Skip to main content

Review of The Jungle Book at the Looking Glass Theatre, Northampton

Its safe to say that I was probably missing the target audience for The Jungle Book by thirty odd years and going was more a plan of returning to the lovely little Looking Glass Theatre as much as attending a puppet come pantomine come kiddies entertainment show.

Having said that, The Jungle Book was one of my favourite stories when I was little (under five foot) and it was going to be interesting to see another spin on the classic Kipling tale. This performance was a sort of interactive Jackanory and the juniors certainly interacted. Especially once the puppets had arrived that's for certain, hanging from the poor puppets limbs on more than a few occasions. It was great to see them getting involved so much.

Our storytellers came in the form of purveyor of corny jokes and pirate fan David Heathcote and bespectacled librarian Leigh Souter-Smith. Until this production Leigh Souter-Smith for me had been provider of tea, marshmallow filled chocolate and when required coffee as front of house of the Looking Glass, so it was a delight to see a bit of thesp activity. And great form she was too as the sensible part of the duo of library staff and later explorer and reader of Mowgli's diary. David Heathcote in turn was a surprise as, until I was advised later, I had seen him at the Looking Glass previously. Such was his performance so different, I certainly didn't see the same shouty RSM of Killed (review here). A credit therefore to his performance.

The final human actor on stage came in the form of Brianna Souter-Smith as Mowgli. As one of the young boys in the audience cried "It's a girl!" upon her appearance, however it did not matter as she was a delight interacting with all the animals of the forest (I shall get to them in a bit) and coped well with the continued interaction of the crowd, particular one little girl who was literally everywhere enjoying the show.

So onto the animals, the wonderful puppets. You have to be a hard, boring old soul if you can't find endless amusement from silly looking, floppy, arm flailing, puppets. And hopefully I don't fall into that catagory as I found them hysterical. Whether they be telling the tale, or have a random child hanging off them, they provided endless amusement. My favourite would have to be the Animal-esque monkey and its long spindly arms. I could have been looking in the mirror.

The shadow puppetry on screen was also very clever and entertaining, as was the disembodied mask on the screen telling the tale. I think a couple of the little ones found this a tad creepy, but it was never too scary. Also the set was lovely and detailed, from a little library set to the bonfire and plenty of little nooks and crannies for the animals to appear from.

So, yes, it wasn't really a play for a late thirties man. However I enjoyed it all the same and quite clearly could see that the target audience really did enjoy it. If you have a five, six or seven year old-ish to amuse for a couple of hours, you will find no better value than going to see this little bit of fun.


Performance reviewed: The matinee on Wednesday 30th July 2014 at the Looking Glass Theatre, Northampton. 

The Jungle Book is on at the Looking Glass Theatre, Northampton until Saturday 9th August, 2014. Details can be found at: http://www.lookingglasstheatre.co.uk/

Popular posts from this blog

Review of Jesus Christ Superstar (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

The now-legendary Jesus Christ Superstar , written by Andrew Lloyd Webber and Tim Rice, initially struggled to find backing in 1970, so its first airing was as a concept album rather than the now mainly recognised stage show. Now, 55 years later, the legendary Northampton Musical Theatre Company, at least in Northampton, brings the show to the Royal & Derngate once again, after last performing it in 2010. The story, I suspect, needs little introduction, so I leave you to ensure you know the story before heading to the theatre to see the show. And what a show it is: this is the N.M.T.C., almost at the top of their game, assembling the cream of their group and a vast cast supporting the main players. As lead, newcomer Linden Iliffe takes on the weighty role of Jesus of Nazareth, and he is terrific in the challenging part, depicting the innocent power imbued in him and his desperation and disappointment as his life unravels amid bitter betrayal and disownment. He has a powerful voice,...

Review of Mary Poppins at Milton Keynes Theatre

The 1964 Disney film Mary Poppins is one of the most fondly remembered family films and has been a staple of many children's childhoods ever since its release. Adapted from P. L. Travers's book series featuring the famous nanny, it took until 2004 for the show to reach the stage, with this musical adaptation featuring a book by Julian Fellowes. The stage musical used the familiar songs from the film by Richard M. Sherman and Robert B. Sherman and added new ones by George Stiles and Anthony Drewe, all under the watchful eye of co-creator Cameron Mackintosh. It is safe to say that many people were involved in bringing this show to the stage. The story, of course, tells of the family Banks—father George, mother Winifred, and the tricky-to-handle children Michael and Jane. Following a job advertisement thrown into the fireplace, a nanny named Mary Poppins arrives at their home, and the Banks' family experiences a very different world than they have ever before. Touring to sele...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...