Skip to main content

Review of Steeleye Span at Royal & Derngate (Derngate), Northampton

This Sunday I rather fortuitously found myself at the performance of folk rock band Steeleye Span. Folk is a genre that don't know a great deal about and indeed have rarely listened to. It did however have a huge prominence in one of my favourite films The Wicker Man and provided a wonderful atmosphere to that film like perhaps no other style could. Therefore I was ready to be fully educated with my first full evening of folk.

The line-up on the night consisted of original member Maddy Prior on vocals (and briefly ukulele), Rick Kemp and Spud Sinclair on guitar, Julian Littman on guitar and keys, Liam Genockey on drums and Jessie May Smart on violin. Together they combined to create a quite spectacular evening of music, all but one track completely new to me.

I found from the evening a quite surprising variety of tunes, varying from ballads, pastoral and very strong rock tunes with riffs in action. The only track of the evening I was familiar with was of course All Around My Hat. I had however not read the brief of audience participation, the knowledgeable audience however had and did not let them down and the Derngate was briefly and wonderfully filled with the singing of the crowd.

As a convert to storytelling as a performance style, I was also impressed by the crossover between the two styles as folk perhaps; and maybe country, tells stories like no other music.

A good part of the show consisted of work from Wintersmith, a collaboration album with the late Sir Terry Pratchett and the work of his Discworld novel. Many of these were exceptional pieces and generally a bit more upbeat than some of the other songs covered. Of these Crown Of Ice was my particular favourite.

Outside of that Hat song and a couple of the Wintersmith tunes, my absolute favourite was New York Girls, a glorious toe-tapping song if there was any. Another particular favourite was that magnificent musical end to the skull song (cannot remember its title!). A simply stunning period of music.

The entire evening was stylishly performed with such emotion etched across the face of the performers (and from my second row seat, I could well see it). I have to say that like when I attended the ELO Experience, the eye was drawn to the bow and string department. On this evening it was Jessie May Smart. Like at the ELO one, and perhaps even more so with the violin, so much performance can be put into the show, so yes Jessie May Smart was indeed a true star among all of the stars on the stage.

A magnificent evening of music new to me and I am so grateful that the opportunity arose for me to be there. It wasn't something that I would before that night has chosen to go to, however now I would happily see Steeleye Span again.

««««

Performance viewed: Sunday 29th November, 2015 at the Royal & Derngate (Derngate).

Steeleye Span are currently touring and details can he found here: http://steeleyespan.org.uk/

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/



Popular posts from this blog

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Matthew Bourne's The Car Man at Milton Keynes Theatre

Matthew Bourne has been the accessible end of stage ballet and contemporary dance for decades now, and first imagined for the stage back in 2000, his interpretation and loose adaptation of Bizet’s Carmen , as The Car Man , is perhaps his most accessible to the general public. So, as it drives into Milton Keynes Theatre this week, is it still the masterly piece first seen 26 years ago? Luca is a man on the move; however, as he heads into Harmony, a town of 375 people, he sees a sign reading “Man Wanted” and decides to stop over to try to settle in and take some work at Dino’s Garage. After setting his eyes on the proprietor's wife, Lana, turmoil begins to infect the inhabitants of this harmonious town. The Car Man is a dazzling spectacle by Matthew Bourne and his New Adventures company, filled, as expected, with stunning dancing from the immensely dedicated and talented team of dancers. Led by Will Bozier as Luca, "The Car Man", his strength and confidence drive through h...

Review of The Strange Tale of Charlie Chaplin and Stan Laurel at Royal & Derngate (Royal), Northampton

The Strange Tale of Charlie Chaplin and Stan Laurel is perhaps the perfect antidote to the troubled times we are in, harking back to when things were perhaps simpler and mass media and the press were less in your face. Not to say that bigshot Charlie Chaplin didn't make a name for himself in more than just the movies he made. This though is a warm show, filled with love. This show is based on the very real tale of the 1910 ship heading course for New York, which aboard were Charlie Chaplin and Stan Laurel, unknown, but part of Fred Karno’s music hall troupe, and destined for different, but very major futures. Told by an Idiot's production with Theatre Royal Plymouth (and Royal & Derngate and Unity Theatre) breaks down the tale of the voyage of the SS Cairnrona with intriguingly created flashbacks of the life, generally of Charlie Chaplin. Therefore along the course of the voyage, we see Laurel's moment as understudy to Chaplin, the birth of Chaplin (brilliantly...