Skip to main content

Review of Housebound & Another Fine Mess at The Playhouse Theatre, Northampton (White Cobra Productions)

The two companion pieces of Another Fine Mess and Housebound from White Cobra Productions provided a diverting and entertaining couple of hours of entertainment at the Playhouse Theatre. The feature piece is Another Fine Mess from Gillian Plowman, however the pre-interval short Housebound from Simon Mawdesley is an equally captivating play, if not quite such a socially conscience one. Both plays star White Cobra founders Richard Jordan and Kate Billingham, with Another Fine Mess also starring Paul Fowler (who also directs Housebound).

Housebound is dark in concept but high in comic pleasure as the very briefly masked Bone (Richard Jordan) takes the posh Fiona (Kate Billingham) captive in her home of fine furniture, splendid carpets and resident wasps. Without doubt Housebound suffers in these early stages of being a little under rehearsed with a little hesitation obvious at times from the performers. I think also there was still some development needed to strengthen the characters. It does however remain entertaining throughout with the clever and witty dialogue.

Another Fine Mess is better prepared and solid in its production though. This is a gem of a little play and offers a neat and totally unexpected twist to what you might expect. Set in the back room of a pub in the eighties (a crucially important time setting), we meet Stephen (Richard Jordan) and Philip (Paul Fowler) as they work on their Laurel & Hardy double act. Working with them is occasional co-performer and Stephen's bit on the side Meg (Kate Billingham).

Much more polished than Housebound, Another Fine Mess is a cleverly crafted one act play full of brilliant human drama. It is a tricky piece to review without giving away the twist and this deserves to be seen without foreknowledge. Suffice to say when it plays out, it brings high emotion to the piece and the audience. Billingham in particular is strong as the character who takes the news with initial aggression and self interest, rather than sympathy.

The Laurel & Hardy pieces are nicely performed, getting the feel just right of a tribute act take on them. There was also some entertaining choreography created by Mary O'Brien bringing the musical pieces to life. A special treat as well was a pre-recorded piece of radio programming by Stuart Linnell. Leading through the interval into the play itself, this was genuinely funny and featured a nice collection of classic tunes from the eighties.

These two shows are not the most successful of those I have seen White Cobra perform, however knowing sad circumstances behind the scenes in preparation, still leaves these as great achievements. The two plays are both highly entertaining and the latter Another Fine Mess is unquestionably the best performed with that very powerful emotional punch. Highly recommended to try to catch them as they tour on route to the Edinburgh Fringe.

★★½

Performance reviewed: Friday 27th May, 2016 at the Playhouse Theatre, Northampton

Housebound/Another Fine Mess is currently on tour until August. For details visit: http://www.whitecobraproductions.co.uk/

For full details about the Playhouse Theatre visit their website at http://www.theplayhousetheatre.net/

Popular posts from this blog

Review of Dear Evan Hansen at Royal & Derngate (Derngate), Northampton

First performed in 2015, Dear Evan Hansen remains the musical of the modern teen's life, showcasing all the troubles in that generation of popularity and social media. And as this long UK tour of the West End and before that Broadway smash hits the Royal & Derngate, it offers a troubling mirror on modern society. Before seeing this show, I had avoided all knowledge of the story Dear Evan Hansen tells, and with that came a joyful voyage of discovery as the captivating story evolved. Therefore, if you have also managed to avoid the story, skip the next paragraph and enjoy a new story to be found. Evan Hansen is a troubled teen who struggles to fit into society and cannot find friends. As a result, his therapist has suggested that he write letters to himself, "Dear Evan Hansen." When one of these letters is found on the body of an equally troubled teen, Evan finds himself spiralling into a world of fictitious friendship, which gets increasingly out of control. The stor...

Review of To Kill A Mockingbird at Milton Keynes Theatre

Harper Lee’s 1960 novel To Kill a Mockingbird has been a staple on countless best-of lists since its publication and remains a book of immense power and relevance, despite being set nearly 100 years ago, in the early 1930s. Whether you have read the book or seen the groundbreaking film with Gregory Peck, most are familiar with the story. Here, in an extensive UK and Ireland tour, and arriving now at Milton Keynes Theatre, Aaron Sorkin’s adaptation takes to the stage with all the power and relevance of the original. Sorkin, famous for his ground-breaking TV series The West Wing , and also perhaps more relevant here, the legal film A Few Good Men , takes Lee’s classic and adapts the story to primarily be based around the court case of a certain Tom Robinson, charged with the assault and rape of local girl Mayella Ewell. Leading his defence is Atticus Finch, the kindly man who sees good in everyone. Lee’s book has Finch's daughter as the narrator; Sorkin cleverly develops this by add...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...