Skip to main content

Review of Oklahoma! at Royal & Derngate (Derngate), Northampton

My musical theatre crash course continued this week with Rodgers & Hammerstein's Oklahoma! Although it came with the territory of sitting in a theatre seemingly more often than at home, its safe to say that the musical side of it has been one of the greater revelations. Having now seen more musicals in the last few months than I had in the proceeding thirty seven years, I have sort of been converted.

Oklahoma! like the exceptional South Pacific I saw last year was entirely new to me as a complete package. However like SP, many of the tunes were well known from, well somewhere I know not. From the uplifting and heart rising "Oh What A Beautiful Mornin'" to the bold and celebratory Oklahoma! itself, these songs were classics even if I had never seen the package they were weaved around.

For myself there was also the comfort blanket of two actors who had very much been about during my time growing up. Both the effortless Gary Wilmot and the delightful Belinda Lang, while far from the lead characters of the musical bought a glow from yesteryear for me. The long remembered comic timing of the pair were still there glowing. They have many of the funnier lines which helps of course, particular Wilmot's character Ali Hakim when he is trying to avoid getting love trapped, "You mind your own business!" Lang's Aunt Eller also has a pitch perfect classic moment wielding that shotgun.

My two stars however are the support in Oklahoma!, as the true leads are the younger members of the company. They are also quality throughout. From the opening moments Ashley Day as Curly and his performance of "Oh What A Beautiful Mornin'" to his sparring with the wonderful tomboy Laurey (as excellent feisty Charlotte Wakefield) commands the scenes he is in. Well except perhaps those with Nic Greenshields, because in those, the tall and menacing actor portrays the baddie of the piece Jud Fry with a vice grip. The scene in his shed where at first Day is in charge, soon becomes Fry's and his performance of "Lonely Room" for me is exceptional. The final star I would mention is Lucy May Barker as Ado Annie Carnes. Her turn is comic at high velocity as she seeks a man, another man, and one more, and then another. "I Cain't Say No!" is performed superbly, hysterically and bloomer flashing gloriously!

The choreographer from Drew McOnie is also exceptional. The highlight without doubt the exceptionally complex dream sequence, fusing ballet, contemporary and bum on bale rolling sounds odd, but works as a visual feast. Spinning through the happy dream to the nightmarish end, it is without doubt the highlight of the show.

So once again I have been won over by a musical and I suspect that this fine version of the classic is going to fill an awful lot of seats as it progresses through its twenty-one stop tour. There certainly isn't any reason I can see not to see it. Indeed it would be a scandal if you missed it!


«««««

Performance reviewed: Wednesday 25th February, 2015 (matinee) at the Royal & Derngate (Derngate), Northampton.

Oklahoma! is on at the Royal & Derngate until Saturday 28th February, 2015 before touring until the 8th August, 2015. Details can be found at http://www.oklahomatour.co.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of Flashdance - The Musical at Milton Keynes Theatre, Milton Keynes

For the second week running, the Milton Keynes Theatre is overrun by a wave of eighties nostalgia as Selladoor's production of Flashdance The Musical follows hot on the heels of An Officer and a Gentlemen. However, is it nice to have more of that classic decade upon the stage? The answer mostly is yes, despite the fact that the story driving Flashdance is that light and flimsy at times, you just have to sit back and watch the dancing and the bright colours to get you through. Welding genius, Alex Owens, has her sights set for a bigger thing beyond this tired and struggling factory in Pittsburgh.  Hoping to take her dancing beyond Harry's bar, she plans to make big, via Shipley Dance Academy.  Then, also drifting into her life comes Nick Hurley, who initially unknown to her, happens to be the factory bosses son, the scene is set for romance. Flashdance has a generally excellent cast led with a tremendously good performance from Joanne Clifton as Alex Owens. Those famil...