Skip to main content

The Duck House at the Vaudeville Theatre, London

From the moment Ben Miller strides onto the stage of the Vaudeville and delivers a concise and funny introduction to proceedings, I got the uncanny feeling that I was going to like this play. A lot.

Written by Dan Patterson (Mock the Week) and Colin Swash (Have I Got News For You and Private Eye), this is a comedy (read farce) of the highest order. Set in May 2009, that wonderful time when our beloved MP's were exposed as the expenses villains we now know them as, this is near the knuckle stuff. The early part takes great joy in creating comedy from what we now know, lampooning many that were later to be in government in a very knowing and very funny way.

The lead roll of MP on the turn Robert Houston is played with delicious exuberance by Ben Miller, when needed, channeling the supreme reaches of an out of control Basil Fawlty, while still being able to deliver those so subtle jokes so well. He just seems not only perfect for the role, but totally enjoying it. Making it all the better for us.

Having seen Miller on television a great deal, none of this is really a surprise. Simon Shepherd though for me was a standout surprise. Very much more familiar for serious roles, his part in this as Sir Norman Cavendish is a revelation. Giving his all, especially in his hysterical second act performance, he really was the surprise of the play.

The rest of the cast were unfamiliar to me (yes even Diana Vickers, what is The X-Factor?!?) but without a shadow of a doubt all are superb. Off the four Debbie Chazen is the best (Add Russian accent "Hello"); sadly very much underused in the second act, as Russian housekeeper Ludmilla. Pretty much stealing every scene she appears in, she is a delight.

That is not to detract from the remaining three performers, with Nancy Carroll superb as the technophobe wife Felicity Hoffman, and James Musgrave pulling off several costumes with style and verve, yes even that *spoilers* suit as son Seb. Diana Vickers has less to do as Seb's girlfriend Holly, only appearing in the second act, but having a "hard hitting" role and the best costume of the show, even more than that *spoiler* suit. Although I may be biased in that.

The set is perfect also, with the first act being very much a farce set, standard living room laden with goods (not sure who paid for them), while the second act set is bang on and neatly presented at the start by a startled Miller.

There is no question that if it is humanly possible for you to get to see this play then you should. Some of the funniest moments you are likely to see this year (or next), be it TV, film or theatre. Featuring the best acupuncture joke I have ever heard, the best use of a *spoiler* suit ever, impressive use of dairy product in a running gag and a cast performance from the gods. Please stop reading this and go and buy a ticket will you, but I am afraid that you are paying...

The Duck House is on at the Vaudeville Theatre, London until March 29th 2014.
www.vaudeville-theatre.co.uk/The-Duck-House.html


Popular posts from this blog

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Lord Of The Dance at Royal & Derngate (Derngate), Northampton

The stage show Lord of the Dance possibly needs little introduction to most people, as it has become a legend and now, in this touring version, subtitled rather immodestly, 25 Years of Standing Ovations, it reaches a landmark anniversary. Those that do not know of the show would probably well know its spiritual fathers Michael Flatley, and even more likely Riverdance , from which Lord of the Dance sprung with a proper spring in its step. During the interval of the 1994 Eurovision Song Contest, Riverdance hit the world by storm as Michael Flatley and his troop of dancers possibly presented the most famous part of Eurovision ever, certainly of the non-singing variety at least. Here, this touring show brings that same style Flatley created from traditional Irish dancing across the country once again and it is truly something special to see. The concept of the show is simply a battle between good and evil told through dance, and some captivating and stunning songs performed by Celyn Cartw...