Skip to main content

Review of Honk Jr. by the Royal & Derngate Youth Theatre at Royal & Derngate (Underground), Northampton

Honk Jr could not be described as high art, a collection of silly songs and corny jokes (Not marmalade dad, WHAT"S MAMA LAID!!!), it was just simply pure fun performed by a mighty band of youngsters, who they themselves appeared to be having high fun while also for so young, staying professional throughout.

Honk Jr. is a junior version of Honk, which in turn is a musical version of the Ugly Duckling. Honk! was written by George Stiles (music) and Anthony Drewe (lyrics) and originally performed in 1993 in Newbury. The junior version is a slightly adapted version with some alterations to characters and songs, but it maintains some of its more grown-up jokes (I haven't been out there since your father and I were courting...and I didn't mean to go that far then!), that are the little bits for the adults and did offer some interesting responses I noted from the audience.

Before I get to the performers, I have to make special mention of the set which was a delight (and latterly I learned a touch of the A Tale Of Two Cities). Clever ideas like the rubber parts of the set allowing the cast to pass through "wood" and the early centrepiece with some of the cast already present (albeit hidden) was well designed allowing the young performers to create different areas of staging as the play moved on. The art work on the floor was also very well realised.

However back to our young performers and what a talented bunch they were for ones so young. All the leads were impressive with Connor Charles Christy as Ugly providing a good honk and a lovely well done transformation scene at the end. Both of Ugly's parents, Aimear Hannah Elson and Curtis Sloan (down the watering hole!) were also impressive, well to be honest pretty much all the cast were. However the stand out performer for me; and was also for one young lad in the crowd as well I think, who cried out "THE CAT" when she returned later in the play; was Zoe Holloway. The perfect young feline performed by one of the shorter cast members, but with a performance above her size. Strutting around proudly as the perfect puss would, she was a delight and the scene stealer whenever she was on stage.

The songs themselves were generally all well performed with an understandable obvious mixture of standards of vocal talents, but all perfectly pleasant and a few talents on show for the future if they keep it up. The musical pieces were all well staged, with the stand out group performances of "The Wild Goose Chase" and "Warts And All" being the highlights.

Overall this was a very well staged and performed version of what is just a silly little feel good musical and sometimes we all want just a good bit of silly in our lives. Even more so us grown-ups!

Popular posts from this blog

Review of Picture You Dead at Milton Keynes Theatre

The Peter James franchise featuring the detective Roy Grace has become quite the juggernaut of success since his first appearance in 2005 in James's novel Dead Simple . With 21 published books, a popular TV series starring John Simm, now in its fifth series, and this, Picture You Dead , the seventh stage play adaptation, now running at Milton Keynes Theatre, there appears to be no stopping him. The plot of Picture You Dead begins with a down-on-their-luck couple, Harry and Freya Kipling, discovering a potential 200-year-old masterpiece at a car boot sale. The discovery leads them into the path of both a reformed forger, Dave Hegarty, an unscrupulous collector, Oliver De Souza and his assistant Roberta Kilgore and of course, detectives Roy Grace and Bella Moy in pursuit of a cold case which may link them all? Having seen two previous adaptations, I wanted to see if they had gotten beyond the slightly simplistic and television-style of telling the story, now that they were reaching ...

Review of The Brittas Empire at Stantonbury Theatre, Milton Keynes

Those old enough to remember may have recollections of the nineties sitcom The Brittas Empire , written by Richard Fegen and Andrew Norriss. Starring Chris Barrie, the wacky series follows the exploits of Gordon Brittas, the man with a dream and a leisure centre in Whitbury New Town to fulfil it, despite the numerous consequences that result. I loved it, and when I heard that MKTOC (Milton Keynes Theatre of Comedy) were to produce the world premiere of the stage show at Stantonbury Theatre, I had to be there to see it. Adapted by Steve Clark (who also directs) and Emma Dell (who also plays the neurotic Helen Brittas), they have put together a loving and fully understanding script based on stories and situations from many episodes, which are ideally suited for the stage. Taking on such a unique show is dangerous for both adapters and cast. Still, the group has perfectly pitched the characters so that they are instantly recognisable from those we remember on screen. Rob Simpson takes on ...

Review of War Horse at Milton Keynes Theatre

Michael Morpurgo's novel War Horse was published in 1982. While it was highly regarded and thought to be his best work, perhaps it eventually came to most people's attention when this striking play stormed the stage, thanks to the National Theatre, back in 2007. Now, War Horse arrives at Milton Keynes Theatre as part of another vast UK tour. Adapted by Nick Stafford in association with the award-winning Handspring Puppet Company, War Horse tells the story of the First World War through the eyes of one horse, Joey, sold for a record price from a family battle but eventually shipped off to war-torn France much to the distress of his original owner, 16-year old Albert. The sprawling and epic story should take some staging, but the vast cast, beautiful structure, stunning folk music and, of course, what this play has become known for, magnificent puppetry, all bring the story to life. This production, directed by Tom Morris and revival director Katie Henry, is a magnificent thin...