Skip to main content

Review of Promises (audio play) from Nothing But Roaring part of Genfest 2024 at Royal & Derngate (Derngate), Northampton

Nothing But Roaring was founded back in 2022 to create unique audio dramas and born from the need for creatives to be active during the Covid pandemic. Since then they have created audio versions of Shakespeare's Richard III and Much Ado About Nothing. However, now, created and due for release as part of Royal & Derngate's 2024 Genfest Festival, the company brings to the airwaves their very first original drama.

Promises, written and directed by Nothing But Roaring founder Rebecca Cockcroft, tells the story of Amber, waking on the morning of her wedding day in a hotel room, worst for wear from a night out the evening before, and a very unexpected guest hiding in her room.

Promises is a tightly packed 23 minutes of whimsical but highly entertaining comedy-drama performed by a talented cast who despite the short running time create fully realised characters. As Amber, Gemma Knight brings a suitably confused edge to the situation she wakes to and as the story evolves and the true meaning of events transpires, there is a lovely warmth from her performance.

Her sparring partner for the bulk of the show is that stranger found within her room, Bob, played joyfully and childishly by Scott Bradley. Without the need for spoilers for this short drama, this perfectly suits the character, from his kid-like reaction to Amber's questioning "Did we have sex?" and to the eventual sadness of having been left behind. It's a lovely performance, perfectly mirroring Knight's.

Elsewhere, the cast is completed by two smaller roles, the first of which is writer Cockcroft taking on the role of housekeeper and clearly enjoying the chance to bring to life her own character. The housekeeper is predominately an interlude fleshing out the story, but her wackiness brings further comedy to the story with her fussing, over helpfulness. Finally, the cast is completed by hairdresser Brenda played by Danielle Corr. This is a role predominantly there to allow the culmination of the story to take place, but Corr is lively and enthusiastic in the role.

Luke Wood provides technical production and recording and while the audio is simply done with limited sound effects or soundscapes, the finish is excellent with a clear clarity of audio quality with dialogue at all times perfectly balanced.

Promises is a delightful story, a sort of a telling of a Twilight Zone-style story reimagined by BBC Radio Four and perfectly suited to a relaxing half-hour in your company with just a pair of headphones to block out the world.

A funny and whimsical tale excellently produced.

Audio available via Genfest 2024: Monday 7th to Sunday 13th October 2024 from the Royal & Derngate (Derngate), Northampton. Direct link: https://www.royalandderngate.co.uk/whats-on/genfest-2024-promises/

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

For further details about Nothing But Roaring, visit their website at https://nothingbutroaring.co.uk/

Popular posts from this blog

Review of Eric and Ern at Royal & Derngate (Royal), Northampton

The comedy of Eric Morecambe and Ernie Wise is carved into the very essence of Britishness, and while the years may now be distant from their domination of TV comedy, the light still shines bright on their work. This is thanks mostly to generation after generation being introduced to the shows via that near-annual appearance on TV schedules at Christmas. This will perhaps one day pass, but for now, this brilliant little show, Eric & Ern , now at Royal & Derngate, continues to honour that comedy on stage. Created and performed by Ian Ashpitel and Jonty Stephens, Eric & Ern is a show bringing the duo's most famous sketches and jokes back to the stage. Having worked together now for over twenty years, Ashpitel and Stephens have created the comedy act to perfection. Stephens brings Morecambe’s edgy, frantic energy and combines it perfectly with his timing and mannerisms; everything from the flick of the glasses to the wipe of the nose is pure Eric. Ashpital, as Wise has pe...

Review of The Karate Kid - The Musical at Milton Keynes Theatre

There is no denying that the world of musical theatre is tremendously imaginative, and of all the films that could be adapted, perhaps the eighties teen drama The Karate Kid was not at the top of most people's lists for a musical adaptation. However, as our stage versions of Mr Miyagi and Daniel LaRusso arrive at Milton Keynes Theatre on a UK tour, I am happy to say that this is one of the most sensible film-to-musical decisions. Recently relocated from New Jersey to LA, Daniel becomes the target of a gang of Cobra Kai dojo students. However, unbeknownst to him, a quiet and unassuming maintenance man at his new home, Mr Miyagi, is on hand to offer a little more than some bonsai training. The first thing that ticks the box for a film-to-musical adaptation is having an original soundtrack, not an endless collection of awkwardly shoehorned music classics into the story. Here, alongside book writer Robert Mark Kamen, are some brilliantly crafted tunes by composer and lyricist Drew Gasp...

Review of Shrek (NMTC) at Royal & Derngate (Derngate), Northampton

Three and a half years ago, in a land far far away, in a world very different to the one we are now in, I saw the touring professional production of Shrek The Musical , it was a mixed bag of quality, tilted extremely heavily in favour of one particular character (not the one you might expect) and not firing on all cylinders much of the time. One and a half years after my last visit to the Derngate theatre, I return to see the homegrown Northampton Musical Theatre Company's own take on the very same show. Would they be able to breathe more life into the show than the professionals did in that distant land? It is a bit of a yes and no really. Pretty much all of this is done to the best possible standard, and at times, with being an amateur show you could easily forget, they all have normal day jobs. The show oozes professional quality at times. The set looks magnificent, the costumes (from Molly Limpet's Theatrical Emporium) are superb, and as ever with NMTC, the backstage team c...