Skip to main content

Review of An Evil Gathering Of Infidels performed by University Of Northampton BA Actors at Isham Dark (Avenue Campus), Northampton

Last month I was present for Orientation, very possibly the best ever University of Northampton BA Actors performance I have seen. Therefore the second groups ingeniously titled An Evil Gathering Of Infidels had much to live up to. Now lets get it straight from the outset, for me this wasn't quite as good as Orientation. However it was up there with the best of them and was perhaps such a different beast of a show that it is probably unfair in any case doing the comparison.

First of all it is very much less character driven, as although there are several strong and defined characters in the play, actually only ten of the twenty-one performers even have character names. Those other eleven either have single unnamed roles or move between a number or groups of characters, and sometimes rather magnificently portraying doors (holding doorknobs in their outstretched arms).

Lead character (for the first half at least) is Charlie Clee (last seen pursued by a bear) as Daniil Kharms, a writer and founding member of artists collective OBERIU, born during the Russian Revolution and pursued by the KGB, headed by Niccoli Yezhov (Kieran Hansell). As his pursuers and straight out of the Keystone Cops are Yazhov's officers, Rakukin (Sophie Guiver) and Pakin (Jared Gregory).

It's fascinating that for the first ten to fifteen minutes there is hardly any dialogue and the audience is treated to several expertly choreographed pieces. The exchange of the letter a particularly wonderful one with pretty impressive slight of hand in action. In the early stages of the play as well in the scene where confronted with the dead body, Clee manages to perform some expert slapstick prowess.

Despite the subject matter, there are some exceptionally funny scenes. Both Guiver and Gregory milk up the officers action, with the former a particular delight. Danni-Louise Ryan is fantastically dippy as the "Hello!" receptionist, providing comical confusion to her first and second act visitors. Elizabeth Zion steals her scenes as the mad cat woman Maria, spectacularly arriving with her cat riding the floor cleaner, just brilliant and her magical looks to the audience cracked several of them up.

At mention of the audience, I would take this opportunity to wind back to the beginning of the show as we are greeted pre-show by a highly interactive gas-masked wearing individual. Wielding their torch and challenging and investigating the audience manages to establish a slightly intimidating but also amusing environment. A brilliantly inventive concept well presented.

The second half moves away from Clee's character and hands the reigns to Hansell's Yezhov and his wife, a brilliant Stephanie Waugh as Antonia Yezhov. That cigarette stubbing out was most magnificent, as was indeed the concept of that opening of the second half and the audience requested to become mourners. Hansell is brilliant throughout the show whether he is mourning in an over the top way or conducting his imaginary orchestra through the classical musical strains (excellent music use throughout the play)

Of the lesser characters, I was especially impressed by the clowning, comic antics of the three delivery men; Cynthia Lebbos, Yolanda Lake and Elliot Holdon. Lake's facial expressions especially were absolutely brilliant. Finally I shall have to mention the brilliant over the top performance of George Marlow as the gown and pants wearing Sakerdon Michileovic.

It's difficult to highlight all of the performers in such a play and for those not mentioned, you have my apologies, but you were indeed vital and excellent to make the piece so complete. As the first performance, I was very impressed with how clean everything went, with only a couple of noticeable mishap moments.

It was however once again a most brilliant production and superbly put together by director Kristoffer Hubball. This wonderful group, that I first had the privilege of seeing a mammoth twenty months ago are setting their own bar very high and I am now counting down the days to see them again at the Royal in March. You are brilliant now, so I am in wonder for what you shall be providing in 2016.


Performance viewed: Wednesday 9th December, 2015 (matinee) at Isham Dark, University Of Northampton (Avenue Campus).

An Evil Gathering Of Infidels is performed between Wednesday 9th and Saturday, 12th December, 2015
Facebook group for the event: https://www.facebook.com/events/449152135275248/
Twitter feed for the University actors is @BA_Actors

Popular posts from this blog

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...