Skip to main content

Review of the University Of Northampton BA (Hons) Acting Graduate Showcase 2016 at Tristan Bates Theatre, London

For the second year running, I was honoured to be invited to the Graduate Showcase in the heart of London, at which this years BA Actors made their final appearance together. These were the third group that I have been able to follow to the end, and the group I had spent the longest following, so it was emosh for all of us.

Our venue this year was the Tristan Bates Theatre within The Actors Centre at Covent Garden. I have to admit that personally I wasn't particularly struck on the venue, the studio space was a little dingy and a tad strong on the echo. However venue is second, the talent at it was key, and like previous years this group have been of a tremendous standard.

This year the format of the showcase, under director Simon Cole, had been tweaked a little and the snippets of the actors Flash pieces had been dispensed with in favour of longer pieces from seventeen plays. This year I had actually seen two of the plays featured; Citizenship this year at Connections, and Rainbow Kiss, more interestingly for me (and certainly no one else) the first play I ever saw performed in London, at the Royal Court in 2006.

All of the selections were cleverly picked in their own right, as once again were the pairings. Many that you might not pick yourself, but under wise decisions, tremendously successful. It was once again a frenetic seventy to eighty minute show, full of humour and high drama and performed with relish from the group for that final time in front of an impressively large audience compared to the year before (no Christopher Biggins though)

I am not going into more detail over performances this time, as I have said my opinions over the last two years of this group and no one during this production let the side down. Therefore in order of appearance, my thanks and best wishes for the future got to: Tom Stone, Benjamin Williams, Aoife Smyth, Elizabeth Adejimi, Elliot Holden, Patrick Morgan, Grace Aitken, Annalise Taylor, Penelope May, Stuart Warren, Kathryn McKerrow, Neizan Fernandez Birchwood, Amber Mae, Jake Rivers, Madeleine Hagerty, Danni-Louise Ryan, Cynthia Lebbos, Connor McAvoy, Cîara Goldsberry, Suzannah Cassels, Sharni Tapako-Brown, Jaryd Headley, Daniel Hadjivarnava, Jared Gregory, Kieran Hansell, Sophie Guiver, Rory Sayers, Rhiana Young, Ellen Shersby-Wignall. Stephanie Waugh, Daniel Gray, Vandreas Marc, Lucy Kitson, Sophie-Rose Darby, Charlie Clee, Jack Newhouse. Also those not performing on the day Caroline Avis, Megan Burda, Yolanda Lake, Amy Weaver, Matilda Hunt and George Marlow.

A final thanks to everyone behind the scenes that has helped run the course, teach these stars and make the two years so enjoyable. I hope in the future to see as many of these perform once again and follow their futures with interest. I have said it before, however once again I say to you all, go forward and do what you want to do and continue to be the special that you already are.

Popular posts from this blog

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...