Skip to main content

Review of Promises (audio play) from Nothing But Roaring part of Genfest 2024 at Royal & Derngate (Derngate), Northampton

Nothing But Roaring was founded back in 2022 to create unique audio dramas and born from the need for creatives to be active during the Covid pandemic. Since then they have created audio versions of Shakespeare's Richard III and Much Ado About Nothing. However, now, created and due for release as part of Royal & Derngate's 2024 Genfest Festival, the company brings to the airwaves their very first original drama.

Promises, written and directed by Nothing But Roaring founder Rebecca Cockcroft, tells the story of Amber, waking on the morning of her wedding day in a hotel room, worst for wear from a night out the evening before, and a very unexpected guest hiding in her room.

Promises is a tightly packed 23 minutes of whimsical but highly entertaining comedy-drama performed by a talented cast who despite the short running time create fully realised characters. As Amber, Gemma Knight brings a suitably confused edge to the situation she wakes to and as the story evolves and the true meaning of events transpires, there is a lovely warmth from her performance.

Her sparring partner for the bulk of the show is that stranger found within her room, Bob, played joyfully and childishly by Scott Bradley. Without the need for spoilers for this short drama, this perfectly suits the character, from his kid-like reaction to Amber's questioning "Did we have sex?" and to the eventual sadness of having been left behind. It's a lovely performance, perfectly mirroring Knight's.

Elsewhere, the cast is completed by two smaller roles, the first of which is writer Cockcroft taking on the role of housekeeper and clearly enjoying the chance to bring to life her own character. The housekeeper is predominately an interlude fleshing out the story, but her wackiness brings further comedy to the story with her fussing, over helpfulness. Finally, the cast is completed by hairdresser Brenda played by Danielle Corr. This is a role predominantly there to allow the culmination of the story to take place, but Corr is lively and enthusiastic in the role.

Luke Wood provides technical production and recording and while the audio is simply done with limited sound effects or soundscapes, the finish is excellent with a clear clarity of audio quality with dialogue at all times perfectly balanced.

Promises is a delightful story, a sort of a telling of a Twilight Zone-style story reimagined by BBC Radio Four and perfectly suited to a relaxing half-hour in your company with just a pair of headphones to block out the world.

A funny and whimsical tale excellently produced.

Audio available via Genfest 2024: Monday 7th to Sunday 13th October 2024 from the Royal & Derngate (Derngate), Northampton. Direct link: https://www.royalandderngate.co.uk/whats-on/genfest-2024-promises/

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

For further details about Nothing But Roaring, visit their website at https://nothingbutroaring.co.uk/

Popular posts from this blog

Review of Single White Female at Milton Keynes Theatre

The 1990s movie Single White Female was a classic pulp fiction offering of the time, off the back of films such as Fatal Attraction and released in the same year as the legendary Basic Instinct , these were the ultimate times for erotic thrillers/bunny boiler films. So, the question is: is such a genre still relevant today, and, even more so, can a theatre play succeed in transferring the theme to a new medium altogether? Allie is a recently divorced mother trying to juggle single parenting with starting her own tech company. To help with expenses, she looks for a lodger and finds Hedy, who seems like the perfect solution. However, as they get to know each other, the lines between their lives start to blur, and what seemed like an ideal setup begins to fall apart. For those familiar with the original film, there will be immediate observations of changes that adaptor Rebecca Reid has made. While lifting the entire plot from the US to the UK is obvious, developing Allie into Bella's...

Review of Frankie Goes To Bollywood at Royal & Derngate (Royal), Northampton

There is no question that Rifco Theatre Company, the producers of Frankie Goes To Bollywood , now running at Royal & Derngate as part of a UK Tour, have come up with a cracking title for their show. However, as Bollywood descends upon Northampton, the question is, is this a gimmick title attached to a shallow show, or are we heading for Bollywood dreams? The show, unsurprisingly, follows a character named Frankie and tells the story of her dream to become a Bollywood star, a dream she shares with her best friend, Goldy. Following an opportune encounter with a famous Bollywood director, Frankie is invited to audition for his next movie, and her adventures begin. However, will the dream be the one she truly imagined? What is evident with Frankie Goes To Bollywood on stage is the love for creating a big, bold production. The staging is colourful and tries very hard to be epic, just like the Bollywood movies that it tells its story through. Unfortunately for all the boldness on offer,...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...