Skip to main content

The Duck House at the Vaudeville Theatre, London

From the moment Ben Miller strides onto the stage of the Vaudeville and delivers a concise and funny introduction to proceedings, I got the uncanny feeling that I was going to like this play. A lot.

Written by Dan Patterson (Mock the Week) and Colin Swash (Have I Got News For You and Private Eye), this is a comedy (read farce) of the highest order. Set in May 2009, that wonderful time when our beloved MP's were exposed as the expenses villains we now know them as, this is near the knuckle stuff. The early part takes great joy in creating comedy from what we now know, lampooning many that were later to be in government in a very knowing and very funny way.

The lead roll of MP on the turn Robert Houston is played with delicious exuberance by Ben Miller, when needed, channeling the supreme reaches of an out of control Basil Fawlty, while still being able to deliver those so subtle jokes so well. He just seems not only perfect for the role, but totally enjoying it. Making it all the better for us.

Having seen Miller on television a great deal, none of this is really a surprise. Simon Shepherd though for me was a standout surprise. Very much more familiar for serious roles, his part in this as Sir Norman Cavendish is a revelation. Giving his all, especially in his hysterical second act performance, he really was the surprise of the play.

The rest of the cast were unfamiliar to me (yes even Diana Vickers, what is The X-Factor?!?) but without a shadow of a doubt all are superb. Off the four Debbie Chazen is the best (Add Russian accent "Hello"); sadly very much underused in the second act, as Russian housekeeper Ludmilla. Pretty much stealing every scene she appears in, she is a delight.

That is not to detract from the remaining three performers, with Nancy Carroll superb as the technophobe wife Felicity Hoffman, and James Musgrave pulling off several costumes with style and verve, yes even that *spoilers* suit as son Seb. Diana Vickers has less to do as Seb's girlfriend Holly, only appearing in the second act, but having a "hard hitting" role and the best costume of the show, even more than that *spoiler* suit. Although I may be biased in that.

The set is perfect also, with the first act being very much a farce set, standard living room laden with goods (not sure who paid for them), while the second act set is bang on and neatly presented at the start by a startled Miller.

There is no question that if it is humanly possible for you to get to see this play then you should. Some of the funniest moments you are likely to see this year (or next), be it TV, film or theatre. Featuring the best acupuncture joke I have ever heard, the best use of a *spoiler* suit ever, impressive use of dairy product in a running gag and a cast performance from the gods. Please stop reading this and go and buy a ticket will you, but I am afraid that you are paying...

The Duck House is on at the Vaudeville Theatre, London until March 29th 2014.
www.vaudeville-theatre.co.uk/The-Duck-House.html


Popular posts from this blog

Review of The Wizard Of Oz by the Northampton Musical Theatre Company at Royal & Derngate (Derngate), Northampton

The last couple of shows from the award-winning Northampton Musical Theatre Company has been a slightly mixed bag, with their last show at Derngate the rather difficult to get a grip on thrills of Grease , a woefully inferior stage version of the classic film despite being very well performed. Their best show recently was ironically Summer Holiday , hidden at the much smaller Cripps venue. Therefore still in the wake of the exceptional Sister Act , does The Wizard of Oz create the Derngate magic once again? The answer for me, is both yes and no, it is as always an exceptional production filled from top to tail with talent, as NMTC is so renowned for, and packing the audience in and thrilling them like perhaps nothing like Oz can in the musical department, you cannot question its selection really. However, like Grease , and to readjust a requote, "it's just Oz". This time I use it in the way that Oz is just a little over-familiar, I am desperate for the buzz that I go...

Review of Mamma Mia! at Royal & Derngate (Derngate), Northampton

Ahead of my trip to see Mamma Mia! in Northampton, I had enough conversations about the show to discover that there appears to be no in-between with people over their love or hate of the work of ABBA (music and lyrics by Benny Andersson and Björn Ulvaeus). For your information, patient reader, I fall firmly in the love department and an audience member of Mamma Mia! like myself is always going to ride on a tidal wave of joy as this jukebox churns out an incredible selection of their numbers (and truly reveals a substantially great back catalogue, that even a hater could not deny), however, is the show they are weaved around actually any good? The answer is mostly, yes. It is though, a typical popcorn musical where you are just required to switch your brain off for two hours or so and ride that tidal wave to Kalokairi, and observe the bright colours and frivolous nature of the plot. The plot, such as it is, involves 20-year-old Sophie, who is heading towards marria...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...