Skip to main content

Review of An Evil Gathering Of Infidels performed by University Of Northampton BA Actors at Isham Dark (Avenue Campus), Northampton

Last month I was present for Orientation, very possibly the best ever University of Northampton BA Actors performance I have seen. Therefore the second groups ingeniously titled An Evil Gathering Of Infidels had much to live up to. Now lets get it straight from the outset, for me this wasn't quite as good as Orientation. However it was up there with the best of them and was perhaps such a different beast of a show that it is probably unfair in any case doing the comparison.

First of all it is very much less character driven, as although there are several strong and defined characters in the play, actually only ten of the twenty-one performers even have character names. Those other eleven either have single unnamed roles or move between a number or groups of characters, and sometimes rather magnificently portraying doors (holding doorknobs in their outstretched arms).

Lead character (for the first half at least) is Charlie Clee (last seen pursued by a bear) as Daniil Kharms, a writer and founding member of artists collective OBERIU, born during the Russian Revolution and pursued by the KGB, headed by Niccoli Yezhov (Kieran Hansell). As his pursuers and straight out of the Keystone Cops are Yazhov's officers, Rakukin (Sophie Guiver) and Pakin (Jared Gregory).

It's fascinating that for the first ten to fifteen minutes there is hardly any dialogue and the audience is treated to several expertly choreographed pieces. The exchange of the letter a particularly wonderful one with pretty impressive slight of hand in action. In the early stages of the play as well in the scene where confronted with the dead body, Clee manages to perform some expert slapstick prowess.

Despite the subject matter, there are some exceptionally funny scenes. Both Guiver and Gregory milk up the officers action, with the former a particular delight. Danni-Louise Ryan is fantastically dippy as the "Hello!" receptionist, providing comical confusion to her first and second act visitors. Elizabeth Zion steals her scenes as the mad cat woman Maria, spectacularly arriving with her cat riding the floor cleaner, just brilliant and her magical looks to the audience cracked several of them up.

At mention of the audience, I would take this opportunity to wind back to the beginning of the show as we are greeted pre-show by a highly interactive gas-masked wearing individual. Wielding their torch and challenging and investigating the audience manages to establish a slightly intimidating but also amusing environment. A brilliantly inventive concept well presented.

The second half moves away from Clee's character and hands the reigns to Hansell's Yezhov and his wife, a brilliant Stephanie Waugh as Antonia Yezhov. That cigarette stubbing out was most magnificent, as was indeed the concept of that opening of the second half and the audience requested to become mourners. Hansell is brilliant throughout the show whether he is mourning in an over the top way or conducting his imaginary orchestra through the classical musical strains (excellent music use throughout the play)

Of the lesser characters, I was especially impressed by the clowning, comic antics of the three delivery men; Cynthia Lebbos, Yolanda Lake and Elliot Holdon. Lake's facial expressions especially were absolutely brilliant. Finally I shall have to mention the brilliant over the top performance of George Marlow as the gown and pants wearing Sakerdon Michileovic.

It's difficult to highlight all of the performers in such a play and for those not mentioned, you have my apologies, but you were indeed vital and excellent to make the piece so complete. As the first performance, I was very impressed with how clean everything went, with only a couple of noticeable mishap moments.

It was however once again a most brilliant production and superbly put together by director Kristoffer Hubball. This wonderful group, that I first had the privilege of seeing a mammoth twenty months ago are setting their own bar very high and I am now counting down the days to see them again at the Royal in March. You are brilliant now, so I am in wonder for what you shall be providing in 2016.


Performance viewed: Wednesday 9th December, 2015 (matinee) at Isham Dark, University Of Northampton (Avenue Campus).

An Evil Gathering Of Infidels is performed between Wednesday 9th and Saturday, 12th December, 2015
Facebook group for the event: https://www.facebook.com/events/449152135275248/
Twitter feed for the University actors is @BA_Actors

Popular posts from this blog

Review of The Brittas Empire at Stantonbury Theatre, Milton Keynes

Those old enough to remember may have recollections of the nineties sitcom The Brittas Empire , written by Richard Fegen and Andrew Norriss. Starring Chris Barrie, the wacky series follows the exploits of Gordon Brittas, the man with a dream and a leisure centre in Whitbury New Town to fulfil it, despite the numerous consequences that result. I loved it, and when I heard that MKTOC (Milton Keynes Theatre of Comedy) were to produce the world premiere of the stage show at Stantonbury Theatre, I had to be there to see it. Adapted by Steve Clark (who also directs) and Emma Dell (who also plays the neurotic Helen Brittas), they have put together a loving and fully understanding script based on stories and situations from many episodes, which are ideally suited for the stage. Taking on such a unique show is dangerous for both adapters and cast. Still, the group has perfectly pitched the characters so that they are instantly recognisable from those we remember on screen. Rob Simpson takes on ...

Review of War Horse at Milton Keynes Theatre

Michael Morpurgo's novel War Horse was published in 1982. While it was highly regarded and thought to be his best work, perhaps it eventually came to most people's attention when this striking play stormed the stage, thanks to the National Theatre, back in 2007. Now, War Horse arrives at Milton Keynes Theatre as part of another vast UK tour. Adapted by Nick Stafford in association with the award-winning Handspring Puppet Company, War Horse tells the story of the First World War through the eyes of one horse, Joey, sold for a record price from a family battle but eventually shipped off to war-torn France much to the distress of his original owner, 16-year old Albert. The sprawling and epic story should take some staging, but the vast cast, beautiful structure, stunning folk music and, of course, what this play has become known for, magnificent puppetry, all bring the story to life. This production, directed by Tom Morris and revival director Katie Henry, is a magnificent thin...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...