Skip to main content

Preview of The Commitments at Milton Keynes Theatre

It is 35 years since The Commitments, Roddy Doyle’s best-selling novel first hit the bookshelves and the musical of the world’s hardest-working and most explosive soul band is also now almost ten years old. First staged in the West End in 2013, at the Palace Theatre, where it played for a record-breaking two-year run, this brand new UK for 2022/23 reaches Milton Keynes Theatre this week, running from 24 – 29 October.

The tour features in its cast, the star of Coronation Street, Nigel Pivaro, who will be familiar to many in having played the role of Terry Duckworth between 1983 – 2012. For this tour though, he will be swapping the cobbles for the stage and performing the role of ‘Da’ in this production.

Nigel Pivaro says: “I am thrilled to be marking my return to the stage in this production of TheCommitments. It’s an iconic story that resonates across the years, about people who though distant from the music’s origins find communion and expression in the Motown style. A musical genre which was borne out of oppression and which the characters embrace as their own. The Motown Sound is as vibrant today as it was when it first burst through in the Sixties.”

Roddy Doyle added: “I’m delighted that The Commitments are coming back in 2022 & 2023 and I’m particularly looking forward to seeing how Nigel Pivaro tackles the part of Jimmy Rabbitte’s Da.”

This new tour for 2022/23 is directed by Andrew Linnie. Andrew made his West End debut in the original production in 2013, playing the role of Dean, the band’s sax player. He then went on to star in the lead role of Jimmy Rabitte in the 2016/2017 UK tour.

Also in the cast, as Deco is Olivier Award nominee Ian McIntosh. Ian is no stranger to this role, having previously played Alternate Deco during the original West End run. Previous credits include Galileo in the UK tour of We Will Rock You, Sid Worley in An Officer and a Gentleman and he was Olivier nominated for ‘Best Supporting Actor in a Musical’ for his role as Barry in Beautiful – The Carole King Musical. His extensive musical career has also seen him perform in Hair and Can’t Buy Me Love.

Other casting includes James Killeen as Jimmy, Stuart Reid as Joey, Ciara Mackey as Imelda, Michael Mahony as Oustpan, Ryan Kelly as Billy, Conor Litten as Dean, Guy Freeman as Derek, Stephen O’Riain as James, Ronnie Yorke as Mickah, Eve Kitchingman as Natalie, and Sarah Gardiner as Bernie. Maryann Lynch, Alice Croft, James Deegan, Callum Martin, Joshua Barton, Ed Thorpe and Colm Gleeson make up the ensemble.

The Commitments musical has been adapted from the novel by Booker prize-winning author Roddy
Doyle. Featuring an electric playlist, The Commitments showcases more than 20 soul classics performed live on stage, including Night Train, Try A Little Tenderness, River Deep, Mountain High, In The Midnight Hour, Papa Was A Rolling Stone, Save Me, Mustang Sally, I Heard It Through The Grapevine, Thin Line Between Love and Hate, Reach Out, Uptight, Knock On Wood, I Can’t Turn You Loose and many more!

Performances: Mon 24 - Sat 29 Oct at 7.30pm – Wed & Sat Matinee 2.30pm

Tickets: From £13*

General bookings: 0844 871 7615*

Access bookings: 0333 009 5399

Group bookings: 0207 206 1174

Online Booking: ATGTICKETS.COM/MiltonKeynes*

*Fees may apply. Calls cost up to 7p per minute, plus your phone company’s access charge

Facebook, Twitter and Instagram:@MKTheatre

Popular posts from this blog

Review of Frankenstein at Royal & Derngate (Royal), Northampton

Over 200 years since its first publication it is remarkable to think that what is, in essence, a scientific novel such as Frankenstein is still so relevant in content today. However, as science evolves endlessly, and now with AI becoming so dominant and controversial, the difference between right and wrong, good and evil in science, and what is too inhuman is as current as ever. Tilted Wig's production, now at the end of its UK tour at Royal & Derngate and written and directed by Sean Aydon takes the original story and sets it about halfway between the first publication and modern day, around the time leading up to the Second World War. Aydon's adaptation works really well in placing the story within this degenerating world, a place where true horror is around the corner, and veiled ideas of their (Germany's) interest in Frankenstein's work are gently developed. However, while Aydon clearly had this idea in his head and his pen when scripting this version, the polit

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)

Review of Flashdance - The Musical at Milton Keynes Theatre, Milton Keynes

For the second week running, the Milton Keynes Theatre is overrun by a wave of eighties nostalgia as Selladoor's production of Flashdance The Musical follows hot on the heels of An Officer and a Gentlemen. However, is it nice to have more of that classic decade upon the stage? The answer mostly is yes, despite the fact that the story driving Flashdance is that light and flimsy at times, you just have to sit back and watch the dancing and the bright colours to get you through. Welding genius, Alex Owens, has her sights set for a bigger thing beyond this tired and struggling factory in Pittsburgh.  Hoping to take her dancing beyond Harry's bar, she plans to make big, via Shipley Dance Academy.  Then, also drifting into her life comes Nick Hurley, who initially unknown to her, happens to be the factory bosses son, the scene is set for romance. Flashdance has a generally excellent cast led with a tremendously good performance from Joanne Clifton as Alex Owens. Those famili