Skip to main content

Camden Fringe Review: FEET by Emma And Lawrence Wrote A Play at Etcetera Theatre, London

While some issue plays tend to miss the point of providing fun and entertainment as well as making their point on a relevant issue, FEET is certainly not one of them. Written, produced, directed and performed by the two-person team of Emma And Lawrence Wrote A Play, this is clearly a labour of love of the two, full names Emma Brown and Lawrence Smith, it is fun and engaging throughout.

It's "issue" is loosely about selling your body for money or art and how far you might be willing to push it. Lucy Winwood (Emma Brown) is your typical young actress, struggling hard to get those money making roles, or roles in general, and in need of money she stumbles upon the world of feet fetishism (as you, of course, would) and slowly from just images of her feet sold online, it becomes feet in jelly and then finally personal meetings with clients for full on feet interaction.

The path that FEET takes is that is this denigration of your body in selling your feet actually worse than performing a theatre role that involves full frontal nudity? It is an intriguing idea and it leaves Lucy at odds with her, frankly not very nice, boyfriend Ben (Lawrence Smith) and raises some interesting moral ideas. FEET treats this though in an unpreaching and fun way, creating likeable and interesting scenarios amid its slight weirdness. Touching on a neat spin on the increasing modern trend of revenge porn as well, leaves it an increasingly clever play.

Performance wise it is great, with Emma excellent in her single role, exuding fun and realism in this oddly developing lifestyle, while Lawrence is much better in his roles of the clients (surprisingly portrayed as very normal people at times, which perhaps there are? We all have our quirks, so as long as they are legal?). I did feel at times that his playing was much less impressive and tended to be unconvincing a little.

As a play, it is great fun but loses out being excellent from its curious over-reliance of prerecorded audio, including several minutes at the start of the play. These pieces are meant to be the thoughts of the character, and while their responses by the actor to these pieces are clever, the excessive use is too much and these thoughts could happily have been vocally performed live by the cast.

However, FEET remains a lovely piece of theatre which thouroughly delights while telling its morally challenging idea and deserves a much longer run than just the two performances it garnered at Camden Fringe.

½

Performance reviewed: Friday 11th August at Etcetera Theatre, Camden Town, LondonFEET was performed during the Camden Fringe at Etcetara Theatre between Thursday 10th and Friday 11th August.
For further details about FEET visit them on Facebook at https://www.facebook.com/FEETtheplay  or on Twitter at https://twitter.com/FeetThePlay

Popular posts from this blog

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...