Skip to main content

Review of the University Of Northampton BA (Hons) Acting Graduate Showcase 2016 at Tristan Bates Theatre, London

For the second year running, I was honoured to be invited to the Graduate Showcase in the heart of London, at which this years BA Actors made their final appearance together. These were the third group that I have been able to follow to the end, and the group I had spent the longest following, so it was emosh for all of us.

Our venue this year was the Tristan Bates Theatre within The Actors Centre at Covent Garden. I have to admit that personally I wasn't particularly struck on the venue, the studio space was a little dingy and a tad strong on the echo. However venue is second, the talent at it was key, and like previous years this group have been of a tremendous standard.

This year the format of the showcase, under director Simon Cole, had been tweaked a little and the snippets of the actors Flash pieces had been dispensed with in favour of longer pieces from seventeen plays. This year I had actually seen two of the plays featured; Citizenship this year at Connections, and Rainbow Kiss, more interestingly for me (and certainly no one else) the first play I ever saw performed in London, at the Royal Court in 2006.

All of the selections were cleverly picked in their own right, as once again were the pairings. Many that you might not pick yourself, but under wise decisions, tremendously successful. It was once again a frenetic seventy to eighty minute show, full of humour and high drama and performed with relish from the group for that final time in front of an impressively large audience compared to the year before (no Christopher Biggins though)

I am not going into more detail over performances this time, as I have said my opinions over the last two years of this group and no one during this production let the side down. Therefore in order of appearance, my thanks and best wishes for the future got to: Tom Stone, Benjamin Williams, Aoife Smyth, Elizabeth Adejimi, Elliot Holden, Patrick Morgan, Grace Aitken, Annalise Taylor, Penelope May, Stuart Warren, Kathryn McKerrow, Neizan Fernandez Birchwood, Amber Mae, Jake Rivers, Madeleine Hagerty, Danni-Louise Ryan, Cynthia Lebbos, Connor McAvoy, Cîara Goldsberry, Suzannah Cassels, Sharni Tapako-Brown, Jaryd Headley, Daniel Hadjivarnava, Jared Gregory, Kieran Hansell, Sophie Guiver, Rory Sayers, Rhiana Young, Ellen Shersby-Wignall. Stephanie Waugh, Daniel Gray, Vandreas Marc, Lucy Kitson, Sophie-Rose Darby, Charlie Clee, Jack Newhouse. Also those not performing on the day Caroline Avis, Megan Burda, Yolanda Lake, Amy Weaver, Matilda Hunt and George Marlow.

A final thanks to everyone behind the scenes that has helped run the course, teach these stars and make the two years so enjoyable. I hope in the future to see as many of these perform once again and follow their futures with interest. I have said it before, however once again I say to you all, go forward and do what you want to do and continue to be the special that you already are.

Popular posts from this blog

Review of Matthew Bourne's The Red Shoes at Milton Keynes Theatre

Sir Matthew Bourne has rightfully become the doyen of accessible contemporary ballet, with his works spanning a wide range, from Swan Lake , Lord of the Flies , and Edward Scissorhands to The Red Shoes , now here at Milton Keynes on an extensive tour. Based broadly on the 1948 film of the same name, The Red Shoes , set across Europe, follows the story of ballerina Victoria Page, discovered by ballet impresario Boris Lermontov. He requests that a ballet based on Hans Christian Andersen's tale   The Red Shoes  be written by the  composer Julian Craster, whom Page falls deeply in love with. A conflict arises, and Page must choose between love and success. The first impact on any audience of The Red Shoes is visually on the costumes and set. This is, without any question, a spectacular staging. Lez Brotherston, responsible for both costumes and set, has created a gem. The striking costumes effectively recreate the period in minute detail, placing the audience very much in t...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Tina: The Tina Turner Musical at Milton Keynes Theatre

Music artist Tina Turner was a staple of the music network for a remarkable time, active as an artist for eight decades; her work is, or at the very least should be, familiar to every generation. Therefore, it was little surprise that in 2018, a stage musical of her work and life arrived upon the stage. You could say that for such an artist, it actually took longer than it should have to appear. Now, as part of its first UK & Ireland tour, Tina: The Tina Turner Musical , it arrives at Milton Keynes Theatre for a two-week run. So, the question is, is it worthy of the legendary artist? For those unfamiliar with any part of Tina Turner's life, the content of this stage musical telling her life story might be a surprise to an audience that grew up just listening to her music. It is an early commendation of the show that the show does not shy away from the themes of domestic abuse, racism and parental abandonment that Turner suffered through her life. With all that rich and startlin...