Skip to main content

Review of Steeleye Span at Royal & Derngate (Derngate), Northampton

This Sunday I rather fortuitously found myself at the performance of folk rock band Steeleye Span. Folk is a genre that don't know a great deal about and indeed have rarely listened to. It did however have a huge prominence in one of my favourite films The Wicker Man and provided a wonderful atmosphere to that film like perhaps no other style could. Therefore I was ready to be fully educated with my first full evening of folk.

The line-up on the night consisted of original member Maddy Prior on vocals (and briefly ukulele), Rick Kemp and Spud Sinclair on guitar, Julian Littman on guitar and keys, Liam Genockey on drums and Jessie May Smart on violin. Together they combined to create a quite spectacular evening of music, all but one track completely new to me.

I found from the evening a quite surprising variety of tunes, varying from ballads, pastoral and very strong rock tunes with riffs in action. The only track of the evening I was familiar with was of course All Around My Hat. I had however not read the brief of audience participation, the knowledgeable audience however had and did not let them down and the Derngate was briefly and wonderfully filled with the singing of the crowd.

As a convert to storytelling as a performance style, I was also impressed by the crossover between the two styles as folk perhaps; and maybe country, tells stories like no other music.

A good part of the show consisted of work from Wintersmith, a collaboration album with the late Sir Terry Pratchett and the work of his Discworld novel. Many of these were exceptional pieces and generally a bit more upbeat than some of the other songs covered. Of these Crown Of Ice was my particular favourite.

Outside of that Hat song and a couple of the Wintersmith tunes, my absolute favourite was New York Girls, a glorious toe-tapping song if there was any. Another particular favourite was that magnificent musical end to the skull song (cannot remember its title!). A simply stunning period of music.

The entire evening was stylishly performed with such emotion etched across the face of the performers (and from my second row seat, I could well see it). I have to say that like when I attended the ELO Experience, the eye was drawn to the bow and string department. On this evening it was Jessie May Smart. Like at the ELO one, and perhaps even more so with the violin, so much performance can be put into the show, so yes Jessie May Smart was indeed a true star among all of the stars on the stage.

A magnificent evening of music new to me and I am so grateful that the opportunity arose for me to be there. It wasn't something that I would before that night has chosen to go to, however now I would happily see Steeleye Span again.

««««

Performance viewed: Sunday 29th November, 2015 at the Royal & Derngate (Derngate).

Steeleye Span are currently touring and details can he found here: http://steeleyespan.org.uk/

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/



Popular posts from this blog

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...