Skip to main content

Review of Jeeves & Wooster In Perfect Nonsense at Royal & Derngate (Royal), Northampton

For some unknown reason Jeeves & Wooster has managed to pass me by until my encounter with this rather silly but tremendous fun play. I was aware of the characters of course, the upper class fool Wooster and his highly efficient butler Jeeves, but seen or read about them, absolutely not. On the evidence on display in Perfect Nonsense, it might just be worthwhile having a look.

I say might just, because I personally felt that this play was more entertaining from the premise of a play being thrown together in front of our eyes rather than the tale that it told. Bertie Wooster you see wants to put on a play to tell the story of a rather troublesome encounter with a silver cow creamer he has suffered. He does however not have the brains or ability to create such a thing, so his ever dependable butler is constantly on hand to ensure that things mostly go smoothly. The third and final character of the play is Aunt Dahlia’s butler, Seppings, who like Jeeves but unlike Wooster himself, is destined to have to take on a series of different characters in Bertie's tale.

The joy of the play indeed is in all of these troublesome problems. Be they the wrong hat, the wrong wig or even the need to have a conversation with yourself in a neat two sided costume, the cast are the stars of this show more than the story.

Joseph Chance is a wonderfully clinical Jeeves with perfected asides to the audience when Wooster has become particularly tiresome. He is also particularly comical as his alter egos, far removed from Jeeves, particularly the short sighted Gussie Fink-Nottle. Frequently flapping clumsily trying to get hold of the knobs, on the doors, or having conversations with lampshades.

Matthew Carter presents a perfect buffoon of a Wooster who much of the time is in a bemused state unable to find doors and often astounded by his butler's efficiency. There is a clever neat part, repeated twice, where Wooster himself switches costumes and typically his co-stars, he is slow and clumsy about it. As Carter says this is the boring bit. Interestingly from our side seats on the evening, we were able to see Carter get dressed into his suits just off stage (don't worry pants were always present). The elderly lady in front would have got an even better view, however for her, seemingly not good enough to return for the second half.

The star though comes in the form of co-adapter Robert Goodale as the decrepit butler Seppings, who via his need to play "all of the other characters" becomes much less decrepit. His turns as Aunt Dahlia and the Hitler-esque towering Roderick Spode make the show, with his helpless expressions classic moments. He is also involved in the funniest moment of the play featuring a trains arrival, I shall say no more.

For those that have seen The Play That Goes Wrong or The 39 Steps there will be much familiar in Perfect Nonsense, and to be honest those do many things much better. However this is perfect slapstick entertainment which cannot fail to entertain any theatre or P.G. Wode enthusiast. Not quite perfect, but the most wonderful nonsense and highly recommended.

««««

Performance reviewed: Monday 5th October, 2015 at the Royal & Derngate (Royal), Northampton.

Jeeves & Wooster - Perfect Nonsense runs at the Royal & Derngate until Saturday 10th October, 2015 before continuing its tour.
http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/JeevesAndWooster/

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/


Popular posts from this blog

Review of Fawlty Towers at Royal & Derngate (Derngate), Northampton

The seventies comedy series Fawlty Towers , written by John Cleese and Connie Booth, remains one of the most enduring shows of all time. While some now frown on some of the content as being politically incorrect, it is impossible to see the antics of Basil Fawlty, his wife Sybil, and his staff as anything other than stunningly clever TV comedy of the highest standard. So, when news broke that Cleese was adapting three of his most famous episodes for the stage, there was a mix of naysayers predicting failure and jubilators ready for success. As the show now rolls into Royal & Derngate as part of an extensive tour following a hugely successful London run, the naysayers have gone quiet, and the audiences are packed. For those unfamiliar with the show,  Fawlty Towers  featured inept hotel manager Basil Fawlty battling everything from corpses and rats to Germans in his campaign to create the very best hotel, despite his constant annoyance with humanity, including the guests....

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...