Skip to main content

Review of Bert's House at Royal & Derngate (Royal), Northampton

Bert's House
is a true Northampton homegrown production from On The Shore Productions, this piece has been written, cast, produced and opened on stage for a short tour at the beautiful Royal Theatre at the centre of Northampton, and while here for two nights it found a loving local audience to set it off on its adventures.

Bert's House tells the tale of kindly guest house owner Bert and his trials and tribulations within his slightly ramshackle Dunedin Guest House residence in what appears to be an equally ramshackle seaside resort. The house, it seems, is also, a draw for the most quirky of visitors, and equally wacky staff. However, it seems, that a few of both the residents and staff have nefarious reasons for being there.

Bert's House is an extremely quirky affair, floating in a surreal world, which both follows its own paths as well as paying endless tributes to British comedy through the years, including many nods to sitcoms of yesteryear. The script, from standup comedian Lou Chawner, who also stars as Bert, veers from the hysterical to the awkward on many occasions, and while it does have a plot, of sorts, it is, very predictable, so much so that it doesn't even hide any potential twists.

There is also an all too regular habit of it feeling very much a standup work as structurally it is less successful as a play, but more that of a standup routine, come sketch show. If that is what you are expecting, it is great entertainment perhaps, and allows you to forgive the misses in the jokes. Those looking for a straight comedy play might feel slightly short-changed perhaps though. It is extremely funny at times, however, and especially much stronger in the second half as the characters bed down. Without a doubt, there are some genuinely brilliant moments. Bert's ukelele tribute to Emily for instance and bellybutton antics. Be warned though, while this isn't an overly sweary show, there are some extremely rude jokes peppered across the evening.

The cast has a mixture of success. Chawner is likeable as Bert and knows very much his Northampton audience very well, but how this works away from town will depend as he has a mostly unknown audience to play to. Lisa Ronaghan's Emily does feel overplayed for wackiness, with very little shade in her performance. Elsewhere Taresh Solanki suffers dramatically from the weakest character of Michael Robinson, who, when hen-pecked by his wife, is given rather a lot of simply excruciating material to perform. As his wife, Mrs Robinson however, Gemma Boaden very quickly improves into the second act from a very rocky first impression.

The strongest performances, and indeed characters are, however, the simply brilliant Mr Stevens, played by Scott Bradley. It's a magical character responsible for the bulk of the humour in the show whenever he appears in a variety of garish, nightmare-inducing costumes and situations. Finally, there is a superb, centred performance from Isla Fleury as Jane, without question the strongest in the show, getting the balance of making her character comic but totally believable. Excellent!

Bert's House is directed with pace by Dan McGarry, allowing us to get away from those moments that miss the mark as quickly as possible and it has to be said that the set from Deborah Mingham, while, very simple, is actually rather delightful and fits the show extremely well.

Summing up, Bert's House is a success, but, there is at times a little too much rough material, and does have a feeling that it isn't quite finished. Perhaps, the whole thing will gel as it progresses through its tour, and I really hope, as a truly bold effort to get a show like this on stage, coupled with touring, it gets the success it deserves.

Slightly rough around the edges, but Bert's House still has much to offer.


Performance reviewed: Friday 1st April 2024 at the Royal & Derngate (Royal), Northampton.

Bert's House was performed at Royal & Derngate on Thursday 29th February and Friday 1st March 2024 only but is on tour.

Tour details can be found at https://linktr.ee/ontheshore

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

Photos: Rebecca Cockcroft


Popular posts from this blog

Review of Dear Evan Hansen at Royal & Derngate (Derngate), Northampton

First performed in 2015, Dear Evan Hansen remains the musical of the modern teen's life, showcasing all the troubles in that generation of popularity and social media. And as this long UK tour of the West End and before that Broadway smash hits the Royal & Derngate, it offers a troubling mirror on modern society. Before seeing this show, I had avoided all knowledge of the story Dear Evan Hansen tells, and with that came a joyful voyage of discovery as the captivating story evolved. Therefore, if you have also managed to avoid the story, skip the next paragraph and enjoy a new story to be found. Evan Hansen is a troubled teen who struggles to fit into society and cannot find friends. As a result, his therapist has suggested that he write letters to himself, "Dear Evan Hansen." When one of these letters is found on the body of an equally troubled teen, Evan finds himself spiralling into a world of fictitious friendship, which gets increasingly out of control. The stor...

Review of To Kill A Mockingbird at Milton Keynes Theatre

Harper Lee’s 1960 novel To Kill a Mockingbird has been a staple on countless best-of lists since its publication and remains a book of immense power and relevance, despite being set nearly 100 years ago, in the early 1930s. Whether you have read the book or seen the groundbreaking film with Gregory Peck, most are familiar with the story. Here, in an extensive UK and Ireland tour, and arriving now at Milton Keynes Theatre, Aaron Sorkin’s adaptation takes to the stage with all the power and relevance of the original. Sorkin, famous for his ground-breaking TV series The West Wing , and also perhaps more relevant here, the legal film A Few Good Men , takes Lee’s classic and adapts the story to primarily be based around the court case of a certain Tom Robinson, charged with the assault and rape of local girl Mayella Ewell. Leading his defence is Atticus Finch, the kindly man who sees good in everyone. Lee’s book has Finch's daughter as the narrator; Sorkin cleverly develops this by add...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...