Skip to main content

Review of Peter Pan Goes Wrong at Royal & Derngate (Royal), Northampton

Having seen Mischief Theatre's phenomenal The Play That Goes Wrong three times last year, there was a strange and uncomfortable feeling at the start of Peter Pan Goes Wrong for me. Creators Henry Lewis, Jonathan Sayer and Henry Shields have come up with such a well defined collection of characters, complete with their own personal foibles (and indeed desires), that it felt sacrilege to see different people playing them. For my three viewings last year, I had been privileged to see the original cast on all occasions, so who on earth was that person playing stage manager Trevor (actually Chris Leask)? Causing the usual pre-show mayhem (this time right in front of my row), he acted and sounded the same yes, but he looked, just different. Then who on earth is this guy pretending to be director Chris Bean?

However this was my own foible because once the onstage chaos began, none of it mattered, as once again myself and the audience were carried away in a chaotic, blistering and immensely funny adventure. Presenting his Christmas vignette (not a pantomime), director Chris Bean (Laurence Pears) welcomed us to the show in front of the curtains and was this time joined by the finely bearded Robert Grove (Cornelius Booth), and an important beard that was to become. All the other favourite characters were also back in action, including poser and prancer Sandra "sick moves" Wilkinson (played gloriously over the top by Leonie Hill) and crowd favourite Max Bennett (always taking a bow Matt Cavendish). Former assistant stage manager Annie (Naomi Sheldon) is also back, this time promoted to a quick changing cast member from the outset, no longer dragging the likes of myself onstage to hold mantelpieces in place. It is a huge credit to the writers that in two single plays they have created such defined characters who even allowing for the cast changes are still all so unique and recognisable.

The ante has also been lifted in the set design with a quite incredible revolving stage. Danger, pace and lunacy could not be greater, especially when as expected there is a slight problem and it offers little wondrous windows into the lives of these larger than life characters as they strike seven bells out of one another. Much of the antics are similar to TPTGW, but I suspect that was why many were here, for more of the same. New problems were of course found from the Peter Pan material, particular with the flying. No chance was missed with this to inflict as much damage as possible on the cast members. Also a very clever scene came from Peter and Wendy's journey to the bottom of the sea. This was so good and well performed that you could genuinely see how difficult it can be to make something to appear to go so wrong. Masters were indeed at work.

Real world director Adam Meggido has created a quite incredible little feast that can never fail to delight. While performed on Simon Scullion's playground of a set, which is never far from disaster itself, this is without doubt a stunning production that uses much of the originals charm and success. While also building superbly with the characters and ideas that there must surely be a third installment soon. This is a must see and comes more highly recommended that my five stars will allow.

«««««

Performance reviewed: Monday 23rd February, 2015 at the Royal & Derngate (Royal), Northampton.

Peter Pan Goes Wrong is on at the Royal & Derngate (Royal) until Saturday 28th February, 2015 before touring. Details can be found at Mischief Theatres website at http://www.mischieftheatre.co.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Sunny Afternoon at Milton Keynes Theatre

Sunny Afternoon , the Kinks-inspired jukebox musical, debuted on stage in 2014. Featuring Ray Davies' music and a book by Joe Penhall, it first found success in London before a UK tour in 2016/17. Now arriving at Milton Keynes Theatre with a new 2025/6 tour, the question remains: with some songs now over 60 years old, is Sunny Afternoon still relevant to today's audiences? While this is a jukebox musical, this show follows, via this system, the story of the formation and eventual success of The Kinks rather than creating a random story from the songs. Opening with the band The Ravens, the group is safe and sophisticated, with their prim-and-proper lead singer. However, the true band of the future, Ray Davies, Dave Davies, Mick Avory and Pete Quaife, are itching for freedom, to break away, especially writer Ray, who wants to create songs that mean something to people. Enter the suits of management, and the rocky creation of The Kinks begins. I had the pleasure of seeing Sunny A...

Review of UoN Fringe 2019: Working For The Man by Naked Truth Theatre at The Platform Club, Northampton

When looking at the prospect of the Fringe performance Working For The Man , it is slightly difficult to work out who is the bravest person involved in this remarkable one performer, one audience member show set totally within or around the edges of a car. I guess I would in my case, say myself, but it takes some daring for performer Ellie Lomas of Naked Truth Theatre to also create a piece that offers the boldness that it does. Working for the Man is perhaps unsurprisingly about the sex trade, and explores exploitation and how, or if, prostitution is taken as a serious profession. It involves no live audio dialogue from performer Ellie Lomas, instead, she inhabits a purely physical performance, that is progressed by the use of a pair of headphones which you are given at the start. Across this audio are instructions of what to do. "Get in the car", "sit in the middle seat in the back", "open the glove compartment" etc, as you move to different areas ...

Review of It's A Wonderful Life by Masque Theatre at the Holy Sepulchre, Northampton

Remarkably I only saw the classic film It's A Wonderful Life last Christmas, this was thanks to spotting it lurking on my subscription of Netflix. A glorious heartwarming film perfect for Christmas? That must be why I was a blubbering mess at the end of it then. There was hope that in public, The Masque Theatre's performance of the radio version of the story didn't leave me in the same situation. As it happened it did a little as that final scene in the Bailey household played out again, but it didn't matter as there were members of the cast in the same broken state as many of us audience members. Left to right: Jo Molyneux, John Myhill, Lisa Wright, Michael Street, Lisa Shepherd and Jof Davies This was the first radio play that I had seen performed and on the evidence of this, I sure would like to see some more. While not having the drama of standard plays in their creation of moment and places, they do have a rather striking drive towards character creation. The ...