Skip to main content

Review of the University Of Northampton BA (Hons) Acting Graduate Showcase 2016 at Tristan Bates Theatre, London

For the second year running, I was honoured to be invited to the Graduate Showcase in the heart of London, at which this years BA Actors made their final appearance together. These were the third group that I have been able to follow to the end, and the group I had spent the longest following, so it was emosh for all of us.

Our venue this year was the Tristan Bates Theatre within The Actors Centre at Covent Garden. I have to admit that personally I wasn't particularly struck on the venue, the studio space was a little dingy and a tad strong on the echo. However venue is second, the talent at it was key, and like previous years this group have been of a tremendous standard.

This year the format of the showcase, under director Simon Cole, had been tweaked a little and the snippets of the actors Flash pieces had been dispensed with in favour of longer pieces from seventeen plays. This year I had actually seen two of the plays featured; Citizenship this year at Connections, and Rainbow Kiss, more interestingly for me (and certainly no one else) the first play I ever saw performed in London, at the Royal Court in 2006.

All of the selections were cleverly picked in their own right, as once again were the pairings. Many that you might not pick yourself, but under wise decisions, tremendously successful. It was once again a frenetic seventy to eighty minute show, full of humour and high drama and performed with relish from the group for that final time in front of an impressively large audience compared to the year before (no Christopher Biggins though)

I am not going into more detail over performances this time, as I have said my opinions over the last two years of this group and no one during this production let the side down. Therefore in order of appearance, my thanks and best wishes for the future got to: Tom Stone, Benjamin Williams, Aoife Smyth, Elizabeth Adejimi, Elliot Holden, Patrick Morgan, Grace Aitken, Annalise Taylor, Penelope May, Stuart Warren, Kathryn McKerrow, Neizan Fernandez Birchwood, Amber Mae, Jake Rivers, Madeleine Hagerty, Danni-Louise Ryan, Cynthia Lebbos, Connor McAvoy, Cîara Goldsberry, Suzannah Cassels, Sharni Tapako-Brown, Jaryd Headley, Daniel Hadjivarnava, Jared Gregory, Kieran Hansell, Sophie Guiver, Rory Sayers, Rhiana Young, Ellen Shersby-Wignall. Stephanie Waugh, Daniel Gray, Vandreas Marc, Lucy Kitson, Sophie-Rose Darby, Charlie Clee, Jack Newhouse. Also those not performing on the day Caroline Avis, Megan Burda, Yolanda Lake, Amy Weaver, Matilda Hunt and George Marlow.

A final thanks to everyone behind the scenes that has helped run the course, teach these stars and make the two years so enjoyable. I hope in the future to see as many of these perform once again and follow their futures with interest. I have said it before, however once again I say to you all, go forward and do what you want to do and continue to be the special that you already are.

Popular posts from this blog

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Party Season at Royal & Derngate (Royal), Northampton

Formed in 2011, the theatre group The Wardrobe Ensemble has created many shows for both adults and children. Over the years, they have established a rich connection with the Royal & Derngate, staging several productions here, including the recent Mog: The Forgetful Cat . With Party Season now opening at the venue, the focus returns to an adult-centred show. Party Season tells its story through three children’s parties over the course of one weekend. The usual social situations occur, awkwardness, one-upmanship, and the true chaos of such events as children descend on a single house. Though the setting is children’s parties, Party Season goes deeper. It explores what it means to be a parent, and in one amusing moment, what it is like not to be one. Party Season is a return to the triumphant balance that The Wardrobe Ensemble has between buffoonery and stark, human emotional storytelling. The simplicity of seeing a switch from the cast doing Gangnam Style to an emotional monologu...

Review of 2:22 A Ghost Story at Royal & Derngate (Derngate), Northampton

2:22 A Ghost Story continues an endless rise and run of success on the stage. This play by Danny Robins was first staged as recently as August 2021 at the Noel Coward Theatre and since then the show continued to run in London for two years, moving to four further London theatres, before eventually closing in the city to embark on this tour, which began in September last year. During these runs, the cast has constantly been updated with often populist actors, and some, which are not even associated with acting. As this reaches Royal & Derngate, now even the touring cast has been swept clean and four further performers take on the incredible success of a show. This is the second time I have seen 2:22 A Ghost Story , and it is safe to say that on that first viewing, with the previous tour cast, I was not as blown away by the play as the success seemed to warrant. The aforementioned populist casting seemed to have driven a so-so ghostly tale into success beyond its quality, and with th...