Skip to main content

Review of Grease at Milton Keynes Theatre

Grease is one of the most recognised and well-remembered musicals and has some of the catchiest and most familiar songs within any musical out there. However, that memory will, for many, simply come from the classic 1978 film that made stars of many, including John Travolta and Olivia Newton-John.

The stage show is a different beast though, missing a few parts key to the film including the very familiar car race and some of the songs. Also with this new touring version director Nikolai Foster has gone even more back to the original 1971 stage version by Jim Jacobs and Warren Casey, making for a grittier show in context, less of the sexist nature and fluff of the film and the T-Birds are also back to their original name of The Burger Palace Boys.

What remains though is the tale of a group of kids at Rydell High School going through their teens, their early relationships and any conquests they may or may not have had. It is all very wafer-thin, even more than the film, but sure, it has those songs, surely they can save it?

The short answer sadly is a no, Grease simply is for much of the time just about the songs, and especially during the first act, you have to plough through long, dare I say boring, scenes of the kids sparring with one another. You sit there desperately waiting for that next, admittedly brilliant, song. I admit that I am not a fan of the stage show of Grease as you may already have gathered, it pails so much in comparison with the film and the spark is also missing in these scenes as well with the cast. I do wonder, with the show getting many rave reviews elsewhere, whether this particular performance was the victim of too many understudies, four on for this performance, and the rhythm and spark being lost a little in so much change.

Neither of the leads is an understudy though, with both Marley Fenton as Danny Zuko and Hope Dawe as Sandy Dumbroski (the character's original surname, compared with the latter film version Olsson) solid in their roles. However, even their characters are very much diminished in the stage show allowing expansion for the other characters. Both Fenton and Dawe do have great stage presence though, and their vocal talents are excellent, and at their best in their solo numbers such as with Sandy for Fenton and Hopelessly Devoted To You for Dawe.

Elsewhere the big numbers are brought to dramatic life by the full ensemble and the excellent band led by Charlie Ingles, with superb dance numbers created by choreographer Arlene Phillips which have plenty of nods to the 1950s setting and filling the stage with movement from the highly talented ensemble.

Technically it is a good show with a clever set from Colin Richmond and excellent sound design from Tom Marshall and Richard Brooker. Even the lighting from Ben Cracknell feels spot-on, with some lovely light touches during the solo numbers and the bold brightness required for the big routines.

However, sadly it all amounts to a rather disappointing show storywise which also simply arrives at its conclusion with the number You're The One That I Want wrapping the whole story and fixing everyone's differences with a three-minute number. It leaves probably the best bit of the show then, the famous Grease Megamix which only proves in many ways that the show is "the music" and it took a long time to get to it.

Yes, this touring version of Grease represents an excellent way to hear those classics on stage, but as a stage musical, there are many better shows out there to grab your attention.

Classic tunes wrapped around a very average stage show.
⭐⭐


Performance reviewed: Tuesday 6th August 2024 at the Milton Keynes Theatre.

Grease runs at Milton Keynes Theatre until Saturday 10th August 2024.

For further details about Milton Keynes see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Production photos: Marc Brenner



Popular posts from this blog

Review of Beauty and the Beast at Castle Theatre, Wellingborough

The Castle Theatre Wellingborough this year sees the home of Beauty and the Beast as its seasonal pantomime, and what a fabulously entertaining show it is. Hiding away from the big star names, Parkwood Theatres & Castle Theatre has assembled a talented bunch of performers to bring this tale “as old as time” to the stage. Produced and directed by Martin Cleverley once again, back from previous years' pantos, the show relies very much on characters rather than showy visuals. Taking full advantage of a French setting, the puns flow freely, including to the characters, with names such as Danon and Djon thrown into the mustard pot (very much intended) of puns. Aura Mitchell and Kaysee Craine lead our cast of characters as the title characters of Beauty and the Beast (also known as Prince Pierre). While they do play second fiddle, as is the norm for a panto, to the additional comic characters, they form a charming partnership. Returning to the role of panto dame from last year'...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...

Review of 2:22 A Ghost Story at Royal & Derngate (Derngate), Northampton

2:22 A Ghost Story continues an endless rise and run of success on the stage. This play by Danny Robins was first staged as recently as August 2021 at the Noel Coward Theatre and since then the show continued to run in London for two years, moving to four further London theatres, before eventually closing in the city to embark on this tour, which began in September last year. During these runs, the cast has constantly been updated with often populist actors, and some, which are not even associated with acting. As this reaches Royal & Derngate, now even the touring cast has been swept clean and four further performers take on the incredible success of a show. This is the second time I have seen 2:22 A Ghost Story , and it is safe to say that on that first viewing, with the previous tour cast, I was not as blown away by the play as the success seemed to warrant. The aforementioned populist casting seemed to have driven a so-so ghostly tale into success beyond its quality, and with th...