we cruise the Nile, is it more of the same standard? Heiress Linnet Ridgeway and her new husband, Simon, are on honeymoon aboard a luxurious boat cruising the Nile, their journey shadowed by a priceless Egyptian sarcophagus. Tension simmers among the eclectic mix of guests, including Simon's vengeful ex-fiancée, a watchful MI5 agent, the British Museum's enigmatic Egyptology curator, and P...

Review of Mary Poppins at Milton Keynes Theatre

The 1964 Disney film Mary Poppins is one of the most fondly remembered family films and has been a staple of many children's childhoods ever since its release. Adapted from P. L. Travers's book series featuring the famous nanny, it took until 2004 for the show to reach the stage, with this musical adaptation featuring a book by Julian Fellowes. The stage musical used the familiar songs from the film by Richard M. Sherman and Robert B. Sherman and added new ones by George Stiles and Anthony Drewe, all under the watchful eye of co-creator Cameron Mackintosh. It is safe to say that many people were involved in bringing this show to the stage. The story, of course, tells of the family Banks—father George, mother Winifred, and the tricky-to-handle children Michael and Jane. Following a job advertisement thrown into the fireplace, a nanny named Mary Poppins arrives at their home, and the Banks' family experiences a very different world than they have ever before. Touring to sele...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...