Skip to main content

Review of Party Season at Royal & Derngate (Royal), Northampton

Formed in 2011, the theatre group The Wardrobe Ensemble has created many shows for both adults and children. Over the years, they have established a rich connection with the Royal & Derngate, staging several productions here, including the recent Mog: The Forgetful Cat. With Party Season now opening at the venue, the focus returns to an adult-centred show.

Party Season tells its story through three children’s parties over the course of one weekend. The usual social situations occur, awkwardness, one-upmanship, and the true chaos of such events as children descend on a single house. Though the setting is children’s parties, Party Season goes deeper. It explores what it means to be a parent, and in one amusing moment, what it is like not to be one.
Party Season is a return to the triumphant balance that The Wardrobe Ensemble has between buffoonery and stark, human emotional storytelling. The simplicity of seeing a switch from the cast doing Gangnam Style to an emotional monologue telling of what life throws at a mother by the devil mother Simone, played by the fabulous Kerry Lovell, is a triumph in itself. All this can only work with a group so in-tune with one another. The Wardrobe Ensemble have refined this over the years, and with Party Season, that refinement is near its optimum.
What is a pleasure when watching this group is the confidence each performer clearly has in the others, in true ensemble style. To that effect, it often feels wrong to single out individual performers for mention; however, leading the story here, Tom England impressively portrays the put-upon dad who thinks everything in life is out to trouble him and, as a result, tries to avoid everything. This includes accompanying his son to his friend's birthday parties in his mother's absence, who is away on business. England has that nervous edge, especially when his character comes across both faces from the past, an inappropriate message and the shadow on his shoulder of the death of his father.
James Newton is a strong and enjoyable Entertainer, who we are welcomed by at the opening like that of a children’s entertainer, including the prerequisite dodgy jokes (which are actually quite good). Newton also appears as Xander’s son Felix, effortlessly switching between the adult and child character, as is often the case through this fast-moving piece for the other performers. This is especially so for Jacade Simpson, who cleverly balances the two ages as Celia and David’s son Aonghus and Bea's brother Kane, and in one scene, literally switching on stage as a literal Tug of War unfolds.
Everyone makes their mark on the production, but perhaps it is easy to say that Jesse Meadows once again strikes comedy gold with her constantly on edge Celia, the domineering mother who wants and has everything, except any tat in her house and must have the very best for her Aonghus, including victory in the silly little party games. It's a masterful performance in a very strong cast.
Directors Jesse Jones and Helena Seneca strike all the right notes with the piece, with high-energy moments that shift to stillness when needed for an emotional juncture. Also, there is some terrific lighting by Chris Swain on Bronia Housman’s simple but very effective five-door set, which allows the production to play with clever multiple entrances and help create a perfect WhatsApp sequence later in the story, a strong point of the production.
Party Season is a rip-roaring theatre show, swift and fast-paced across a ninety-minute single act, a rollercoaster that takes the audience on an emotional ride. There is much more that could be said of this production, but much of this would take away from the experience of seeing it for yourself. Catch it quick at Royal & Derngate, or, if not, try to find it as it tours until May.

Party Season is theatre gold, offering a careful balance between comedy and raw emotional storytelling.


Performance reviewed: Thursday, 9th April 2026, at the Royal & Derngate, Northampton.

Party Season is at Royal & Derngate until Saturday, 11th April 2026, before touring.

For further details of the tour, see the website at https://www.thewardrobeensemble.com/


For further details about the Royal & Derngate and to book tickets, see their website at http://www.royalandderngate.co.uk

Production photos: Paul Blakemore


Popular posts from this blog

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of The Strange Tale of Charlie Chaplin and Stan Laurel at Royal & Derngate (Royal), Northampton

The Strange Tale of Charlie Chaplin and Stan Laurel is perhaps the perfect antidote to the troubled times we are in, harking back to when things were perhaps simpler and mass media and the press were less in your face. Not to say that bigshot Charlie Chaplin didn't make a name for himself in more than just the movies he made. This though is a warm show, filled with love. This show is based on the very real tale of the 1910 ship heading course for New York, which aboard were Charlie Chaplin and Stan Laurel, unknown, but part of Fred Karno’s music hall troupe, and destined for different, but very major futures. Told by an Idiot's production with Theatre Royal Plymouth (and Royal & Derngate and Unity Theatre) breaks down the tale of the voyage of the SS Cairnrona with intriguingly created flashbacks of the life, generally of Charlie Chaplin. Therefore along the course of the voyage, we see Laurel's moment as understudy to Chaplin, the birth of Chaplin (brilliantly...

Review of The Pillowman at The Playhouse Theatre, Northampton

The Pillowman sounds such a friendly title, and to be fair, his story is one of the lighter aspects of Martin McDonagh's script. It still involves dead children though, if you want to get a clear vision of how dark this play is. Set in a police state of the future, Katurian (Toby Pugh) is taken in for the content of his often violent stories and a similarity to a spate of recent child killings. Here in detention cell 13, his police captors, Tupolski (Adrian Wyman) and Ariel (Steve While) play good cop, bad cop while holding over the threat of violence against Katurian's mentally disabled brother Michal (Patrick Morgan), being held in another cell. The Pillowman is clearly a very warped story, with the blackest of black comedy, and often also very offensive with it's racial stereotyping and disability. In fact, it is no surprise that a couple left in the interval, as I would happily admit that this play is far from everyone. I like a good black comedy though, and ...