Skip to main content

Flash Festival 2018: Persecuted by United-Force Theatre Company at Hazelrigg House, Northampton

It's perhaps a shame that the major talking point after United-Force Theatre Company's production of Persecuted is its final scene, and more so over the sheer realism of it, rather than anything directly related to the acting and writing of it. The shame is that it overshadows what is quite a brilliant piece of theatre in its own right, well constructed and superbly acted by the trio in the group, Alexander Forrester-Coles, Chris Tyler and Radostin Radev.

The date is 11th May 2005 and the Iraq War is no longer having the initial success that it had after destroying Sadam Hussain's regime. In a camp in Basra, Mohammed bin Osama bin Laden (Radostin Radev) is captured and under interrogation by commander James Farrell (Alexander Forrester-Coles), the good cop of the story, and Dan (Chris Tyler),  a Lieutenant, very much of the bad cop variety.

It's an ugly, but also a very vivid tale, claustrophobic and always intimidating. When the actors are not churning through the intimidation and attempt to break both Bin Laden, and us the audience, a cleverly constructed collection of video spreads further pain upon the audience. It's all very uncomfortable but brilliant as a result.

Then we reach the final sequence where, if the audience isn't already broken, we have one of the most challenging sequences of physical violence that I have seen on stage. This is full intensity, full contact, "stage combat", it is at times very challenging to watch, not because of what is happening story-wise, but the uncomfortableness of whether the performers are actually safe. I wouldn't had wanted to be involved in the health and safety and disclaimers on this one.

Even now, some considerable time after seeing the show, I don't feel comfortable remembering this sequence, and while, I am sure all great care was taken to stage it, and that is was safely achieved, you also have to consider the reaction to such things from an audience. It's fine to make an audience uncomfortable from a story, or sequences in a play, but not to leave them uncomfortable with potential injury from actual violence. Tyler might be a fighter in his other world, but the audience was not present to watch a real punchup on this occasion, and as I result, I concede myself, it made me very uncomfortable.

Persecuted though was still an excellent piece of theatre, the cast sublime with the ever-reliable Forrester-Coles once again assured, and brilliantly controlled as his character required. Tyler not only
looked the part of the fiery character, bent on revenge for his loss, but genuinely a very frightening performance. Radev meanwhile was a quietly calculating Bin Laden, feeling extremely confident despite his position, cold and oh so far from his recent performance as a bizarre elf. A classy turn of acting from all.

I admired Persecuted for its performances, and would never be disappointed for having seen it, however, that final scene will remain in my mind as a step too far. It was a poignant reminder also of a time period for the country as well, which set the scene for many problems to come.

Performance viewed: Friday 27th April 2018

The Flash Festival 2018 ran between Monday 23rd and Friday 27th April 2018 at three venues across the town.

Popular posts from this blog

Review of Frankie Goes To Bollywood at Royal & Derngate (Royal), Northampton

There is no question that Rifco Theatre Company, the producers of Frankie Goes To Bollywood , now running at Royal & Derngate as part of a UK Tour, have come up with a cracking title for their show. However, as Bollywood descends upon Northampton, the question is, is this a gimmick title attached to a shallow show, or are we heading for Bollywood dreams? The show, unsurprisingly, follows a character named Frankie and tells the story of her dream to become a Bollywood star, a dream she shares with her best friend, Goldy. Following an opportune encounter with a famous Bollywood director, Frankie is invited to audition for his next movie, and her adventures begin. However, will the dream be the one she truly imagined? What is evident with Frankie Goes To Bollywood on stage is the love for creating a big, bold production. The staging is colourful and tries very hard to be epic, just like the Bollywood movies that it tells its story through. Unfortunately for all the boldness on offer,...

Review of Single White Female at Milton Keynes Theatre

The 1990s movie Single White Female was a classic pulp fiction offering of the time, off the back of films such as Fatal Attraction and released in the same year as the legendary Basic Instinct , these were the ultimate times for erotic thrillers/bunny boiler films. So, the question is: is such a genre still relevant today, and, even more so, can a theatre play succeed in transferring the theme to a new medium altogether? Allie is a recently divorced mother trying to juggle single parenting with starting her own tech company. To help with expenses, she looks for a lodger and finds Hedy, who seems like the perfect solution. However, as they get to know each other, the lines between their lives start to blur, and what seemed like an ideal setup begins to fall apart. For those familiar with the original film, there will be immediate observations of changes that adaptor Rebecca Reid has made. While lifting the entire plot from the US to the UK is obvious, developing Allie into Bella's...

Review of Mean Girls - The Musical at Milton Keynes Theatre

The iconic 2004 teen movie Mean Girls has, despite 22 years passing, maintained relevance in modern youth culture; its “cautionary tale” still resonates. Therefore, back in 2017, original screenwriter Tina Fey created her musical adaptation of the story, maintaining the original's female empowerment and recognition of individuality while adding a little sprinkling of modernity, such as the arrival of mobile phones. It was such a success in London following a US debut that this UK Tour, now reaching Milton Keynes, was inevitable. Cady Heron, a teenager who has been home-schooled in Kenya, relocates to Chicago and confronts the fiercely competitive world at her new high school. Guided by the outcasts Janis and Damian, she strives for belonging but is soon drawn into the superficial "Plastics," ruled over by Regina George. Cady’s attempts to navigate both social circles spiral into rivalry, manipulation, and payback. While Mean Girls  may miss its target audience for this m...