Skip to main content

Review of Oklahoma! at Royal & Derngate (Derngate), Northampton

My musical theatre crash course continued this week with Rodgers & Hammerstein's Oklahoma! Although it came with the territory of sitting in a theatre seemingly more often than at home, its safe to say that the musical side of it has been one of the greater revelations. Having now seen more musicals in the last few months than I had in the proceeding thirty seven years, I have sort of been converted.

Oklahoma! like the exceptional South Pacific I saw last year was entirely new to me as a complete package. However like SP, many of the tunes were well known from, well somewhere I know not. From the uplifting and heart rising "Oh What A Beautiful Mornin'" to the bold and celebratory Oklahoma! itself, these songs were classics even if I had never seen the package they were weaved around.

For myself there was also the comfort blanket of two actors who had very much been about during my time growing up. Both the effortless Gary Wilmot and the delightful Belinda Lang, while far from the lead characters of the musical bought a glow from yesteryear for me. The long remembered comic timing of the pair were still there glowing. They have many of the funnier lines which helps of course, particular Wilmot's character Ali Hakim when he is trying to avoid getting love trapped, "You mind your own business!" Lang's Aunt Eller also has a pitch perfect classic moment wielding that shotgun.

My two stars however are the support in Oklahoma!, as the true leads are the younger members of the company. They are also quality throughout. From the opening moments Ashley Day as Curly and his performance of "Oh What A Beautiful Mornin'" to his sparring with the wonderful tomboy Laurey (as excellent feisty Charlotte Wakefield) commands the scenes he is in. Well except perhaps those with Nic Greenshields, because in those, the tall and menacing actor portrays the baddie of the piece Jud Fry with a vice grip. The scene in his shed where at first Day is in charge, soon becomes Fry's and his performance of "Lonely Room" for me is exceptional. The final star I would mention is Lucy May Barker as Ado Annie Carnes. Her turn is comic at high velocity as she seeks a man, another man, and one more, and then another. "I Cain't Say No!" is performed superbly, hysterically and bloomer flashing gloriously!

The choreographer from Drew McOnie is also exceptional. The highlight without doubt the exceptionally complex dream sequence, fusing ballet, contemporary and bum on bale rolling sounds odd, but works as a visual feast. Spinning through the happy dream to the nightmarish end, it is without doubt the highlight of the show.

So once again I have been won over by a musical and I suspect that this fine version of the classic is going to fill an awful lot of seats as it progresses through its twenty-one stop tour. There certainly isn't any reason I can see not to see it. Indeed it would be a scandal if you missed it!


«««««

Performance reviewed: Wednesday 25th February, 2015 (matinee) at the Royal & Derngate (Derngate), Northampton.

Oklahoma! is on at the Royal & Derngate until Saturday 28th February, 2015 before touring until the 8th August, 2015. Details can be found at http://www.oklahomatour.co.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Mog's Christmas at Royal & Derngate (Royal), Northampton

Back in 2022, the theatre group The Wardrobe Ensemble created a sweet and adventurous staging of Judith Kerr's classic children's character, Mog - The Forgetful Cat . For this Christmas season at Royal & Derngate, Mog returns with, suitably enough, Mog's Christmas . The show, just a crisp, action-packed hour, retells two past adventures alongside a Christmas vignette. Kerr's Mog first appeared in 1970, and it launched a remarkable run of books over 50 years featuring the puzzled feline, culminating in the final book released in 2020, following Kerr's death at 95 in 2019. Kerr is most famous for one of her other tales, The Tiger Who Came to Tea . However, in Mog's Christmas , the show presents three entertaining little stories featuring her other, slightly lesser-known feline character. Over the course of the hour, we see Mog successfully foil a burglar, survive a trip to the V.E.T., and then, in the brand-new stage story, a Christmas adventure where Mog gets...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...

Review of Beauty and the Beast at Castle Theatre, Wellingborough

The Castle Theatre Wellingborough this year sees the home of Beauty and the Beast as its seasonal pantomime, and what a fabulously entertaining show it is. Hiding away from the big star names, Parkwood Theatres & Castle Theatre has assembled a talented bunch of performers to bring this tale “as old as time” to the stage. Produced and directed by Martin Cleverley once again, back from previous years' pantos, the show relies very much on characters rather than showy visuals. Taking full advantage of a French setting, the puns flow freely, including to the characters, with names such as Danon and Djon thrown into the mustard pot (very much intended) of puns. Aura Mitchell and Kaysee Craine lead our cast of characters as the title characters of Beauty and the Beast (also known as Prince Pierre). While they do play second fiddle, as is the norm for a panto, to the additional comic characters, they form a charming partnership. Returning to the role of panto dame from last year'...