Skip to main content

Review of The Hound Of The Baskervilles at the Looking Glass Theatre, Northampton

And so the next generation of the Looking Glass Theatre begins, lifted gracefully from its former home and planted into the arms of Hazelrigg House and its performance space the glorious St Peters Church. The move is complete and there is perhaps nothing better than a light, fluffy and fun reinterpretation of oft told Sir Arthur Conan Doyle tale The Hound Of The Baskervilles to begin. Created as some sort of chaotic amateur dramatic performance with a feel of Sherlock Holmes does Pantomime, this is indeed a silly entertaining feast.

A cast of just three coping, mostly, with all the roles of the play adds frequently more chaos. Our cast are in no particular order Marvin Freeman, Alex Rex and Katy Corrie. I was sure when I saw the original cast that Freeman would absolutely be Holmes, however this throws a curve ball with Rex as the famous sleuth. It is appropriate though as anyone aware of the story will know that Sherlock is actually quite absent for much of the story of the Baskervilles, so it leaves the authoritative Watson (Freeman) to keep the story moving along. He cuts the mustard as much anarchy surrounds him and leaves Rex to revel in the delights of Mrs Barrymore and her "Spit the dog" dog.

I think perhaps the character of Mrs Barrymore is the best role here and there is no better scene in the play than when she is offered a significantly high chair to sit while she tells her tale. Moments of agony are sustained by the audience as they and indeed the cast end in fits of laughter as she tries to, erm, get comfortable. It's not only a hysterical moment, but also one of impressively clever skill to complete it. A truly magic moment.

Freeman maintains the professional edge in his role and is the constant calm at the eye of the maelstrom. Katy Corrie has to deal with the bulk of the other characters, including briefly cleverly taking over one in the second half. Her moment though is in the role of the snooty Mr Stapleton. Constantly in pursuit of a butterfly or a moth, or perhaps some other nefarious deed?

The set is simple and functional and it matters not that the doors don't close. Clever devices such as the "bog of doom" cloth work super well and offer great comedy material. It was great to see Hazelrigg doubling as Baskerville Hall (use your resources) in the "rare film", and also I am sure some third year University actors were in that film if my eyes didn't deceive me?

Congratulations to adapter Leigh Souter and director James Smith on creaing a great way to begin the new generation of the Looking Glass Theatre. It's a shame that this only makes a brief three night appearance and also misses the weekend spot that I know at least a couple of people are sad about. I hope it rears its hairy head again and a few more people can delight in the admittedly very silly, but oh so fun antics. Howling good fun!


Performance reviewed: Wednesday 21st October, 2015 at the Looking Glass Theatre, Northampton.

The Hound Of The Baskervilles is on at the Looking Glass Theatre between Tuesday 20th and Thursday 22nd October, 2015.


Looking Glass Theatre also has a website at http://www.lookingglasstheatre.co.uk/


Popular posts from this blog

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...