Skip to main content

Review of Grease at Milton Keynes Theatre

Grease is one of the most recognised and well-remembered musicals and has some of the catchiest and most familiar songs within any musical out there. However, that memory will, for many, simply come from the classic 1978 film that made stars of many, including John Travolta and Olivia Newton-John.

The stage show is a different beast though, missing a few parts key to the film including the very familiar car race and some of the songs. Also with this new touring version director Nikolai Foster has gone even more back to the original 1971 stage version by Jim Jacobs and Warren Casey, making for a grittier show in context, less of the sexist nature and fluff of the film and the T-Birds are also back to their original name of The Burger Palace Boys.

What remains though is the tale of a group of kids at Rydell High School going through their teens, their early relationships and any conquests they may or may not have had. It is all very wafer-thin, even more than the film, but sure, it has those songs, surely they can save it?

The short answer sadly is a no, Grease simply is for much of the time just about the songs, and especially during the first act, you have to plough through long, dare I say boring, scenes of the kids sparring with one another. You sit there desperately waiting for that next, admittedly brilliant, song. I admit that I am not a fan of the stage show of Grease as you may already have gathered, it pails so much in comparison with the film and the spark is also missing in these scenes as well with the cast. I do wonder, with the show getting many rave reviews elsewhere, whether this particular performance was the victim of too many understudies, four on for this performance, and the rhythm and spark being lost a little in so much change.

Neither of the leads is an understudy though, with both Marley Fenton as Danny Zuko and Hope Dawe as Sandy Dumbroski (the character's original surname, compared with the latter film version Olsson) solid in their roles. However, even their characters are very much diminished in the stage show allowing expansion for the other characters. Both Fenton and Dawe do have great stage presence though, and their vocal talents are excellent, and at their best in their solo numbers such as with Sandy for Fenton and Hopelessly Devoted To You for Dawe.

Elsewhere the big numbers are brought to dramatic life by the full ensemble and the excellent band led by Charlie Ingles, with superb dance numbers created by choreographer Arlene Phillips which have plenty of nods to the 1950s setting and filling the stage with movement from the highly talented ensemble.

Technically it is a good show with a clever set from Colin Richmond and excellent sound design from Tom Marshall and Richard Brooker. Even the lighting from Ben Cracknell feels spot-on, with some lovely light touches during the solo numbers and the bold brightness required for the big routines.

However, sadly it all amounts to a rather disappointing show storywise which also simply arrives at its conclusion with the number You're The One That I Want wrapping the whole story and fixing everyone's differences with a three-minute number. It leaves probably the best bit of the show then, the famous Grease Megamix which only proves in many ways that the show is "the music" and it took a long time to get to it.

Yes, this touring version of Grease represents an excellent way to hear those classics on stage, but as a stage musical, there are many better shows out there to grab your attention.

Classic tunes wrapped around a very average stage show.
⭐⭐


Performance reviewed: Tuesday 6th August 2024 at the Milton Keynes Theatre.

Grease runs at Milton Keynes Theatre until Saturday 10th August 2024.

For further details about Milton Keynes see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Production photos: Marc Brenner



Popular posts from this blog

Review of Jesus Christ Superstar (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

The now-legendary Jesus Christ Superstar , written by Andrew Lloyd Webber and Tim Rice, initially struggled to find backing in 1970, so its first airing was as a concept album rather than the now mainly recognised stage show. Now, 55 years later, the legendary Northampton Musical Theatre Company, at least in Northampton, brings the show to the Royal & Derngate once again, after last performing it in 2010. The story, I suspect, needs little introduction, so I leave you to ensure you know the story before heading to the theatre to see the show. And what a show it is: this is the N.M.T.C., almost at the top of their game, assembling the cream of their group and a vast cast supporting the main players. As lead, newcomer Linden Iliffe takes on the weighty role of Jesus of Nazareth, and he is terrific in the challenging part, depicting the innocent power imbued in him and his desperation and disappointment as his life unravels amid bitter betrayal and disownment. He has a powerful voice,...

Review of The Bodyguard at Milton Keynes Theatre

The 1992 film The Bodyguard , starring Kevin Costner and marking the acting debut of singing megastar Whitney Houston, was a standard romantic thriller, greatly enhanced by Houston's presence and a cascade of big musical numbers. Surprisingly, it took twenty years to make the transition to the stage. Premiering in London in December 2012, just ten months after Houston's death, the show has since become a massive global success. Now it arrives at Milton Keynes Theatre again as part of its fourth UK tour in just thirteen years. The Bodyguard sees former Secret Service agent turned bodyguard, Frank Farmer, hired to protect an Academy Award-nominated actress and music superstar, Rachel Marron, from a stalker. Between Farmer's duties and Marron's career, something inevitably builds between the two amid music and dancing aplenty. Taking the leads on this tour are Sidonie Smith as Rachel and Adam Garcia as Frank. Smith has appeared in The Bodyguard before, as a walk-in in a p...

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)...