Skip to main content

Review of A Bunch Of Amateurs at Stantonbury Theatre, Milton Keynes

I first saw the film of A Bunch of Amateurs a couple of years ago back when I was purely a watcher of amateurs productions, rather than my now, slightly more involved persona. Therefore watching this production by Etc Theatre of this curious tale of country folk, adapted for the stage by two of the original writers Ian Hislop and Nick Newman, and their amateur dramatics world, offers a little more intrigue than that film first did. It also helped that I was seated with a bevy of knowing amateur dramatics folks as well.

Stratford Players are in trouble, their venue is under threat from developers, so, in a last-ditch attempt to save their group, they send appeals out to the big names of the acting world to help generate lifesaving interest. Answering their appeal is the also in trouble, Hollywood actor Jefferson Steel (Bart Gamber). His flagging career sees him accept the opportunity to perform King Lear, in the home of the Bard itself, Stratford. Sadly it turns out to be a barn theatre in Stony Stratford.

A Bunch of Amateurs is a painfully British comedy (in a good way), often genuinely funny, and rarely do you end up less than a little entertained. The original film had some big names in it, so filling the likes of Burt Reynolds shoes as Jefferson Steel is Bart Gamber, and Sir Derek Jacobi as Nigel Dewbury is Victor Guse.

Gamber is excellent as the occasionally sweary and obnoxious American, sporting an unsurprisingly strong accent (he is from America after all), he delivers Steel with the right balance of hate and gradual progression of softening to the character. He deals also with some surprisingly physical moments as well with skill, managing, just, to not to bring the set down with him at times. It's a really strong performance.

Susan Lee Burton gives us a very likeable character as director (and fool) Dorothy Nettle, it is lowkey at times, and that here works really well. She is the perfect antidote and calming influence on all the other bold, and often ridiculous characters, and Lee Burton gives Dorothy a good measured performance.

In one of the ridiculous, over the top performances is Victor Guse as the pompous, up himself, lawyer Nigel Dewbury. This character doesn't need underplaying, and there definitely isn't any of that going on in Guse's performance here. Scenery chewing in the extreme, and all the better for it.

The complete opposite is a lovely sweet performance from Leah Gaskell (the programme states, this is her "first proper play") as Steel's daughter Jessica. It's a confident first role, and her character's obvious love/hate of her father is nicely judged by Gaskell.

The trio of John Drinkwater, Paul Wheeler and Sandy Reid-Miller have worked wonders on the set, creating three distinct areas, including the brilliant centrepiece of the theatre/barn itself. It is a visual delight and works really well.

It's got to be said though that at times there is a particular lack of pace to the performance, and indeed script itself, most especially in the second act, when many of the characters foibles have slightly become a bind, and the relatively lightweight story at this point cannot always drive it on.

However Etcetera Theatre and director Steve Brigden have still done a fine job, incorporating some fun performances, and at times the really clever use of technology for video and sound effects helps keep the interest of the audience. It all results in a surprisingly quality show.

Performance viewed: Saturday 10th March 2018 at the Stantonbury Theatre, Milton Keynes.
A Bunch Of Amateurs ran between Thursday 8th to Saturday 10th, 2018 at the Stantonbury Theatre, Milton Keynes

For further details about the Stantonbury Theatre visit their website at: http://www.stantonburytheatre.co.uk/



Popular posts from this blog

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...