Skip to main content

Review of The Addams Family Musical: School Edition (Team Cousin IT) at the Cripps Hall Theatre, Northampton

I first saw the stage musical version of The Addams Family five years ago, and this, the school edition presented by NMTC Youth Society offered an intriguing prospect of how the somewhat dark humour that the main show might have been toned down.

It came as quite a delight, in the end, to discover that, mostly, it hadn’t been toned down at all. Marshall Brickman and Rick Elice’s book, and Andrew Lippa’s lyrics, constantly relish in death and the methods of. And in a very subtle, and clever moment, the show even has a covid joke, which for once, I actually liked. The shows can stop doing it now though.

Gomez is of course the main player in this musical, and what a truly brilliant performance Joe Jeffery brings to the stage. It is a total show of confidence and his stage presence is brilliant for someone so young. I also absolutely loved his comic timing, making the most of every little joke in the show. Hatti Taylor equally shines as Morticia, a slinky and stylish performance, which relishes in the deadpan look of the character. Both also perform their songs with extremely impressive vocal abilities, and Jeffery shows a brilliant skill with his accents and mickey-taking moments, which the audience loved.

Lily-Grace Tofte (who I remember shining on stage as young Cossette a few years back in Les Misérables, and slightly more recently in the adult company show Made in Dagenham) continues to dazzle with confidence as Wednesday, and her unquestionable vocal skills are on full display in several songs. Elsie Lovell provides a great amount of fun as her torture loving brother Pugsley as well and brings a great deal of depth to the character.

Clearly having a lot of fun on stage is Winter Wilmot as Uncle Fester, and serving also as our narrator for the show. I have to admit, that the whole moon storyline that Fester has in the show does not convince me, but with Wilmot’s performance, it at least is provided with some poignancy and charm.

Much like the character did in the adult version, Lurch, lurches across the stage in constant scene-stealing moments, and Isaac Standage in the role takes his chance with great humour.

Finally, for special mention from the cast is Zachary Pilkington as Mal, a brilliantly contrasting performance, but to say more, would be a spoiler. Let’s just say, he gives a fabulous performance.

There was very little to criticise from the show as a youth production, and mostly any minor issues were technical ones with some slightly sluggish scene changes and a few wayward spotlights. However, for a show that has a great deal going on, it was mostly brilliantly executed.

The show is on stage again on Sunday 10th April, with this team performing the evening performance, with this afternoon Team Thing is in action and I am looking forward to seeing what this different cast brings to the show.

Click your fingers and magic up some tickets while you can.

⭐⭐⭐⭐


Performance reviewed: Saturday 9th April 2022 (matinee) at the Cripps Hall Theatre, Northampton.

The Addams Family: School Edition runs until Sunday 10th April at the Cripps Hall Theatre and details can be found at https://www.northamptonmusicaltheatrecompany.co.uk/youth/

The Addams Family is an NMTC YOUTH SOCIETY PRODUCTION

Production photos: Ashleigh Standage


Popular posts from this blog

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of The Strange Tale of Charlie Chaplin and Stan Laurel at Royal & Derngate (Royal), Northampton

The Strange Tale of Charlie Chaplin and Stan Laurel is perhaps the perfect antidote to the troubled times we are in, harking back to when things were perhaps simpler and mass media and the press were less in your face. Not to say that bigshot Charlie Chaplin didn't make a name for himself in more than just the movies he made. This though is a warm show, filled with love. This show is based on the very real tale of the 1910 ship heading course for New York, which aboard were Charlie Chaplin and Stan Laurel, unknown, but part of Fred Karno’s music hall troupe, and destined for different, but very major futures. Told by an Idiot's production with Theatre Royal Plymouth (and Royal & Derngate and Unity Theatre) breaks down the tale of the voyage of the SS Cairnrona with intriguingly created flashbacks of the life, generally of Charlie Chaplin. Therefore along the course of the voyage, we see Laurel's moment as understudy to Chaplin, the birth of Chaplin (brilliantly...

Review of The Pillowman at The Playhouse Theatre, Northampton

The Pillowman sounds such a friendly title, and to be fair, his story is one of the lighter aspects of Martin McDonagh's script. It still involves dead children though, if you want to get a clear vision of how dark this play is. Set in a police state of the future, Katurian (Toby Pugh) is taken in for the content of his often violent stories and a similarity to a spate of recent child killings. Here in detention cell 13, his police captors, Tupolski (Adrian Wyman) and Ariel (Steve While) play good cop, bad cop while holding over the threat of violence against Katurian's mentally disabled brother Michal (Patrick Morgan), being held in another cell. The Pillowman is clearly a very warped story, with the blackest of black comedy, and often also very offensive with it's racial stereotyping and disability. In fact, it is no surprise that a couple left in the interval, as I would happily admit that this play is far from everyone. I like a good black comedy though, and ...