Skip to main content

Review of The Shakespeare Revue (White Cobra) at The Playhouse Theatre, Northampton

I had heard great things of The Shakespeare Revue, presented here by White Cobra Productions. So much so, that even the fact that "Shakespeare" was in the title, had not activated that involuntary twitch that that name sometimes generates. I am generally one of those Shakespeare viewers that prefers my Bard spruced (brushed?) up a tad, giving the contents a stir after 400 plus years of simmering.

Thankfully The Shakespeare Revue, originally compiled by Christopher Luscombe and Malcolm McKee in 1993 (but added to since) for the Bard's birthday celebrations, is very much on the lighthearted side of Mr Shakespeare. Over an incredibly varied 37 sketches and musical routines, he is revered, poked fun at, honoured and slightly modified, to create a quite brilliant evening of entertainment, for the Bard or not to Bard fan alike.

Standout sketches include a quite brilliant take on The Importance of Being Earnest titled Othello in Earnest. Written by Perry Pontac it sees Othello (an improbably but brilliant cast Fraser Haines) being grilled by Lady Brabantio (Kate Billingham) over his suitability for Desdemona's hand. For those having seen Earnest, it is an hysterical few minutes as we have twisted original lines and superb puns and the weaving of a sandbag into the immortal line.

Richard Jordan steps well into the shoes of the Julie Walters role for the sketch Giving Notes (written by Victoria Wood), playing it impeccably. It is rife with classic Wood material, as prods and hints are given to the cast members of a planned comedy version of Hamlet. That play had also had another superb sketch earlier, when Fraser Haines' character returns in And How Is Hamlet?, to find that all is not well for pretty much everyone. A full company piece, it is brilliantly played by all.

This company do indeed work as a team as good as any I have seen, the musical pieces are perfectly organised (including choreography from Mary O'Brien), and the fast paced nature of some of the scenes could perhaps only work as well as they do, with a team as familiar with one another as well as these from White Cobra.

It is also quite incredible how varied some of the material is in this show. For instance I could hardly have expected a piece from Richmal Crompton's Just William to spring up, but up it does and Richard Jordan cuts an impressive William figure guiding the unwitting tourist towards Anne Hathaway's cottage (actually Mrs Maloney's in a brilliant comic turn from Bernie Wood).

The audience also get a chance for a bit of suggestive singing via the sketch The English Lesson, with a take on the Alice and Katherine (Kimberley Vaughan and Kate Billingham) scene from Henry V. Later Richard Jorden and Bernie Wood wander into the back of the scene looking gloriously glum with a sheet for our lines and the audience are happily singing a new meaning into the word count moments later. Finally special mention must go to Rod Arkle's often deadpan delivery, he was excellent especially in The Repertory Actor and a delight alone in just simply his "and me" line in Ladies of London

It is an excellent production of a fun, varied and constantly funny show, which also had a far sprinkling of great musical numbers well performed by the cast. On top of the fact that this was an entertaining evening was the love you could see the cast were putting in on this particularly special night of remembrance of director Ursula Wright, who sadly died earlier this year. This was a charity night, it was a special night and at the end over a thousand pounds was raised for pancreatic cancer. The evening could perhaps have been no better way to remember someone who I clearly know from the word of mouth of many special people, was a particularly special one.

Performance reviewed: Saturday 19th November, 2016 at the Playhouse Theatre, Northampton

The Shakespeare Revue was performed at The Playhouse on Saturday 19th November only. The show is being performed at The Place, Bedford on Friday 7th October, 2016.
For details about White Cobra Productions visit: 
http://www.whitecobraproductions.co.uk/

For full details about the Playhouse Theatre visit their website at http://www.theplayhousetheatre.net/


Popular posts from this blog

Review of Shrek the Musical at Royal & Derngate (Derngate), Northampton

Once upon a time, there was a splendidly green ogre who went by the name of Shrek. For many years, Shrek starred in a captivating and thrilling adventure set upon a theatre stage. This came to pass following a tale told in a Dream(works) in a cinematic spectacle. His tale was told in a truly fun way, with staging sublime, and endless mirth from a nefarious baddie who in many ways came up short.  However, around the corner, there was greater evil afoot as our green friend's show was undergoing a transformation for further adventures on stage. What possible way could this evil be stopped?  Sadly, for all, it could not and the evil reigned for a full UK tour which journeys most recently to the magical kingdom of the Royal & Derngate after a long adventure across the land. So, dear reader, forgive my fairy tale preamble, and perhaps, from that you might imagine this show isn't up to much and sadly you would be right. Shrek when it toured before to Northampton was a little ligh

Review of Disney's Aladdin at Milton Keynes Theatre

Back in 1992, Disney took the age-old tale of Aladdin and did their classic Disneyfying of the story and with the genius of Robin Williams in the role of the Genie, the film remains an immensely popular one to this day. Forward to 2011 and Disney took the show to the stage for the first time and with it the classic songs from Alan Menken with lyrics by Howard Ashman, Tim Rice and Chad Beguelin with a few additions. Since then it has continued to have huge success across the world. Having now arrived at Milton Keynes Theatre on a new tour of the UK & Ireland, it is easy to see why that success continues. This is a truly epic and spectacular show, perhaps the largest that you could find outside of the streets and avenues of the West End. From the opening number as the Genie welcomes us to the streets of the fictional Arabian city of Agrabah, the show simply oozes quality. Performances are top-notch with a large cast of leads and an ensemble at the top of their game. As Aladdin, Gavin

Review of Cluedo 2 at Milton Keynes Theatre

Back in 2022, the original Cluedo stage play, based on a 1985 play by Sandy Rustin, itself based on the cult US film Clue , journeyed to Milton Keynes Theatre as part of a UK tour. It was, it has to be said, an average affair, made good by some excellent staging and at times a very fair tribute to the original board game. Now two years later, the success of that tour clearly warranted a return to the franchise and we find Cluedo 2 now on stage at Milton Keynes Theatre. So, is a follow-up warranted, and does it address many of the issues of the original? Let's find out. Unlike the original and with no film source material to create a second play from, legendary TV comedy writers Maurice Gran and Lawrence Mark have taken the helm to provide the script for this production. Sadly, the legendary writers have for the best part plowed through their archives of extremely dated, and tiresome comedy. Much of the script is heavy on the obvious, high on the cringe, and while at times it can