Review of The King and I at Milton Keynes Theatre, Milton Keynes

The original stage version of Rodgers & Hammerstein’s The King and I hit Broadway in 1951 and both that and the later film version made a star of Yul Bryner, and the evocative tale, based on Margaret Landon's novel Anna and the King of Siam has continued to captivate audiences to this day. Whether this be for nostalgic reasons, or, simply put, because it is tremendous, is unknown. However, the latter part of that is true.

I first saw The King And I on the same Milton Keynes Theatre stage three years ago, and I was enthralled. It has to be said that the passing of the years has not changed that position, mostly, helped in no small way by the fact that this new tour brings the same two amazing leads as back in 2023.

The first obvious thing from The Lincoln Center Theater Production of The King and I is that it looks gorgeous, despite being a touring production, this carries with it a lot of set, costumes and props to make you feel that you are getting as near as possible, a London resident production.

Leading the cast, and as mentioned, still there from 2020 is Annalene Beechey as Anna, a teacher who travels to teach the children of the court of Siam. The King is also played once again by Darren Lee from that previous tour, and it has to be said that they are magnificent together, going through their burgeoning partnership of friction and cultural shocks with both emotion and empathy. You can see why they both continue in these roles and the deft touch on the characters is superb. Lee, in particular, has such a brilliant ability with comic timing, and yes, this is something those who haven't seen, may not realise, The King And I is a tremendously witty show.

Marienella Phillips as Tuptim and Dean John-Wilson as Lun Tha have lovely and gentle on-stage chemistry as the forbidden lovers and are simply perfect in their two duets of We Kiss in a Shadow and I Have Dreamed. Also, as is needed of The King And I, a large number of young talent is on show and here they bring a lovely mixture of characterisations, especially during the superb March of the Siamese Children, which includes a tremendous piece of music.

Talking musically, this is of course an excellent show, which even if you have never seen it before will have some familiarity thanks to classic tunes such as I Whistle a Happy Tune and Getting to Know You being included. It is, to be honest, classic Rodgers & Hammerstein fodder, stirring an overload of nostalgia from the audience and you can see looking around the theatre that this very much appeals to the more mature clientele generally.

The world of Siam and the palace looks suitably lavish on stage thanks to Michael Yeargan's set, setting its stall out in the very first scene with a delightful boat sequence and then onwards into the palace with gliding pillars moving us around the King's palace. The impressive visual impression continues with Catherine Zuber's excellent, perfectly period costumes. Director Bartlett Sher keeps the whole show moving with swift scene changes and excellent interludes from the company filling any prolonged scene changes.

The only real criticism to be laid upon the show, maybe for a modern audience, is that this is an extremely long production, featuring perhaps some material, and dare I say padding, that would maybe not reach the stage now in a new more condensed production. With a 90-minute opening act, and a 70-minute second act, audiences, while perhaps mostly enthralled, will need to ensure they are comfortable in their seats. Some also might find some of the tone and stereotypes within the show uncomfortable, but there is no question this simply represents the period and even for a show over 70 years old, there is an attempt to very successfully challenge these issues.

The King And I is a lovely evening at the theatre, while it is perhaps slightly overlong, this is a classic show simply dripping in atmosphere and for those who like their shows old style, comes extremely highly recommend.

A sumptuous and beautiful production of a classic show. Long live the King!
⭐⭐⭐⭐

Performance reviewed: Tuesday 7th November 2023 at Milton Keynes Theatre, Milton Keynes.

The King and I runs at Milton Keynes Theatre until Saturday 11th November 2023.

Further details about Milton Keynes Theatre can be found at http://www.atgtickets.com/venues/milton-keynes-theatre/

Photos: Johan Persson

Review of Single White Female at Milton Keynes Theatre

The 1990s movie Single White Female was a classic pulp fiction offering of the time, off the back of films such as Fatal Attraction and released in the same year as the legendary Basic Instinct , these were the ultimate times for erotic thrillers/bunny boiler films. So, the question is: is such a genre still relevant today, and, even more so, can a theatre play succeed in transferring the theme to a new medium altogether? Allie is a recently divorced mother trying to juggle single parenting with starting her own tech company. To help with expenses, she looks for a lodger and finds Hedy, who seems like the perfect solution. However, as they get to know each other, the lines between their lives start to blur, and what seemed like an ideal setup begins to fall apart. For those familiar with the original film, there will be immediate observations of changes that adaptor Rebecca Reid has made. While lifting the entire plot from the US to the UK is obvious, developing Allie into Bella's...

Review of Frankie Goes To Bollywood at Royal & Derngate (Royal), Northampton

There is no question that Rifco Theatre Company, the producers of Frankie Goes To Bollywood , now running at Royal & Derngate as part of a UK Tour, have come up with a cracking title for their show. However, as Bollywood descends upon Northampton, the question is, is this a gimmick title attached to a shallow show, or are we heading for Bollywood dreams? The show, unsurprisingly, follows a character named Frankie and tells the story of her dream to become a Bollywood star, a dream she shares with her best friend, Goldy. Following an opportune encounter with a famous Bollywood director, Frankie is invited to audition for his next movie, and her adventures begin. However, will the dream be the one she truly imagined? What is evident with Frankie Goes To Bollywood on stage is the love for creating a big, bold production. The staging is colourful and tries very hard to be epic, just like the Bollywood movies that it tells its story through. Unfortunately for all the boldness on offer,...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

A Small Mind At The Theatre

Search This Blog