Skip to main content

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show, has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway.

The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter.

I first saw The Rocky Horror Show in 2019 and experienced its wackiness once again in 2022. My initial encounter was a baptism by fire, as I was thrown into its crude humour, bizarre story, and surprisingly high level of audience participation. However, by the second viewing, it felt more like welcoming a beloved, eccentric uncle to dinner. Now, three years later, I’m left wondering: is that crazy uncle still as welcome? Well, on the experience of this new production and, more importantly, cast, that crazy uncle is most certainly welcome, even if he may spurt some incomprehensible sentences during dinner.

Perhaps the most significant success of this new version is that the cast is so fresh, formed from a group of quality stage performers, with no showy star name anywhere on the roster. The key role of The Narrator is held by one of the biggest names in the cast, Nathan Caton, and with all due respect to Mr Caton, I had not heard of him. However, he is superb, with the perfect balance of confident narration and sharp takedown of the inevitable heckles, be they familiar, new or very bad taste (there is always one); he has the confidence to bat them off with a smooth reply. He particularly delighted in a barrage of jocular moments aimed at his manhood.

Connor Carson and Lauren Chia are an absolute delight in their roles of Brad and Janet, respectively, milking the comedy of the characters for all their worth. They are both delightful singers as well, capturing both the comic songs and emotional numbers perfectly.

For many years the role of Riff Raff has been filled by a Rocky legend, Kristian Lavercombe, who became as famous in the role perhaps as Richard O'Brien himself, so any new Riff Raff on the tour will always be a talking point. In Job Greuter, they have found an excellent performer to take the role onwards. With his gangly legs and a surprisingly beautiful singing voice performance from his first appearance during Over at the Frankenstein Place, Greuter fills the role brilliantly.

The role of Rocky is always vital to the show, as is finding the perfect balance between looks, gymnastic skills, and singing voice. They have found a perfect little gem in Morgan Jackson. While he is diminutive in height, he is every bit a modern creation. In fact, there are some brilliant little nods during the show to his height, which add humour. Elsewhere, excellent support comes from Natasha Hoeberigs as Magenta and, on as cover for the performance, an excellent Stacey Monahan as Columbia.

Finally, we have Adam Strong, who is brand new in the role of the legendary Frank N Furter this month. He makes his mark in height and powerful vocals. He is obviously settling into the role, but as a strong performer of many touring shows, he is sure to make this one his own.

Music from the band led by Josh Sood fills the theatre with clear sound, and vocals from this production are clear. Nick Richings's lighting brings a suitably psychedelic show to proceedings, feeling both the stage and the theatre with lights of wonder. Elsewhere, there is a superb collection of numbers choreographed by Nathan M Wright and performed with superb energy by the cast, with the obvious Time Warp being the highlight, with all characters bringing their own little moments to the piece.

The Rocky Horror Show is a full-star show, full of energy, cracking songs, brilliant stage work, however, it will perhaps never be for everyone. It is such a cult now that it lives on that cult's memories, and after three viewings, I have probably become one. Will you, though? Who knows? However you deserve one trip over to that Frankenstein Place at some point to see it you are actually a wild and an untamed thing. Don't dream it, see it!

Rocky Horror continues to thrill in this cracking new version with a top-notch cast.


Performance reviewed: Monday, 10th February 2025, at the Milton Keynes Theatre.

The Rocky Horror Show is at Milton Keynes Theatre until Saturday, 15th February 2025.

For further details about Milton Keynes, see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Production photos: David Freeman


Popular posts from this blog

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...