Skip to main content

Review of The Planets: An HD Odyssey by the Royal Philharmonic Orchestra at Royal & Derngate (Derngate), Northampton

I very nearly wasn't at The Planets, as following a tremendous lack of understanding of the popularity of the show, less than two weeks before show night, I was without ticket and languishing upon the sold out waiting list. However the stars (or planets) aligned and a precious seat, and a good one, became available. Therefore when I wasn't in the Derngate foyer being mistaken as staff and asked about food options or help to carry peoples instruments, I sat transfixed in my seat in row N.

The line-up for this show was what I happily described as my desert island classical selection, all well known to me, all favourites. As well as Holst's The Planets themselves, we had a warm-up pre-interval act which featured Richard Strauss' Also Sprach Zarathustra, Johann Strauss II's Blue Danube, Toccata And Fugue In D Minor from Bach, Beethoven's Symphony No.7 Allegretto and John Williams' Star Wars main theme. Possibly a few of the names might not be familiar to you, however pop them into YouTube and I assure you, all will become clear. Mostly I will imagine like myself, you will have heard them in a film or two. They are all well used, and really quite brilliant. Hearing them live was something else.

Back at the podium, following his lively presentation at last years The Music Of John Williams, was conductor Robert Ziegler. He is a very lively personality and as last years pre-show talk showed, knowledgeable of the material and fully encompassing of being inventive with a classical concert to bring a different type of audience to the venues. It worked last year and clearly by the demographic in the theatre on this night, it had clearly worked again.

The show piece of this event was the after interval presentation of The Planets and its HD accompanying images of the planets themselves. I myself, while I enjoyed every moment of the music, was most absorbed oddly by the pre-interval music as the second half did drift away somewhat in enjoyment by what sadly turned into the distraction that was the HD presentation, rather than a delight. The opening piece of Mars was where is peaked and shot its bolt, as the overwhelming wealth of footage of the red planet could never be matched as we progressed through the solar system. The images became a rather garbled mess of colours and spinning images at times, which while I don't doubt represent well these alien worlds, were poorly presented occasionally. The timing however was second to none, as at suitable peaks and switches in the music, the images shifted on screen.

So yes, the music was sublime. The largest orchestra I have seen to date, 91, filled the Derngate auditorium with gorgeous sound under the briskly waved baton of Ziegler and the music is where the show worked brilliantly. Saying that the HD presentation was a failure would be wrong, as it had clearly created an absorbed new audience across the ages, and packed the Derngate to its very edges. It just at times seemed a little flimsy compared to the pure musical background of previous concerts.

««««


Performance reviewed: Sunday 26th June, 2016 at the Royal & Derngate (Derngate), Northampton.

The Planets: An HD Presentation was a single night performance at the Royal & Derngate on Sunday 26th June, 2016 and ended its tour.

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Beauty and the Beast at Castle Theatre, Wellingborough

The Castle Theatre Wellingborough this year sees the home of Beauty and the Beast as its seasonal pantomime, and what a fabulously entertaining show it is. Hiding away from the big star names, Parkwood Theatres & Castle Theatre has assembled a talented bunch of performers to bring this tale “as old as time” to the stage. Produced and directed by Martin Cleverley once again, back from previous years' pantos, the show relies very much on characters rather than showy visuals. Taking full advantage of a French setting, the puns flow freely, including to the characters, with names such as Danon and Djon thrown into the mustard pot (very much intended) of puns. Aura Mitchell and Kaysee Craine lead our cast of characters as the title characters of Beauty and the Beast (also known as Prince Pierre). While they do play second fiddle, as is the norm for a panto, to the additional comic characters, they form a charming partnership. Returning to the role of panto dame from last year'...

Review of Mog's Christmas at Royal & Derngate (Royal), Northampton

Back in 2022, the theatre group The Wardrobe Ensemble created a sweet and adventurous staging of Judith Kerr's classic children's character, Mog - The Forgetful Cat . For this Christmas season at Royal & Derngate, Mog returns with, suitably enough, Mog's Christmas . The show, just a crisp, action-packed hour, retells two past adventures alongside a Christmas vignette. Kerr's Mog first appeared in 1970, and it launched a remarkable run of books over 50 years featuring the puzzled feline, culminating in the final book released in 2020, following Kerr's death at 95 in 2019. Kerr is most famous for one of her other tales, The Tiger Who Came to Tea . However, in Mog's Christmas , the show presents three entertaining little stories featuring her other, slightly lesser-known feline character. Over the course of the hour, we see Mog successfully foil a burglar, survive a trip to the V.E.T., and then, in the brand-new stage story, a Christmas adventure where Mog gets...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...