Skip to main content

Review of Broken Party at The Benn Hall, Rugby

Broken Party, now on stage at The Benn Hall, is the first production by the new theatre company Nerve Theatre. Written and directed by company founder Mia Ballard, it provides an impressive collection of twists and turns that will please thriller enthusiasts.

The story setup sees a gathering of the Lewis family to celebrate the birthday of Abigail. She is the daughter of Ann Lewis and the leading player, James, a high-flying lawyer who sets his stall out in the world as a supporter of the victims of society. However, as events unravel due to a television interview, is he the worthy man many believe him to be?

Ballard's script is a perfect smorgasbord of murder mystery aperitifs, a dinner party, and a collection of the most dislikeable individuals, each of whom is the ideal culprit for guilt.

The story is told in a single-location living room with little distraction and sees the Lewis family spar against one another following a somewhat awkward viewing of a TV show. The dialogue from Ballard is crisp, and for the best part, the performances are excellent.

Antony Newby takes on the challenging role of James with a deft approach, calm and assured in his initial position in life but quickly descending into a quivering mess following the arrival of "crisis manager" Josh Adams. James is unlikeable from the outset as his worthiness overflows in his attitude and disregard for events until he later has no control over them.

As Josh Adams, George Sutton is superb. He gives an assured, confident performance, the best of the cast. His initial scene solely with Newby is easily the best of the play. It sets up the dynamic between the two, which is crucial for the rest of the story.

Elsewhere, we have a mixture of characters, including James Burgess as Brady, the putdown only son of James and Ann, whose upbringing has left him feeling an inferior part of the family. Amber Rosen plays the frankly annoying daughter Abigail with admittedly little chance of making the character likeable.

Kimberly Thornhill's Ann, the wife of James, is somewhat underwritten, sadly often given just material to look distraught and react, which is a shame as the rest of the characters feel very well fleshed out. These also include Ella Lewis, daughter of James but not of Ann. In the role, Zoe Favell gives a heartfelt performance during some excellent sparky moments against Abigail and as she tells her own emotional story. Completing the main cast of players is Ben Clark as Abigail's partner, Patrick, who may or may not have a hidden history of his own.

Staging is excellent, bar the somewhat awkward creation of the television interview, featuring Mia Ballard as host Charley Lawrence and Jasmine Hudson as interviewee Laura Tate. Rather than set this to one side as it may have looked better, a more dynamic movement approach is adopted, which looks untidy at times and clumsy for the rest of the cast, who are viewing a relatively lengthy scene.

However, apart from this one issue, the rest of the play looks tremendous, and staging, which could be an issue for a single location, and a reasonably sized cast is never complicated or blocked in scenes.

Despite just a few staging and characterisation issues, Broken Party is an absorbing play. The intriguing story keeps you guessing until the end and will thrill any mystery fans on a cold night in January. It is also the perfect chance to support a new play and production company simultaneously, so everyone wins.

An excellent and always captivating murder mystery.
⭐⭐


Performance reviewed: Friday, 10th January 2025, at Benn Hall, Rugby.

Broken Party runs at The Benn Hall until Saturday, 11th January 2025.

Further details about Nerve Theatre can be found at https://www.nervetheatre.co.uk/

Further details about Benn Hall can be found at https://uk.patronbase.com/_BennHall/Productions

Popular posts from this blog

Review of Dear Evan Hansen at Royal & Derngate (Derngate), Northampton

First performed in 2015, Dear Evan Hansen remains the musical of the modern teen's life, showcasing all the troubles in that generation of popularity and social media. And as this long UK tour of the West End and before that Broadway smash hits the Royal & Derngate, it offers a troubling mirror on modern society. Before seeing this show, I had avoided all knowledge of the story Dear Evan Hansen tells, and with that came a joyful voyage of discovery as the captivating story evolved. Therefore, if you have also managed to avoid the story, skip the next paragraph and enjoy a new story to be found. Evan Hansen is a troubled teen who struggles to fit into society and cannot find friends. As a result, his therapist has suggested that he write letters to himself, "Dear Evan Hansen." When one of these letters is found on the body of an equally troubled teen, Evan finds himself spiralling into a world of fictitious friendship, which gets increasingly out of control. The stor...

Review of To Kill A Mockingbird at Milton Keynes Theatre

Harper Lee’s 1960 novel To Kill a Mockingbird has been a staple on countless best-of lists since its publication and remains a book of immense power and relevance, despite being set nearly 100 years ago, in the early 1930s. Whether you have read the book or seen the groundbreaking film with Gregory Peck, most are familiar with the story. Here, in an extensive UK and Ireland tour, and arriving now at Milton Keynes Theatre, Aaron Sorkin’s adaptation takes to the stage with all the power and relevance of the original. Sorkin, famous for his ground-breaking TV series The West Wing , and also perhaps more relevant here, the legal film A Few Good Men , takes Lee’s classic and adapts the story to primarily be based around the court case of a certain Tom Robinson, charged with the assault and rape of local girl Mayella Ewell. Leading his defence is Atticus Finch, the kindly man who sees good in everyone. Lee’s book has Finch's daughter as the narrator; Sorkin cleverly develops this by add...

Review of Blood Brothers at Milton Keynes Theatre

So, did you hear the story of the Blood Brothers musical, the show that would live on and on? And, did you never hear of how it would thrill, entertain and make audiences cry for nearly forty years? And, did you never hear of how the show would pack out theatres night after night? And, come, judge for yourselves how good this show truly is, or maybe let me explain why it is here… Written by Willy Russell initially as a school play and first performed in 1983, Blood Brothers tells the story of the Johnstone twins, separated at birth with one given away in desperation by their mother, and on a journey through time to both their deaths on the very same day. This is a sad, funny and highly emotional masterpiece of theatre. This was the third time I have had the pleasure of seeing the show, and it loses none of its power from repeated viewing. Indeed, as the curtain call ended last night, I just wanted to sit right back down and watch it all over again. This show’s packed to the very brim...