Skip to main content

Review of Honk Jr. by the Royal & Derngate Youth Theatre at Royal & Derngate (Underground), Northampton

Honk Jr could not be described as high art, a collection of silly songs and corny jokes (Not marmalade dad, WHAT"S MAMA LAID!!!), it was just simply pure fun performed by a mighty band of youngsters, who they themselves appeared to be having high fun while also for so young, staying professional throughout.

Honk Jr. is a junior version of Honk, which in turn is a musical version of the Ugly Duckling. Honk! was written by George Stiles (music) and Anthony Drewe (lyrics) and originally performed in 1993 in Newbury. The junior version is a slightly adapted version with some alterations to characters and songs, but it maintains some of its more grown-up jokes (I haven't been out there since your father and I were courting...and I didn't mean to go that far then!), that are the little bits for the adults and did offer some interesting responses I noted from the audience.

Before I get to the performers, I have to make special mention of the set which was a delight (and latterly I learned a touch of the A Tale Of Two Cities). Clever ideas like the rubber parts of the set allowing the cast to pass through "wood" and the early centrepiece with some of the cast already present (albeit hidden) was well designed allowing the young performers to create different areas of staging as the play moved on. The art work on the floor was also very well realised.

However back to our young performers and what a talented bunch they were for ones so young. All the leads were impressive with Connor Charles Christy as Ugly providing a good honk and a lovely well done transformation scene at the end. Both of Ugly's parents, Aimear Hannah Elson and Curtis Sloan (down the watering hole!) were also impressive, well to be honest pretty much all the cast were. However the stand out performer for me; and was also for one young lad in the crowd as well I think, who cried out "THE CAT" when she returned later in the play; was Zoe Holloway. The perfect young feline performed by one of the shorter cast members, but with a performance above her size. Strutting around proudly as the perfect puss would, she was a delight and the scene stealer whenever she was on stage.

The songs themselves were generally all well performed with an understandable obvious mixture of standards of vocal talents, but all perfectly pleasant and a few talents on show for the future if they keep it up. The musical pieces were all well staged, with the stand out group performances of "The Wild Goose Chase" and "Warts And All" being the highlights.

Overall this was a very well staged and performed version of what is just a silly little feel good musical and sometimes we all want just a good bit of silly in our lives. Even more so us grown-ups!

Popular posts from this blog

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Mamma Mia! at Royal & Derngate (Derngate), Northampton

Ahead of my trip to see Mamma Mia! in Northampton, I had enough conversations about the show to discover that there appears to be no in-between with people over their love or hate of the work of ABBA (music and lyrics by Benny Andersson and Björn Ulvaeus). For your information, patient reader, I fall firmly in the love department and an audience member of Mamma Mia! like myself is always going to ride on a tidal wave of joy as this jukebox churns out an incredible selection of their numbers (and truly reveals a substantially great back catalogue, that even a hater could not deny), however, is the show they are weaved around actually any good? The answer is mostly, yes. It is though, a typical popcorn musical where you are just required to switch your brain off for two hours or so and ride that tidal wave to Kalokairi, and observe the bright colours and frivolous nature of the plot. The plot, such as it is, involves 20-year-old Sophie, who is heading towards marria...

Review of Matthew Bourne's The Car Man at Milton Keynes Theatre

Matthew Bourne has been the accessible end of stage ballet and contemporary dance for decades now, and first imagined for the stage back in 2000, his interpretation and loose adaptation of Bizet’s Carmen , as The Car Man , is perhaps his most accessible to the general public. So, as it drives into Milton Keynes Theatre this week, is it still the masterly piece first seen 26 years ago? Luca is a man on the move; however, as he heads into Harmony, a town of 375 people, he sees a sign reading “Man Wanted” and decides to stop over to try to settle in and take some work at Dino’s Garage. After setting his eyes on the proprietor's wife, Lana, turmoil begins to infect the inhabitants of this harmonious town. The Car Man is a dazzling spectacle by Matthew Bourne and his New Adventures company, filled, as expected, with stunning dancing from the immensely dedicated and talented team of dancers. Led by Will Bozier as Luca, "The Car Man", his strength and confidence drive through h...