Skip to main content

Review of Jeeves & Wooster In Perfect Nonsense at Royal & Derngate (Royal), Northampton

For some unknown reason Jeeves & Wooster has managed to pass me by until my encounter with this rather silly but tremendous fun play. I was aware of the characters of course, the upper class fool Wooster and his highly efficient butler Jeeves, but seen or read about them, absolutely not. On the evidence on display in Perfect Nonsense, it might just be worthwhile having a look.

I say might just, because I personally felt that this play was more entertaining from the premise of a play being thrown together in front of our eyes rather than the tale that it told. Bertie Wooster you see wants to put on a play to tell the story of a rather troublesome encounter with a silver cow creamer he has suffered. He does however not have the brains or ability to create such a thing, so his ever dependable butler is constantly on hand to ensure that things mostly go smoothly. The third and final character of the play is Aunt Dahlia’s butler, Seppings, who like Jeeves but unlike Wooster himself, is destined to have to take on a series of different characters in Bertie's tale.

The joy of the play indeed is in all of these troublesome problems. Be they the wrong hat, the wrong wig or even the need to have a conversation with yourself in a neat two sided costume, the cast are the stars of this show more than the story.

Joseph Chance is a wonderfully clinical Jeeves with perfected asides to the audience when Wooster has become particularly tiresome. He is also particularly comical as his alter egos, far removed from Jeeves, particularly the short sighted Gussie Fink-Nottle. Frequently flapping clumsily trying to get hold of the knobs, on the doors, or having conversations with lampshades.

Matthew Carter presents a perfect buffoon of a Wooster who much of the time is in a bemused state unable to find doors and often astounded by his butler's efficiency. There is a clever neat part, repeated twice, where Wooster himself switches costumes and typically his co-stars, he is slow and clumsy about it. As Carter says this is the boring bit. Interestingly from our side seats on the evening, we were able to see Carter get dressed into his suits just off stage (don't worry pants were always present). The elderly lady in front would have got an even better view, however for her, seemingly not good enough to return for the second half.

The star though comes in the form of co-adapter Robert Goodale as the decrepit butler Seppings, who via his need to play "all of the other characters" becomes much less decrepit. His turns as Aunt Dahlia and the Hitler-esque towering Roderick Spode make the show, with his helpless expressions classic moments. He is also involved in the funniest moment of the play featuring a trains arrival, I shall say no more.

For those that have seen The Play That Goes Wrong or The 39 Steps there will be much familiar in Perfect Nonsense, and to be honest those do many things much better. However this is perfect slapstick entertainment which cannot fail to entertain any theatre or P.G. Wode enthusiast. Not quite perfect, but the most wonderful nonsense and highly recommended.

««««

Performance reviewed: Monday 5th October, 2015 at the Royal & Derngate (Royal), Northampton.

Jeeves & Wooster - Perfect Nonsense runs at the Royal & Derngate until Saturday 10th October, 2015 before continuing its tour.
http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/JeevesAndWooster/

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/


Popular posts from this blog

Review of The House She Built at The Black Diamond, Northampton

Independent theatre company Nerve Theatre was founded in January 2025, when its first original production, Broken Party , took to the stage at Benn Hall in Rugby. That was followed the same year by a modern retelling of Frankenstein . Now, for 2026, Nerve Theatre founder Mia Ballard has written and directed The House She Built , staged for three nights at The Black Diamond, Northampton. The House She Built , set in 1950s Hollywood, is a dark thriller influenced by the lives of Marilyn Monroe, Judy Garland, Elizabeth Taylor and Audrey Hepburn and their treatment as women within the cogs of Hollywood. Our leading lady here is Nancy Carlton, who returns to Mellor Brothers Productions to make one final film. But something awaits her, and the scene is set for a period thriller that explores the grimy world behind Hollywood's apparently glamorous days. Michaela Clement-Hayes leads the cast as Nancy Carlton, the star troubled by her past, but returning to her old studio for that final mov...

Review of Paranormal Activity at Milton Keynes Theatre

The low-budget film Paranormal Activity , first released in 2007, has since become the starting point of one of the most prolific horror series ever, with seven films now released in the franchise and another due next year. Its unique down-to-earth style of storytelling, inhabiting what is many people’s real life, with dangers within the house, has contributed greatly to its success. So, from one successful medium franchise, it is no surprise the series was developed for theatre in 2024, with a new story by Levi Holloway (though it borrows heavily from the original film). First performed at Leeds Playhouse before heading to both the West End and Broadway, and now, for 2026, a UK and Ireland tour, which this week arrives at Milton Keynes Theatre. So the question is: has the medium successfully crossed to the other side? Newly married couple, James and Lou, move from Chicago to London in an attempt to escape both of their past lives. However, as events begin to repeat themselves, they re...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...