Skip to main content

The Flash Festival Review 2014 held at the Looking Glass Theatre and the Royal & Derngate, Northampton

The experience of seeing eleven productions in the 2014 Flash Festival was a delight and something that I am glad I was able to make time for. The quality of the organisation, the quality of the plays and most importantly the quality of the University Of Northampton's young acting students has been something to behold.

The venues themselves have also been a delight, with the Royal & Derngate Underground space familiar to me having attended previous on a few occasions. However the Looking Glass Theatre came as quite a surprise with my first visit early morning on the first day of the festival. Two very helpful staff (ignorantly never asked your names) with tea, chocolate and more often than not coffee at the ready.


Of the eleven plays that I did manage to see, I can safely say that there was not one that I didn't enjoy. I offer my apologies that I simply was not able to see The Fig Tree, The Homeless Heart, The Weigh In and Don't Look Me In The Eye, but there sadly was just not quite enough time in the week for me.

So as I said, once again, you were all brilliant but like all awards ceremonies there must be a few winners (try not to look grumpy if you have missed out as the camera might just be on you as you pull that face) and rest assured Olivia Colman actually won't win an award here.

So here are my personal awards:

Top Male Performers (Top Three Unranked)

  • Joseph Derrington from Marbleglass for Sell By Date
  • Marvin Freeman from Lost Fragments for The Show Must Go On
  • Steven-James Leonard from Rising Persona for Vallence Road
Top Female Performers (Top Three Unranked)
  • Danielle Gorman from Black Jack for Taciturn
  • ZoĂ« Harbour from Between Two Worlds for In Her Reflection
  • Brigette Wellbelove from Between Two Worlds for In Her Reflection
Best Technology Use
  • Marbleglass for Sell By Date
Best Physical Theatre
  • Sell By Date from Marbleglass starring Marcus Churchill, Ashley Cook, Joseph Derrington and Sophie Murray
Best Set
  • Oppossed from ViceVersa starring Lindsey Davis and Reanne Lawrence
Top Theatre Groups (Top Three Unranked)
  • Between Two Worlds featuring Kathryn Belmega, ZoĂ« Harbour, Katherine Hartshorne and Brigette Wellbelove for In Her Reflection
  • Lost Fragments featuring TrĂ© Curran, Marvin Freeman, Liam Harvey and Karis Lewis for The Show Must Go On
  • Marbleglass featuring Marcus Churchill, Ashley Cook, Joseph Derrington and Sophie Murray for Sell By Date
Top Plays (Top Three Unranked)
  • Sell By Date from Marbleglass starring Marcus Churchill, Ashley Cook, Joseph Derrington and Sophie Murray
  • The Show Must Go from Lost Fragments starring TrĂ© Curran, Marvin Freeman, Liam Harvey and Karis Lewis
  • Taciturn from Black Jack starring Danielle Gorman, Oliver Leonard and Matt Thompson


And then it was all over. A final thanks to the staff at Looking Glass, Royal & Derngate, Flash Festival Organisers, Platinum Events: Sophie Bridge, Louise Stidston, Libbie Cooper, Justyna Smugala, Shaunagh Dunlop and Bryony Denison and also thanks to Jim and Lynne Holden. Roll on 2015.



Popular posts from this blog

Review of That Face by Polly Stenham performed by The Masque Theatre at the Playhouse Theatre, Northampton

As millions were sitting down to watch the misery of EastEnders and its big reveal of Lucy's killer, A Small Mind ventured out to the theatre for some light relief. Yeah right! That Face by Polly Stenham is generally as far from light relief as you could imagine, like the aforementioned soap being unshackled by its pre-watershed needs, this was gritty family drama in the extreme. Long before the play begins those who had made their way to their seats early get the chance to see curtain up and a girl sitting bound and masked in a chair. Moments of 50 Shades fears aside, its clear that we are seeing one of the unluckiest actresses you could imagine. Destined to be in two scenes with no lines, the first of which involves her being mauled about no end, its a thankless role, which todays actress of pain Julie Hicks plays very well. Suffering for her art indeed. Doing the mauling are boarding school "buddies" Mia (Amber Mae) and mad as a box of frogs Izzy (Clare Balbi). Mia...

Review of Theft at the Castle Theatre Studio, Wellingborough

The comedy-thriller Theft by Eric Chappell tells the story of an anniversary celebrating couple returning to the devastation of their home being ransacked in a burglary. However, this ransacking pales in comparison to the ransacking of their lives that then occurs as home truths are revealed. Anyone old enough to remember the works of Theft writer Chappell ( Rising Damp and Only When I Laugh ), could be forgiven for thinking that this 1996 play might feel a little dated for a 2021 audience. However, bar a few references much of their time now (the weaker sex and female priests for instance), Theft still feels comfortable in the 2021 world, where many of us just want both a good evening of theatre and a good bit of fun. With Theft from the highly regarded Wellingborough Technical Players, they get just that. The action starts as we find the man of the house John Miles played by Graham Breeze returning, very angry, to his home. He is a rightfully boisterous character, channelling all th...

Review of Never Let Me Go at Royal & Derngate (Royal), Northampton

Kazuo Ishiguro's 2005  Never Let Me Go is a slightly difficult novel to categorise at times, but most call it a science-fiction speculative piece. With some limited spoilers for those unfamiliar with the Man Booker Prize-shortlisted work, Ishiguro paints a world where people, clones, are created for the benefit of medical science, destined to become donors to rid the world of deaths from solvable diseases for the rich. It is a powerful piece and while it had a successful film version back in 2010, could a stage version, now running at Royal & Derngate, work similarly? The answer to that is yes, and perhaps even better than the film version. The intimate world of the theatre feels like a stronger location for the story to unfold, bringing the piece straight to the audience with no potential interruption or break to the tale. We learn of Kathy, Ruth and Tommy's (the main protagonists) fixed life through their eyes and live their life for the long, but never dr...