Skip to main content

Review of The Hound Of The Baskervilles at the Looking Glass Theatre, Northampton

And so the next generation of the Looking Glass Theatre begins, lifted gracefully from its former home and planted into the arms of Hazelrigg House and its performance space the glorious St Peters Church. The move is complete and there is perhaps nothing better than a light, fluffy and fun reinterpretation of oft told Sir Arthur Conan Doyle tale The Hound Of The Baskervilles to begin. Created as some sort of chaotic amateur dramatic performance with a feel of Sherlock Holmes does Pantomime, this is indeed a silly entertaining feast.

A cast of just three coping, mostly, with all the roles of the play adds frequently more chaos. Our cast are in no particular order Marvin Freeman, Alex Rex and Katy Corrie. I was sure when I saw the original cast that Freeman would absolutely be Holmes, however this throws a curve ball with Rex as the famous sleuth. It is appropriate though as anyone aware of the story will know that Sherlock is actually quite absent for much of the story of the Baskervilles, so it leaves the authoritative Watson (Freeman) to keep the story moving along. He cuts the mustard as much anarchy surrounds him and leaves Rex to revel in the delights of Mrs Barrymore and her "Spit the dog" dog.

I think perhaps the character of Mrs Barrymore is the best role here and there is no better scene in the play than when she is offered a significantly high chair to sit while she tells her tale. Moments of agony are sustained by the audience as they and indeed the cast end in fits of laughter as she tries to, erm, get comfortable. It's not only a hysterical moment, but also one of impressively clever skill to complete it. A truly magic moment.

Freeman maintains the professional edge in his role and is the constant calm at the eye of the maelstrom. Katy Corrie has to deal with the bulk of the other characters, including briefly cleverly taking over one in the second half. Her moment though is in the role of the snooty Mr Stapleton. Constantly in pursuit of a butterfly or a moth, or perhaps some other nefarious deed?

The set is simple and functional and it matters not that the doors don't close. Clever devices such as the "bog of doom" cloth work super well and offer great comedy material. It was great to see Hazelrigg doubling as Baskerville Hall (use your resources) in the "rare film", and also I am sure some third year University actors were in that film if my eyes didn't deceive me?

Congratulations to adapter Leigh Souter and director James Smith on creaing a great way to begin the new generation of the Looking Glass Theatre. It's a shame that this only makes a brief three night appearance and also misses the weekend spot that I know at least a couple of people are sad about. I hope it rears its hairy head again and a few more people can delight in the admittedly very silly, but oh so fun antics. Howling good fun!


Performance reviewed: Wednesday 21st October, 2015 at the Looking Glass Theatre, Northampton.

The Hound Of The Baskervilles is on at the Looking Glass Theatre between Tuesday 20th and Thursday 22nd October, 2015.


Looking Glass Theatre also has a website at http://www.lookingglasstheatre.co.uk/


Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

Review of Dial M For Mayhem! at Royal & Derngate (Royal), Northampton

Middle Ground Theatre has been creating unique and intrepid adventures for the stage since the late eighties, and with Dial M For Mayhem! , they take those experiences and bring to the stage a brand new play within a play now arriving for a week run at Royal & Derngate. Written by Margaret May Hobbs and directed by Michael Lunney, Dial M For Mayhem! has much to admire. Still, sadly, for every good joke, amusing set piece and chaotic moment, there are too many periods of flatness, stilted sequences and, especially during the first act, too many slow scenes which either tread the same old ground or bring nothing new to the proceedings and then fail to flow into the next leaving it often disjointed. The cast does their very best, though, and the characters they bring to the stage are entertaining and perfect for this farcical play, but they lack depth despite the script trying desperately at times to give them one. The attempt to create character also comes at the expense of the farc...