Skip to main content

Review of The Strange Tale of Charlie Chaplin and Stan Laurel at Royal & Derngate (Royal), Northampton

The Strange Tale of Charlie Chaplin and Stan Laurel is perhaps the perfect antidote to the troubled times we are in, harking back to when things were perhaps simpler and mass media and the press were less in your face. Not to say that bigshot Charlie Chaplin didn't make a name for himself in more than just the movies he made. This though is a warm show, filled with love.

This show is based on the very real tale of the 1910 ship heading course for New York, which aboard were Charlie Chaplin and Stan Laurel, unknown, but part of Fred Karno’s music hall troupe, and destined for different, but very major futures.

Told by an Idiot's production with Theatre Royal Plymouth (and Royal & Derngate and Unity Theatre) breaks down the tale of the voyage of the SS Cairnrona with intriguingly created flashbacks of the life, generally of Charlie Chaplin. Therefore along the course of the voyage, we see Laurel's moment as understudy to Chaplin, the birth of Chaplin (brilliantly realised) and his dad, a hilarious moment played by Nick Haverson. It all creates a magnificent potpourri of happenings, presented virtually all in the classic silent film style.

The performers themselves are quite brilliant, capturing the style of movement and delivery of each of their characters. Haverson especially mastering the movement of the choppiness of the mid-twenties frames per second vintage.

Amalia Vitale is very much the essence of Chaplin, perfecting his walk and cane swivelling technics and through virtually no dialogue captivates and entrances as the tale unfolds. Jerone Marsh-Reid equally gets the mannerisms of the legend that is Stan Laurel, representing his dumb look brilliantly. He also has an excellent turn as well as the Bell Boy.

Perhaps although he isn't given either of the main two lead characters, Haverson becomes quite a scene-stealer in all of his moments, from the aforementioned brilliant dad, onto the very Hollywood like Fred Karno, and an amazingly funny cameo at Charlie's Butler. He doesn't, as a result, disappoint at his depiction either of Oliver Hardy himself and his playfulness with the audience during the golf moment is quite brilliant.

Completing the quartet of performers is Sara Alexander who does very briefly feature as Charlie's mother, but mainly shows quite brilliant skill performing Zoe Rahman's perfectly judged score on the piano.

There is some brilliant invention in this show which doesn't shy from interacting with its audience either, including two brief moments of members of it on stage. Nothing to fear though if you are worried, it is gentle playfulness.

The Strange Tale of Charlie Chaplin and Stan Laurel is a gorgeous piece of theatre, stunningly performed with incredible physicality from the performers. Paul Hunter's writing and direction are pinpoint in its desire to maintain period, yet it offers something new and refreshing for the stage and is a clear love letter to a classic time of the film industry.

Warm, loving, funny and fresh.
⭐⭐

Performance reviewed: Wednesday 11th March 2020 at the Royal & Derngate (Royal), Northampton.
The Strange Tale of Charlie Chaplin and Stan Laurel runs at Royal & Derngate until Saturday 21st March 2020

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Photos: Manuel Harlan

Popular posts from this blog

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of Sunny Afternoon at Milton Keynes Theatre

Sunny Afternoon , the Kinks-inspired jukebox musical, debuted on stage in 2014. Featuring Ray Davies' music and a book by Joe Penhall, it first found success in London before a UK tour in 2016/17. Now arriving at Milton Keynes Theatre with a new 2025/6 tour, the question remains: with some songs now over 60 years old, is Sunny Afternoon still relevant to today's audiences? While this is a jukebox musical, this show follows, via this system, the story of the formation and eventual success of The Kinks rather than creating a random story from the songs. Opening with the band The Ravens, the group is safe and sophisticated, with their prim-and-proper lead singer. However, the true band of the future, Ray Davies, Dave Davies, Mick Avory and Pete Quaife, are itching for freedom, to break away, especially writer Ray, who wants to create songs that mean something to people. Enter the suits of management, and the rocky creation of The Kinks begins. I had the pleasure of seeing Sunny A...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...