Skip to main content

Review of Aladdin by University Of Northampton BA Actors at Isham Dark (Avenue Campus), Northampton

Five years ago, I hadn't seen a panto since I was the proper kiddie age to appreciate them, and they hadn't been something missing in my life really. Even the first few I saw as a grown-up left me mostly cold, and teeth gritted at the whole experience. However, I have now seen rather a lot of them, supporting the many groups and collections of actors that I follow, and have started to acknowledge their importance in the theatre world for both actor and first theatre contact for many a person and more importantly, child. Last year, the University of Northampton BA Actors course also got in on the act, introducing Christmas shows to the mix, one of which was a pantomime, of variable quality, as the course itself got to grips with the situation.

This year, they return to take up the challenge once again, and clearly having learnt much from last year's first attempt, bring a much more solid and smoother show to the stage, with Suzan Holder's version of Aladin directed by Dan McGarry.

Opening proceedings is a beautifully welcoming performance from Amber King as Sheherazade, our narrator for the day, with her chorus, she sets the scene and returns throughout the show, offering songs and story updates. It's a delightfully perfect performance, one of many in this show. Not least, with the excellent casting of Aladdin, Samantha Turner, the perfect physical appearance for the role, principally perfect in fact! And also of the cast, one of the strongest singing voices in a show filled with a wide-ranging mix of tunes. It has to be said, that if there is a weak point of this show, it's in the singing standards, which vary quite a bit. However, these are at the end of the day actors, not singers, so, those that do have that extra bow just have the advantage to exploit for the future.

One extra bow shown by a few of the cast was with the innovative depiction of the Genie, three-headed and played by Beth HĂ¢f Jones, Abi Cameron and Hannah Bacon. Close-fitting, overlapping dialogue and dual dialogue made this a neat little interpretation and some great skill from the performers. This coupled with some brilliant acrobatics, made it all a brilliant twist of the familiar character. Kieran James gave a fine stab at the perhaps ultimate challenging role of panto, the Dame, here in the guise of Widow Twankey. He was at his best with his hilarious switches back to butch gravely voiced Dame.

A particularly strong part of this show also was in its neat double acts. The brilliant weaselly performance from Daniel Hubery as Sultan and his Sultana played with a charm, but with inkles of quite an acting depth underneath, by Katie Glenn, they were both superb. As were Tyler Reece as Guard 1 and Louise Akroyd as, you've guessed it, Guard 2, who equally worked brilliantly together, with Reece particularly good, which I am still willing to say, despite him picking on me at his first appearance. I also liked PC Kung Fu and Officer Tai Chi played by D'angelo Mitchell and Mia Leonie respectively, Leonie coping admirably well with the awful prospect of slow delivery in lines, with a joke that just about didn't outstay its welcome!

Perhaps the star of the show though, and I think with the excellently intrigued pupils from Castle Academy as well, was Nafetalai Tuifua as Wishee Washee. A full-on performance, fully getting what needed to be done in the panto environment. Dealing with any comments thrown at him with fast thinking skill, he sure knew how to work his audience. A definite panto star of the future I suspect!

Dan McGarry's direction used the space brilliantly with the challenge of entertaining all four sides of audiences at once with the arena setup. It was all a fluid success of a show where, unlike last year, all the actors, got it, and as a result had a captivated audience of children and some adults, due to the pub being shut (an in-joke).

Performance viewed: Wednesday 12 December 2018 (matinee) at Isham Dark, University of Northampton (Avenue Campus), Northampton
Twitter feed for the University actors is @UoN_BaActors


Popular posts from this blog

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Matthew Bourne's Romeo + Juliet at Royal & Derngate (Derngate), Northampton

Despite now having seen a few dance shows encompassing many different styles, I had yet to see one developed by Sir Matthew Bourne, a controversial player in his time, but as the relatively recent knighthood suggests, now very much embraced by the establishment. So, does Romeo + Juliet live up to his name, that is the question? So, first, this might normally be where I give you a brief outline of the story, but, for one, most have a general understanding of the love disaster of William Shakespeare's play already, and two, as it turns out from the Bourne production, a huge amount of what you might be familiar with has gone or been dramatically changed anyway. There is shocking complicity in murders, there are different moments of murder and gone are the warring factions of the Montagues and Capulets. Characters themselves feel very different at times also, to such an extent that even knowing the play doesn't always make it clear who is who at times. So, if all that sounds...

Review of 2:22 A Ghost Story at Royal & Derngate (Derngate), Northampton

2:22 A Ghost Story continues an endless rise and run of success on the stage. This play by Danny Robins was first staged as recently as August 2021 at the Noel Coward Theatre and since then the show continued to run in London for two years, moving to four further London theatres, before eventually closing in the city to embark on this tour, which began in September last year. During these runs, the cast has constantly been updated with often populist actors, and some, which are not even associated with acting. As this reaches Royal & Derngate, now even the touring cast has been swept clean and four further performers take on the incredible success of a show. This is the second time I have seen 2:22 A Ghost Story , and it is safe to say that on that first viewing, with the previous tour cast, I was not as blown away by the play as the success seemed to warrant. The aforementioned populist casting seemed to have driven a so-so ghostly tale into success beyond its quality, and with th...