Skip to main content

Review of Oklahoma! at Royal & Derngate (Derngate), Northampton

My musical theatre crash course continued this week with Rodgers & Hammerstein's Oklahoma! Although it came with the territory of sitting in a theatre seemingly more often than at home, its safe to say that the musical side of it has been one of the greater revelations. Having now seen more musicals in the last few months than I had in the proceeding thirty seven years, I have sort of been converted.

Oklahoma! like the exceptional South Pacific I saw last year was entirely new to me as a complete package. However like SP, many of the tunes were well known from, well somewhere I know not. From the uplifting and heart rising "Oh What A Beautiful Mornin'" to the bold and celebratory Oklahoma! itself, these songs were classics even if I had never seen the package they were weaved around.

For myself there was also the comfort blanket of two actors who had very much been about during my time growing up. Both the effortless Gary Wilmot and the delightful Belinda Lang, while far from the lead characters of the musical bought a glow from yesteryear for me. The long remembered comic timing of the pair were still there glowing. They have many of the funnier lines which helps of course, particular Wilmot's character Ali Hakim when he is trying to avoid getting love trapped, "You mind your own business!" Lang's Aunt Eller also has a pitch perfect classic moment wielding that shotgun.

My two stars however are the support in Oklahoma!, as the true leads are the younger members of the company. They are also quality throughout. From the opening moments Ashley Day as Curly and his performance of "Oh What A Beautiful Mornin'" to his sparring with the wonderful tomboy Laurey (as excellent feisty Charlotte Wakefield) commands the scenes he is in. Well except perhaps those with Nic Greenshields, because in those, the tall and menacing actor portrays the baddie of the piece Jud Fry with a vice grip. The scene in his shed where at first Day is in charge, soon becomes Fry's and his performance of "Lonely Room" for me is exceptional. The final star I would mention is Lucy May Barker as Ado Annie Carnes. Her turn is comic at high velocity as she seeks a man, another man, and one more, and then another. "I Cain't Say No!" is performed superbly, hysterically and bloomer flashing gloriously!

The choreographer from Drew McOnie is also exceptional. The highlight without doubt the exceptionally complex dream sequence, fusing ballet, contemporary and bum on bale rolling sounds odd, but works as a visual feast. Spinning through the happy dream to the nightmarish end, it is without doubt the highlight of the show.

So once again I have been won over by a musical and I suspect that this fine version of the classic is going to fill an awful lot of seats as it progresses through its twenty-one stop tour. There certainly isn't any reason I can see not to see it. Indeed it would be a scandal if you missed it!


«««««

Performance reviewed: Wednesday 25th February, 2015 (matinee) at the Royal & Derngate (Derngate), Northampton.

Oklahoma! is on at the Royal & Derngate until Saturday 28th February, 2015 before touring until the 8th August, 2015. Details can be found at http://www.oklahomatour.co.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of 2:22 A Ghost Story at Royal & Derngate (Derngate), Northampton

2:22 A Ghost Story continues an endless rise and run of success on the stage. This play by Danny Robins was first staged as recently as August 2021 at the Noel Coward Theatre and since then the show continued to run in London for two years, moving to four further London theatres, before eventually closing in the city to embark on this tour, which began in September last year. During these runs, the cast has constantly been updated with often populist actors, and some, which are not even associated with acting. As this reaches Royal & Derngate, now even the touring cast has been swept clean and four further performers take on the incredible success of a show. This is the second time I have seen 2:22 A Ghost Story , and it is safe to say that on that first viewing, with the previous tour cast, I was not as blown away by the play as the success seemed to warrant. The aforementioned populist casting seemed to have driven a so-so ghostly tale into success beyond its quality, and with th...

Review of Benidorm Live at Milton Keynes Theatre, Milton Keynes

I arrived at Milton Keynes Theatre to see this touring stage version of ITV comedy hit Benidorm with a distinct lack of knowledge. Having never seen the show, my information stretched as far as knowing it was set in a holiday resort in Spain (the title helps there), and that the humour generally resorted to the cruder end of the spectrum. However, having graced the screens for ten years, it was clear that Derren Litten's show had garnered quite a following, and indeed it was clear from the reception of the audience on the night, that this following was pretty much filling the theatre. The plot, such as it is for this stage show, is very much drafted from an episode of Fawlty Towers , and made a great deal more adult with its humour. The hotel manager, Joyce Temple-Savage (a sharp performance by Sherrie Hewson) gets wind that a hotel inspector is in, and the scene is set for seeking them out and all the obvious cases of mistaken identity. It's thin and doesn't fill ...