Skip to main content

Review of Cinderella at Castle Theatre, Wellingborough

So, as December draws in, the world of theatre moves into panto season and first up this year is Castle Theatre’s production of Cinderella, and the deja vu world begins again and we are all crying “He’s behind you” and “Oh no you’re not” etc, etc. Perhaps it is reassuring in a world of change that pantomime land never changes. The jokes might get a little nudge, a few of the characterisations might change a bit, but you all know that we will have a split theatre singalong, a grand wedding at the end and a multitude of stuff you have seen year after year.

Unlike many of the bigger theatres around the country, Castle Theatre, presents a pantomime with no “big name” from the showbiz world in sight, just great little stage performers, and how refreshing it is to see. No awkward bolted-on references to a star's normal day job, just more emphasis on fun characters and the usual sly references to the local towns and villages. That, in itself, is great to see.

The title character is played by the delightful Hayley Johnston, who, once again with a pantomime of Cinderella is given limited material in the show with the best material in the hands of the numerous other characters. What Johnston does have though is lovingly performed and she in particular has some nice moments and musical numbers, as expected, with her Prince Charming, played by Thomas Griffiths.

Griffiths has absolutely the chiselled looks required for the Prince role and a twinkle in the eye. He comes into his own though in his scenes with his servant Dandini, played by the brilliant Jack Trinder. Trinder's antics, particularly alongside Griffiths are among the strongest of the show. No question Trinder is the best performer in the show, be it comic timing, dancing or indeed an impressive singing voice. He is very much made for panto and strengthens every scene he is in.

Looking gloriously garish are Adam Borzone and Gary L. Johnston as Step Sisters Bella and Donna, respectively and they are everything required of the roles. Snide at one another, dressed in a multitude of horrific costumes and have great fun targeting the audience victim for the evening, Alfonso.

Francesca McKean is fun as the Fairy Godmother, but for me, and in my traditional mind, seems too young for the role. Colin Hubb is tremendously creepy in the role of Baron Hardup, and at times, you may wonder if it is too off-the-wall a character and performance. George Dawes gives a solid performance as Cinderella's classic character Buttons, however, it constantly feels as if he cannot match his cast members and their much bolder characters and performances.

Finally, of the cast, special mention to the youngsters of Team Dandini who were on stage for the production I saw. Constantly enthusiastic and mostly not falling over one another, or the set, which often can occur with the required panto children.

There are some fabulous scenes making up the show, but nothing greater than the 12 Days of Christmas anarchic sketch with one particularly brilliant nod to the local area and a magical set issue moment. The whole scene thoroughly entertained the audience; they simply lapped it up and it continued the rich strength and pace of the second act, much pacier than the first.

The script is strong and mostly avoids the vulgar nature of the usual adult jokes that can be shoehorned into a lot of modern pantos, I did feel at times that some were over the edge though. While there are a few modern additions and alterations, it all feels very traditional. Director Martin Cleverley keeps everything moving, particularly, as mentioned, in the second act and the set from UK Productions is the perfect backdrop for the show.

Cinderella, at The Castle Theatre, is an extremely strong start on the local panto trail for 2023 and its basis in more traditional and unshowy star names proves the point that theatre is stronger at its roots and is relatively good value compared to some other local theatres. Highly recommended.

A delightful and generally traditional pantomime that entertains throughout.
⭐⭐


Performance reviewed: Friday 1st December 2023 at Castle Theatre, Wellingborough.

Cinderella runs at Castle Theatre until Sunday 31st December 2023.

Further details about Castle Theatre can be found at www.parkwoodtheatres.co.uk/castle-theatre




Popular posts from this blog

Review of Mog's Christmas at Royal & Derngate (Royal), Northampton

Back in 2022, the theatre group The Wardrobe Ensemble created a sweet and adventurous staging of Judith Kerr's classic children's character, Mog - The Forgetful Cat . For this Christmas season at Royal & Derngate, Mog returns with, suitably enough, Mog's Christmas . The show, just a crisp, action-packed hour, retells two past adventures alongside a Christmas vignette. Kerr's Mog first appeared in 1970, and it launched a remarkable run of books over 50 years featuring the puzzled feline, culminating in the final book released in 2020, following Kerr's death at 95 in 2019. Kerr is most famous for one of her other tales, The Tiger Who Came to Tea . However, in Mog's Christmas , the show presents three entertaining little stories featuring her other, slightly lesser-known feline character. Over the course of the hour, we see Mog successfully foil a burglar, survive a trip to the V.E.T., and then, in the brand-new stage story, a Christmas adventure where Mog gets...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...

Review of Mog - The Forgetful Cat at Royal & Derngate (Royal), Northampton

I have seen The Wardrobe Ensemble twice in the past, and on both occasions, they performed adult shows you wouldn’t take the kids to. However, with their new show they take on an adaptation of Judith Kerr’s Mog - The Forgetful Cat , and as a result, they present a brilliant, uplifting, hugely entertaining hour of theatre. Kerr’s Mog first appeared in 1970 and it started a remarkable run of books published over 50 years to feature the puzzled feline, culminating in the final book released in 2020 following Kerr’s death, at 95, in 2019. Kerr is perhaps most famous for one of her other many tales The Tiger Who Came to Tea . However, here, seeing Mog on stage brings a great deal of entertaining little stories to the stage. Mog - The Forgetful Cat from The Wardrobe Ensemble here takes influence from several Mog books, including Mog and the Vee Ee Tee and Mog’s Bad Thing , featuring an unforgivable act following an encounter with a flippy-flappy thing (you will need to see it to discover ...