Skip to main content

Review of Honk Jr. by the Royal & Derngate Youth Theatre at Royal & Derngate (Underground), Northampton

Honk Jr could not be described as high art, a collection of silly songs and corny jokes (Not marmalade dad, WHAT"S MAMA LAID!!!), it was just simply pure fun performed by a mighty band of youngsters, who they themselves appeared to be having high fun while also for so young, staying professional throughout.

Honk Jr. is a junior version of Honk, which in turn is a musical version of the Ugly Duckling. Honk! was written by George Stiles (music) and Anthony Drewe (lyrics) and originally performed in 1993 in Newbury. The junior version is a slightly adapted version with some alterations to characters and songs, but it maintains some of its more grown-up jokes (I haven't been out there since your father and I were courting...and I didn't mean to go that far then!), that are the little bits for the adults and did offer some interesting responses I noted from the audience.

Before I get to the performers, I have to make special mention of the set which was a delight (and latterly I learned a touch of the A Tale Of Two Cities). Clever ideas like the rubber parts of the set allowing the cast to pass through "wood" and the early centrepiece with some of the cast already present (albeit hidden) was well designed allowing the young performers to create different areas of staging as the play moved on. The art work on the floor was also very well realised.

However back to our young performers and what a talented bunch they were for ones so young. All the leads were impressive with Connor Charles Christy as Ugly providing a good honk and a lovely well done transformation scene at the end. Both of Ugly's parents, Aimear Hannah Elson and Curtis Sloan (down the watering hole!) were also impressive, well to be honest pretty much all the cast were. However the stand out performer for me; and was also for one young lad in the crowd as well I think, who cried out "THE CAT" when she returned later in the play; was Zoe Holloway. The perfect young feline performed by one of the shorter cast members, but with a performance above her size. Strutting around proudly as the perfect puss would, she was a delight and the scene stealer whenever she was on stage.

The songs themselves were generally all well performed with an understandable obvious mixture of standards of vocal talents, but all perfectly pleasant and a few talents on show for the future if they keep it up. The musical pieces were all well staged, with the stand out group performances of "The Wild Goose Chase" and "Warts And All" being the highlights.

Overall this was a very well staged and performed version of what is just a silly little feel good musical and sometimes we all want just a good bit of silly in our lives. Even more so us grown-ups!

Popular posts from this blog

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

Review of Mary Poppins at Milton Keynes Theatre

The 1964 Disney film Mary Poppins is one of the most fondly remembered family films and has been a staple of many children's childhoods ever since its release. Adapted from P. L. Travers's book series featuring the famous nanny, it took until 2004 for the show to reach the stage, with this musical adaptation featuring a book by Julian Fellowes. The stage musical used the familiar songs from the film by Richard M. Sherman and Robert B. Sherman and added new ones by George Stiles and Anthony Drewe, all under the watchful eye of co-creator Cameron Mackintosh. It is safe to say that many people were involved in bringing this show to the stage. The story, of course, tells of the family Banks—father George, mother Winifred, and the tricky-to-handle children Michael and Jane. Following a job advertisement thrown into the fireplace, a nanny named Mary Poppins arrives at their home, and the Banks' family experiences a very different world than they have ever before. Touring to sele...