Skip to main content

Review of & Juliet at Milton Keynes Theatre

First performed in 2019, & Juliet has become quite a global success, and now, as part of a UK Tour, it has arrived at Milton Keynes Theatre for a two-week run. Featuring a book by David West Read, it tells the what-if story of the survival of Juliet at the end of Shakespeare's Romeo & Juliet. Primarily a jukebox musical, it more specifically features the works of Swedish songwriter Max Martin (and friends, as the credits describe). The question is, does & Juliet provide more than the standard of many a jukebox musical before it, and does it honour the tragic tale from which it has sprung?

Our story opens with William Shakespeare presenting his latest work, Romeo & Juliet, for the first time. However, when his wife, Anne Hathaway, learns how he intends the tale to end, she is away with his quill and planning on her reworking of the story.

At the core of this touring production's success is Geraldine Sacdalan's powerhouse performance as Juliet. Her Juliet is genuinely her own woman and always emotive, bringing tremendous depth to the role. Her transitions in song from ballads to belters are incredible, and her dominance in scenes is second to none in the cast.

Elsewhere, Jay McGuinness impresses as Shakespeare, bringing humour to the role and the expected good vocals. His performance is brilliantly chummy, portraying The Bard as the mate down the pub. Laura Denning raises the bar further as her character Anne Hathaway brings some witty repartee to the role alongside her husband and simply incredible vocal performance, particularly stopping the show with her end solo to the song That's The Way.

Lee Latchford-Evans is tremendously valuable as the "French" Lance, complete with a dodgy accent and an upstaging codpiece. His partnership with Juliet's Nurse, Angelique, played by Sandra Marvin, provides some of the best comedy from the show as their romance blossoms again.

On as cover in the role of Romeo, Liam Morris brings further comedy to the show with his insipid interpretation of the character. Finally, Jordan Broatch and Kyle Cox form a delightfully charming partnership as May and Francois, respectively.

Director Luke Sheppard has created a superbly smooth production. It encompasses some brilliant choreography from Jennifer Weber, who takes a mixture of moves from the songs represented and adds her hip, upbeat work. Soutra Gilmour's set design is also sublime, with vibrant colours and stunning visuals. There is also an excellent use of video from Andrzej Goulding, which projects beyond the stage and, at times, onto the theatre's walls.

The musical choices for this jukebox show are also perfectly selected and suitably adapted for the production. Hence, numbers from Britney Spears and Bon Jovi never feel forced into the storyline and feel very much part of the overall thread. There is also a brilliantly clever boy band sequence to look forward to, which delights the audience.

& Juliet is an excellent piece of theatre, bringing The Bard's tale to the modern audience without disrespecting the original. The show represents much of the best of theatre, honouring its history by taking one of the classic stories and making it relevant for a modern audience. Bringing the jukebox musical format, so prominent for good or bad, and making it work in the best possible way. And finally, just making a cracking and entertaining show from the package.

A stunning modern spin on the classic tale backed by a perfectly selected jukebox of songs.


Performance reviewed: Monday, 31st March 2025, at the Milton Keynes Theatre.

& Juliet is at Milton Keynes Theatre until Saturday, 12th April 2025.

For further details about Milton Keynes, see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Production photos: Matt Crockett


Popular posts from this blog

Review of Lord Of The Dance at Royal & Derngate (Derngate), Northampton

The stage show Lord of the Dance possibly needs little introduction to most people, as it has become a legend and now, in this touring version, subtitled rather immodestly, 25 Years of Standing Ovations, it reaches a landmark anniversary. Those that do not know of the show would probably well know its spiritual fathers Michael Flatley, and even more likely Riverdance , from which Lord of the Dance sprung with a proper spring in its step. During the interval of the 1994 Eurovision Song Contest, Riverdance hit the world by storm as Michael Flatley and his troop of dancers possibly presented the most famous part of Eurovision ever, certainly of the non-singing variety at least. Here, this touring show brings that same style Flatley created from traditional Irish dancing across the country once again and it is truly something special to see. The concept of the show is simply a battle between good and evil told through dance, and some captivating and stunning songs performed by Celyn Cartw...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...

Review of My Mother's Funeral: The Show at Royal & Derngate (Royal), Northampton

The title My Mother's Funeral: The Show is perhaps not the most attractive title for a theatre show, however, this show had great success at the Edinburgh Fringe and now arriving at Royal & Derngate, one of its co-producing theatres, so, let's look beyond the unusual title and see what lies beneath. Abigail is a theatre dramatist pursuing plays that the theatres no longer want. Her "gay bugs in space" saga falls foul of being fiction for a start, something a theatre director states audiences no longer want stating they want gritty, real experiences, theatre with painful truths. So, after Abigail devastatingly loses her mother and finds no money to pay the funeral fees, she pursues the creation of a very personal theatre show. My Mother's Funeral: The Show is gritty and sad, but, also in many ways very funny, if in a dark way. Writer Kelly Jones digs deep into the world of poverty in Dagenham and countless estates across the country. A world of people born in...