Skip to main content

Review of That'll Be The Day Christmas Show at Royal & Derngate (Derngate), Northampton

I am not entirely sure why I was a little reticent initially to the offer by a friend to accompany a group to see That'll Be The Day. It wasn't that I would have a problem with the music, as be it 50s, 60s, 70s or whatever decade, good music for me goes beyond the generations (although obviously the 80s are best). Perhaps it was that this show had a reputation for being popular with the grey brigade (although I have plenty of my own grey now)? This made no sense either, as some of our number were quite a bit younger than my 39 years. I think actually the problem in my head was going to a Christmas show on the 26th November. I have absolutely nothing against Christmas, but a whole evening of its music was not my ideal evening. Or so I thought.

It was actually a superb evening of music and comedy, which although very possibly is a little long at three hours with the interval, rarely disappoints. While this is a Christmas show, there is enough non seasonal music to keep it being a festive overload. There are some superb sections which included the Christmas at The Cabin section hosted by a nice take off of the Fab 4 and guests. There was also a quite stunning performance of Gene Pitney's Somethings Got A Hold of my Heart. Another highlight from the evening and a bit of an emotional one was a lovely tribute to the late great Mr David Bowie. An epic collection of imaginary was projected upon the screen during a wonderful and fitting performance of Starman.

As well as the obvious brilliant music, there were a lot of comedy moments, mostly taking off past characters of sitcoms and double acts past. We had Steptoe and Son, Laural & Hardy and a Christmas Carol spoof featuring Alf Garnet as Scrooge. It was all very end of the pier stuff, and often very near the knuckle at times for a family show, but for the best part it was genuinely funny, if a little dated. With Garnet, it also managed to be as politically incorrect as you would expect. I'll leave you to judge on your position on that one.

I also have to say that the production values were impressive as well, with a last group of performers, a busy wardrobe and a very well utilised screen for video. There were sticky moments at times, but these rarely came where it mattered withing the music pieces, as each performer was perfectly selected to capture the likenesses.

I have to say that That'll Be The Day was a pleasant surprise, although looking at its incredible thirty year history of packing them in, perhaps it shouldn't have been. A really enjoyable evening of classic music, brilliant performers and some very nice comic moments. A harmless evening of entertainment.

««««


Performance reviewed: Saturday 26th November, 2016 at the Royal & Derngate (Derngate), Northampton.

That'll Be The Day Christmas Show was a single night performance at the Royal & Derngate but continues its tour, details at http://www.thatllbetheday.com/

That'll Be The Day returns to the Royal & Derngate on 2nd June, 2017. 
For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Of Mice and Men at The Playhouse Theatre Northampton

John Steinbeck’s classic novella Of Mice and Men has been a staple of many young people's education, and it is relatively common in curricula; as such, it is a popular choice for theatre groups, both professional and amateur, to bring to the stage. Therefore, this week, The Playhouse Theatre Northampton has brought its own version to the stage at Christ Church Hall as its latest offering. So, after close to ninety years since the first publication, is this still worth a trip to the theatre? For those unfamiliar with the story, published in 1937, Steinbeck’s tale, here adapted for the stage by the author, chronicles a moment in the lives of George Milton and Lennie Small, an unlikely pair of migrant workers, as they move from ranch to ranch. Constantly moving due to the mentally unstable Lennies' constant leaning towards doing something bad, they find themselves at a new farm where they hope to make the coin to pursue the dream of their own piece of land. However, as always for...

Review of Tina: The Tina Turner Musical at Milton Keynes Theatre

Music artist Tina Turner was a staple of the music network for a remarkable time, active as an artist for eight decades; her work is, or at the very least should be, familiar to every generation. Therefore, it was little surprise that in 2018, a stage musical of her work and life arrived upon the stage. You could say that for such an artist, it actually took longer than it should have to appear. Now, as part of its first UK & Ireland tour, Tina: The Tina Turner Musical , it arrives at Milton Keynes Theatre for a two-week run. So, the question is, is it worthy of the legendary artist? For those unfamiliar with any part of Tina Turner's life, the content of this stage musical telling her life story might be a surprise to an audience that grew up just listening to her music. It is an early commendation of the show that the show does not shy away from the themes of domestic abuse, racism and parental abandonment that Turner suffered through her life. With all that rich and startlin...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...