Skip to main content

The Flash Festival Review 2014 held at the Looking Glass Theatre and the Royal & Derngate, Northampton

The experience of seeing eleven productions in the 2014 Flash Festival was a delight and something that I am glad I was able to make time for. The quality of the organisation, the quality of the plays and most importantly the quality of the University Of Northampton's young acting students has been something to behold.

The venues themselves have also been a delight, with the Royal & Derngate Underground space familiar to me having attended previous on a few occasions. However the Looking Glass Theatre came as quite a surprise with my first visit early morning on the first day of the festival. Two very helpful staff (ignorantly never asked your names) with tea, chocolate and more often than not coffee at the ready.


Of the eleven plays that I did manage to see, I can safely say that there was not one that I didn't enjoy. I offer my apologies that I simply was not able to see The Fig Tree, The Homeless Heart, The Weigh In and Don't Look Me In The Eye, but there sadly was just not quite enough time in the week for me.

So as I said, once again, you were all brilliant but like all awards ceremonies there must be a few winners (try not to look grumpy if you have missed out as the camera might just be on you as you pull that face) and rest assured Olivia Colman actually won't win an award here.

So here are my personal awards:

Top Male Performers (Top Three Unranked)

  • Joseph Derrington from Marbleglass for Sell By Date
  • Marvin Freeman from Lost Fragments for The Show Must Go On
  • Steven-James Leonard from Rising Persona for Vallence Road
Top Female Performers (Top Three Unranked)
  • Danielle Gorman from Black Jack for Taciturn
  • ZoĂ« Harbour from Between Two Worlds for In Her Reflection
  • Brigette Wellbelove from Between Two Worlds for In Her Reflection
Best Technology Use
  • Marbleglass for Sell By Date
Best Physical Theatre
  • Sell By Date from Marbleglass starring Marcus Churchill, Ashley Cook, Joseph Derrington and Sophie Murray
Best Set
  • Oppossed from ViceVersa starring Lindsey Davis and Reanne Lawrence
Top Theatre Groups (Top Three Unranked)
  • Between Two Worlds featuring Kathryn Belmega, ZoĂ« Harbour, Katherine Hartshorne and Brigette Wellbelove for In Her Reflection
  • Lost Fragments featuring TrĂ© Curran, Marvin Freeman, Liam Harvey and Karis Lewis for The Show Must Go On
  • Marbleglass featuring Marcus Churchill, Ashley Cook, Joseph Derrington and Sophie Murray for Sell By Date
Top Plays (Top Three Unranked)
  • Sell By Date from Marbleglass starring Marcus Churchill, Ashley Cook, Joseph Derrington and Sophie Murray
  • The Show Must Go from Lost Fragments starring TrĂ© Curran, Marvin Freeman, Liam Harvey and Karis Lewis
  • Taciturn from Black Jack starring Danielle Gorman, Oliver Leonard and Matt Thompson


And then it was all over. A final thanks to the staff at Looking Glass, Royal & Derngate, Flash Festival Organisers, Platinum Events: Sophie Bridge, Louise Stidston, Libbie Cooper, Justyna Smugala, Shaunagh Dunlop and Bryony Denison and also thanks to Jim and Lynne Holden. Roll on 2015.



Popular posts from this blog

Review of The Wizard Of Oz by the Northampton Musical Theatre Company at Royal & Derngate (Derngate), Northampton

The last couple of shows from the award-winning Northampton Musical Theatre Company has been a slightly mixed bag, with their last show at Derngate the rather difficult to get a grip on thrills of Grease , a woefully inferior stage version of the classic film despite being very well performed. Their best show recently was ironically Summer Holiday , hidden at the much smaller Cripps venue. Therefore still in the wake of the exceptional Sister Act , does The Wizard of Oz create the Derngate magic once again? The answer for me, is both yes and no, it is as always an exceptional production filled from top to tail with talent, as NMTC is so renowned for, and packing the audience in and thrilling them like perhaps nothing like Oz can in the musical department, you cannot question its selection really. However, like Grease , and to readjust a requote, "it's just Oz". This time I use it in the way that Oz is just a little over-familiar, I am desperate for the buzz that I go...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Mamma Mia! at Royal & Derngate (Derngate), Northampton

Ahead of my trip to see Mamma Mia! in Northampton, I had enough conversations about the show to discover that there appears to be no in-between with people over their love or hate of the work of ABBA (music and lyrics by Benny Andersson and Björn Ulvaeus). For your information, patient reader, I fall firmly in the love department and an audience member of Mamma Mia! like myself is always going to ride on a tidal wave of joy as this jukebox churns out an incredible selection of their numbers (and truly reveals a substantially great back catalogue, that even a hater could not deny), however, is the show they are weaved around actually any good? The answer is mostly, yes. It is though, a typical popcorn musical where you are just required to switch your brain off for two hours or so and ride that tidal wave to Kalokairi, and observe the bright colours and frivolous nature of the plot. The plot, such as it is, involves 20-year-old Sophie, who is heading towards marria...