Skip to main content

Review of Danny Hero at The Core at Corby Cube, Corby

I had created so much anticipation for myself with Danny Hero at The Core, that there was perhaps an almost inevitability that it would end up a disappointment. Sadly it was, despite it still be a tremendously entertaining show. That is a brilliantly weird introduction to a review, so I think I should explain myself.

I personally believe that the pre-publicity for the show had a seriously contrasting positive/negative effect and offers interesting thoughts on how to publicise a show. Trailers by their inherent nature offer nuggets of delight, often making a show appear far better than it turns out. Those behind Danny Hero chose to run a large bulk of publicity with a YouTube recording of a song from the show, Man Of Steel. It worked in selling my ticket, as after I heard it, it was pretty much 90% of the reason I decided to make absolutely sure I got to see the show. So, it did its job.
Ensemble
However the problem lies with the fact that Man Of Steel is a simply incredible musical theatre song, its power and emotional hold are up there with any major production key show song. This coupled with the fact that is was chosen to have a professional singer, Graham Bickley, cover the song for pre-publicity puts tremendous pressure on what is only a community production at the end of the day. It left too much optimism for me, which the show didn't quite manage to overcome.

Except, it is still a quite brilliant show.

Created by the Perfect Pitch theatre company (Book & Lyrics: Timothy Knapman/Music & Lyrics: Laurence Mark Wythe), Danny Hero tells the story of oddball teen Danny who spends much of his time imagining himself in a comic book world where he as the titular character battles the likes of The Walking Dread. It's a larger than life story of evil businessmen and closing industries that strikes hard on the town of Corby, as this is very much created for its debut home. It is a lovely little story at its heart and the music, of which there is a great deal, adds a thrill to proceedings.
Kev Aitken as Andy (right) and cast.
As well as the aforementioned Man Of Steel, which is excellently performed by Kev Aitken as Andy, the best of the other numbers fall in the hands of the "Schoolkids". Weird is an incredible catchy number, cleverly also spun as the final number, this as well as the wonderful A Very Good Cause offer the very best of the shows songs,. The latter is also excellently staged by choreographers Sophia-Jade Madden and Marcia Mitchell. Its the best that the ensemble routines offer though, as much of the time they are kept to a simplistic nature. No doubt, due perhaps to time restraints.

The cast is a mixed bag, with the already mentioned Kev Aitken one stand-out. Also of high recognition is Gordon Ritchie as the villain of the piece Tony Hunter, confident and perfect in his delivery of the deliberately larger than life character. I enjoyed Loretta Padgett (Abigail), Amalie Meadwell (Harriet) and Mandy Sonko (Sasha) in their roles, excellent especially in the Schoolkids rountines. Also it was clear that Leisa Cooke was having more than a little fun in her vixen role of Diane.
Martin Brown as Danny
There was a nice relaxed gentle delivery from Kim Laughton as Danny's mum Sheila which at times was appreciated as there was on occasion a tendency to over perform from a few of the cast in the singing department. I myself will take this on the basis of it being an overexcited first night, although I did fear for a few of the voices the next day.
Kayleigh Tucker as Kyra
Kayleigh Tucker delivered a really sweet performance as Kyra, the obvious love interest of Danny and fellow superhero incorporated into his comics. It is though rather awkwardly Danny that I had the biggest problem with, Martin Brown while sometimes brilliant, his performance of Brave for example is excellent, often doesn't quite have the depth of character needed to hold the shows lead. Be it nerves for opening night or something else, it just doesn't quite work for me all the time, and it is a shame that for much of the first act, he doesn't quite have the presense to run the show.
Gordon Ritchie at Tony Hunter
Opening night had just a few technical issues, including none functioning mics, and maybe could have done without quite so long set change blackouts to keep the flow. However it is without doubt an excellent little show, with great music and with Man Of Steel, the writers certainly knew they had a winner they used it thrice. It also very much knows how to close the first act in an exceptional way.

Overall a tremendously enjoyable experience and no question the show deserves to see light of day again in some way as a piece of so-called flimsy musical theatre, it sure has an important moralistic story to tell.

Performance reviewed: Wednesday 26th October (opening night), 2016 at The Core at The Corby Cube, Corby

Danny Hero runs at the 
The Core at The Corby Cube until Saturday 29th October, 2016.

For further details visit the The Core website at 
https://www.thecorecorby.com/

Photos by Abdigitaluk Photography

Popular posts from this blog

Review of Top Gs Like Me at Royal & Derngate (Derngate), Northampton

Long before this brand new play by local playwright Samson Hawkins opened at Royal & Derngate Northampton, Top Gs Like Me had garnered a vast amount of media attention, especially regarding the staging within the Derngate theatre on a remarkable conversion into a skatepark, a theatre version of real-life Radlands skatepark in Northampton. So, delving deep below the remarkable site within the theatre, does Hawkins' play of seething toxic masculinity, misogyny and questions around consent strike all the right marks for a perfect landing? Top Gs Like Me follows the life, as he feels it is, of Aiden. Lost in the modern world, his best mate is heading to Uni, his mum is permanently in bed, and Aiden himself is drifting into some nefarious activities. His world is really often little more than stacking shelves in the supermarket, his scooter at his side and his mobile phone and all that entails for a youth of today. Into this world comes the mysterious Hugo Bang, who leads him some...

Review of Horrible Histories - The Concert at Milton Keynes Theatre

The first Horrible Histories book, written by Terry Deary, first hit the shelves a remarkable 33 years ago and has since become a historic event in its own right, with the franchise growing and growing. There have now been 23 books, several TV series, a game show and a film. Also, of course, it is now a stage show, with both Terrible Tudors and Awful Egyptians on a current tour around the country. However, here, now briefly at Milton Keynes Theatre, as part of its own tour, is Horrible Histories - The Concert . So, given the franchise's past success, what is this concert version adding to the franchise? The quick answer is bundles of fun with lashings of subliminal education, as Horrible Histories is very much known for. The cast, created from a collection of mainstays of the original series or tours and a few extras, are as enthusiastic as possible for a production, very much initially aimed at an audience of children. Bold, big in character and overplaying everything, you canno...

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...