Skip to main content

Review of Promises (audio play) from Nothing But Roaring part of Genfest 2024 at Royal & Derngate (Derngate), Northampton

Nothing But Roaring was founded back in 2022 to create unique audio dramas and born from the need for creatives to be active during the Covid pandemic. Since then they have created audio versions of Shakespeare's Richard III and Much Ado About Nothing. However, now, created and due for release as part of Royal & Derngate's 2024 Genfest Festival, the company brings to the airwaves their very first original drama.

Promises, written and directed by Nothing But Roaring founder Rebecca Cockcroft, tells the story of Amber, waking on the morning of her wedding day in a hotel room, worst for wear from a night out the evening before, and a very unexpected guest hiding in her room.

Promises is a tightly packed 23 minutes of whimsical but highly entertaining comedy-drama performed by a talented cast who despite the short running time create fully realised characters. As Amber, Gemma Knight brings a suitably confused edge to the situation she wakes to and as the story evolves and the true meaning of events transpires, there is a lovely warmth from her performance.

Her sparring partner for the bulk of the show is that stranger found within her room, Bob, played joyfully and childishly by Scott Bradley. Without the need for spoilers for this short drama, this perfectly suits the character, from his kid-like reaction to Amber's questioning "Did we have sex?" and to the eventual sadness of having been left behind. It's a lovely performance, perfectly mirroring Knight's.

Elsewhere, the cast is completed by two smaller roles, the first of which is writer Cockcroft taking on the role of housekeeper and clearly enjoying the chance to bring to life her own character. The housekeeper is predominately an interlude fleshing out the story, but her wackiness brings further comedy to the story with her fussing, over helpfulness. Finally, the cast is completed by hairdresser Brenda played by Danielle Corr. This is a role predominantly there to allow the culmination of the story to take place, but Corr is lively and enthusiastic in the role.

Luke Wood provides technical production and recording and while the audio is simply done with limited sound effects or soundscapes, the finish is excellent with a clear clarity of audio quality with dialogue at all times perfectly balanced.

Promises is a delightful story, a sort of a telling of a Twilight Zone-style story reimagined by BBC Radio Four and perfectly suited to a relaxing half-hour in your company with just a pair of headphones to block out the world.

A funny and whimsical tale excellently produced.

Audio available via Genfest 2024: Monday 7th to Sunday 13th October 2024 from the Royal & Derngate (Derngate), Northampton. Direct link: https://www.royalandderngate.co.uk/whats-on/genfest-2024-promises/

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

For further details about Nothing But Roaring, visit their website at https://nothingbutroaring.co.uk/

Popular posts from this blog

Review of Matthew Bourne's The Red Shoes at Milton Keynes Theatre

Sir Matthew Bourne has rightfully become the doyen of accessible contemporary ballet, with his works spanning a wide range, from Swan Lake , Lord of the Flies , and Edward Scissorhands to The Red Shoes , now here at Milton Keynes on an extensive tour. Based broadly on the 1948 film of the same name, The Red Shoes , set across Europe, follows the story of ballerina Victoria Page, discovered by ballet impresario Boris Lermontov. He requests that a ballet based on Hans Christian Andersen's tale   The Red Shoes  be written by the  composer Julian Craster, whom Page falls deeply in love with. A conflict arises, and Page must choose between love and success. The first impact on any audience of The Red Shoes is visually on the costumes and set. This is, without any question, a spectacular staging. Lez Brotherston, responsible for both costumes and set, has created a gem. The striking costumes effectively recreate the period in minute detail, placing the audience very much in t...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Tina: The Tina Turner Musical at Milton Keynes Theatre

Music artist Tina Turner was a staple of the music network for a remarkable time, active as an artist for eight decades; her work is, or at the very least should be, familiar to every generation. Therefore, it was little surprise that in 2018, a stage musical of her work and life arrived upon the stage. You could say that for such an artist, it actually took longer than it should have to appear. Now, as part of its first UK & Ireland tour, Tina: The Tina Turner Musical , it arrives at Milton Keynes Theatre for a two-week run. So, the question is, is it worthy of the legendary artist? For those unfamiliar with any part of Tina Turner's life, the content of this stage musical telling her life story might be a surprise to an audience that grew up just listening to her music. It is an early commendation of the show that the show does not shy away from the themes of domestic abuse, racism and parental abandonment that Turner suffered through her life. With all that rich and startlin...