Skip to main content

Review of A Bunch Of Amateurs at Stantonbury Theatre, Milton Keynes

I first saw the film of A Bunch of Amateurs a couple of years ago back when I was purely a watcher of amateurs productions, rather than my now, slightly more involved persona. Therefore watching this production by Etc Theatre of this curious tale of country folk, adapted for the stage by two of the original writers Ian Hislop and Nick Newman, and their amateur dramatics world, offers a little more intrigue than that film first did. It also helped that I was seated with a bevy of knowing amateur dramatics folks as well.

Stratford Players are in trouble, their venue is under threat from developers, so, in a last-ditch attempt to save their group, they send appeals out to the big names of the acting world to help generate lifesaving interest. Answering their appeal is the also in trouble, Hollywood actor Jefferson Steel (Bart Gamber). His flagging career sees him accept the opportunity to perform King Lear, in the home of the Bard itself, Stratford. Sadly it turns out to be a barn theatre in Stony Stratford.

A Bunch of Amateurs is a painfully British comedy (in a good way), often genuinely funny, and rarely do you end up less than a little entertained. The original film had some big names in it, so filling the likes of Burt Reynolds shoes as Jefferson Steel is Bart Gamber, and Sir Derek Jacobi as Nigel Dewbury is Victor Guse.

Gamber is excellent as the occasionally sweary and obnoxious American, sporting an unsurprisingly strong accent (he is from America after all), he delivers Steel with the right balance of hate and gradual progression of softening to the character. He deals also with some surprisingly physical moments as well with skill, managing, just, to not to bring the set down with him at times. It's a really strong performance.

Susan Lee Burton gives us a very likeable character as director (and fool) Dorothy Nettle, it is lowkey at times, and that here works really well. She is the perfect antidote and calming influence on all the other bold, and often ridiculous characters, and Lee Burton gives Dorothy a good measured performance.

In one of the ridiculous, over the top performances is Victor Guse as the pompous, up himself, lawyer Nigel Dewbury. This character doesn't need underplaying, and there definitely isn't any of that going on in Guse's performance here. Scenery chewing in the extreme, and all the better for it.

The complete opposite is a lovely sweet performance from Leah Gaskell (the programme states, this is her "first proper play") as Steel's daughter Jessica. It's a confident first role, and her character's obvious love/hate of her father is nicely judged by Gaskell.

The trio of John Drinkwater, Paul Wheeler and Sandy Reid-Miller have worked wonders on the set, creating three distinct areas, including the brilliant centrepiece of the theatre/barn itself. It is a visual delight and works really well.

It's got to be said though that at times there is a particular lack of pace to the performance, and indeed script itself, most especially in the second act, when many of the characters foibles have slightly become a bind, and the relatively lightweight story at this point cannot always drive it on.

However Etcetera Theatre and director Steve Brigden have still done a fine job, incorporating some fun performances, and at times the really clever use of technology for video and sound effects helps keep the interest of the audience. It all results in a surprisingly quality show.

Performance viewed: Saturday 10th March 2018 at the Stantonbury Theatre, Milton Keynes.
A Bunch Of Amateurs ran between Thursday 8th to Saturday 10th, 2018 at the Stantonbury Theatre, Milton Keynes

For further details about the Stantonbury Theatre visit their website at: http://www.stantonburytheatre.co.uk/



Popular posts from this blog

Review of Frankie Goes To Bollywood at Royal & Derngate (Royal), Northampton

There is no question that Rifco Theatre Company, the producers of Frankie Goes To Bollywood , now running at Royal & Derngate as part of a UK Tour, have come up with a cracking title for their show. However, as Bollywood descends upon Northampton, the question is, is this a gimmick title attached to a shallow show, or are we heading for Bollywood dreams? The show, unsurprisingly, follows a character named Frankie and tells the story of her dream to become a Bollywood star, a dream she shares with her best friend, Goldy. Following an opportune encounter with a famous Bollywood director, Frankie is invited to audition for his next movie, and her adventures begin. However, will the dream be the one she truly imagined? What is evident with Frankie Goes To Bollywood on stage is the love for creating a big, bold production. The staging is colourful and tries very hard to be epic, just like the Bollywood movies that it tells its story through. Unfortunately for all the boldness on offer,...

Review of Single White Female at Milton Keynes Theatre

The 1990s movie Single White Female was a classic pulp fiction offering of the time, off the back of films such as Fatal Attraction and released in the same year as the legendary Basic Instinct , these were the ultimate times for erotic thrillers/bunny boiler films. So, the question is: is such a genre still relevant today, and, even more so, can a theatre play succeed in transferring the theme to a new medium altogether? Allie is a recently divorced mother trying to juggle single parenting with starting her own tech company. To help with expenses, she looks for a lodger and finds Hedy, who seems like the perfect solution. However, as they get to know each other, the lines between their lives start to blur, and what seemed like an ideal setup begins to fall apart. For those familiar with the original film, there will be immediate observations of changes that adaptor Rebecca Reid has made. While lifting the entire plot from the US to the UK is obvious, developing Allie into Bella's...

Review of Mean Girls - The Musical at Milton Keynes Theatre

The iconic 2004 teen movie Mean Girls has, despite 22 years passing, maintained relevance in modern youth culture; its “cautionary tale” still resonates. Therefore, back in 2017, original screenwriter Tina Fey created her musical adaptation of the story, maintaining the original's female empowerment and recognition of individuality while adding a little sprinkling of modernity, such as the arrival of mobile phones. It was such a success in London following a US debut that this UK Tour, now reaching Milton Keynes, was inevitable. Cady Heron, a teenager who has been home-schooled in Kenya, relocates to Chicago and confronts the fiercely competitive world at her new high school. Guided by the outcasts Janis and Damian, she strives for belonging but is soon drawn into the superficial "Plastics," ruled over by Regina George. Cady’s attempts to navigate both social circles spiral into rivalry, manipulation, and payback. While Mean Girls  may miss its target audience for this m...