Skip to main content

Review of September In The Rain by John Godber at The Playhouse Theatre, Northampton

It seems odd to describe a play that features long turds in drains and a seemingly constantly bickering couple beautiful, but for John Godber's September In The Rain it really feels appropriate. It is a wonderfully relaxing and at times extremely funny play (the turd moment a particular classic) telling the reminiscences of the elderly Liz and Jack's trips to Blackpool.

It also provided some emotional memories for myself as Blackpool was the place that I spent my very best family holidays in the eighties and early nineties. I have a truly fond feeling for the place despite now not having been there for over twenty years and I felt well the trials that Liz and Jack suffered from the occasional inclement weather of Blackpool. Oddly enough I remain sure now that the best weather I ever witnessed there was when we stayed right through Christmas one year. Blackpool in summer and early autumn simply cannot be trusted.

September In The Rain is produced by White Cobra Productions and this is my first encounter with them, although on this evidence I will try to make sure it is not my last. White Cobra is also very much the baby of our two stars of the piece Kate Billingham and Richard Jordan, having formed the company in 2012. As Liz and Jack (and occasionally a few other distinct characters) they are the perfect partnership. They are, put simply, perfection in their roles. Sparking off each other in glorious ways, creating what is a love and hate relationship and ever so believable they have spent decades together. Jack may well not want to hold Liz's hand, but we know they love each other really.

The direction from Lynne O'Sullivan is simple and clean allowing the characters to be the stars of the show. There is no need for anything more that the simple table and chairs or occasionally troublesome deckchair. The world is created through the tales told and the prompting from screen projection is rarely needed. Also simple but highly effective was the lighting and sound provided by Philip Welsh, Rod Arkle and Paul Fowler. I wonder if those tide sounds were genuine Blackpool ones? I think myself they were probably too calm to be from there.

This is a glorious and reet proper northern comedy performed by Billingham and Jordan with a loving and big beating heart and I absolutely loved and relieved every single moment of the tales they had to tell.


Performance reviewed: Thursday 1st October, 2015

September In The Rain continues at the Playhouse Theatre, Northampton until Saturday 3rd October, 2015 before continuing its tour. For details visit: http://www.whitecobraproductions.co.uk/

For full details about the Playhouse Theatre visit their website at http://www.theplayhousetheatre.net/


Popular posts from this blog

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...