Skip to main content

Review of A Bunch Of Amateurs at Stantonbury Theatre, Milton Keynes

I first saw the film of A Bunch of Amateurs a couple of years ago back when I was purely a watcher of amateurs productions, rather than my now, slightly more involved persona. Therefore watching this production by Etc Theatre of this curious tale of country folk, adapted for the stage by two of the original writers Ian Hislop and Nick Newman, and their amateur dramatics world, offers a little more intrigue than that film first did. It also helped that I was seated with a bevy of knowing amateur dramatics folks as well.

Stratford Players are in trouble, their venue is under threat from developers, so, in a last-ditch attempt to save their group, they send appeals out to the big names of the acting world to help generate lifesaving interest. Answering their appeal is the also in trouble, Hollywood actor Jefferson Steel (Bart Gamber). His flagging career sees him accept the opportunity to perform King Lear, in the home of the Bard itself, Stratford. Sadly it turns out to be a barn theatre in Stony Stratford.

A Bunch of Amateurs is a painfully British comedy (in a good way), often genuinely funny, and rarely do you end up less than a little entertained. The original film had some big names in it, so filling the likes of Burt Reynolds shoes as Jefferson Steel is Bart Gamber, and Sir Derek Jacobi as Nigel Dewbury is Victor Guse.

Gamber is excellent as the occasionally sweary and obnoxious American, sporting an unsurprisingly strong accent (he is from America after all), he delivers Steel with the right balance of hate and gradual progression of softening to the character. He deals also with some surprisingly physical moments as well with skill, managing, just, to not to bring the set down with him at times. It's a really strong performance.

Susan Lee Burton gives us a very likeable character as director (and fool) Dorothy Nettle, it is lowkey at times, and that here works really well. She is the perfect antidote and calming influence on all the other bold, and often ridiculous characters, and Lee Burton gives Dorothy a good measured performance.

In one of the ridiculous, over the top performances is Victor Guse as the pompous, up himself, lawyer Nigel Dewbury. This character doesn't need underplaying, and there definitely isn't any of that going on in Guse's performance here. Scenery chewing in the extreme, and all the better for it.

The complete opposite is a lovely sweet performance from Leah Gaskell (the programme states, this is her "first proper play") as Steel's daughter Jessica. It's a confident first role, and her character's obvious love/hate of her father is nicely judged by Gaskell.

The trio of John Drinkwater, Paul Wheeler and Sandy Reid-Miller have worked wonders on the set, creating three distinct areas, including the brilliant centrepiece of the theatre/barn itself. It is a visual delight and works really well.

It's got to be said though that at times there is a particular lack of pace to the performance, and indeed script itself, most especially in the second act, when many of the characters foibles have slightly become a bind, and the relatively lightweight story at this point cannot always drive it on.

However Etcetera Theatre and director Steve Brigden have still done a fine job, incorporating some fun performances, and at times the really clever use of technology for video and sound effects helps keep the interest of the audience. It all results in a surprisingly quality show.

Performance viewed: Saturday 10th March 2018 at the Stantonbury Theatre, Milton Keynes.
A Bunch Of Amateurs ran between Thursday 8th to Saturday 10th, 2018 at the Stantonbury Theatre, Milton Keynes

For further details about the Stantonbury Theatre visit their website at: http://www.stantonburytheatre.co.uk/



Popular posts from this blog

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...