Preview of The Commitments at Milton Keynes Theatre

It is 35 years since The Commitments, Roddy Doyle’s best-selling novel first hit the bookshelves and the musical of the world’s hardest-working and most explosive soul band is also now almost ten years old. First staged in the West End in 2013, at the Palace Theatre, where it played for a record-breaking two-year run, this brand new UK for 2022/23 reaches Milton Keynes Theatre this week, running from 24 – 29 October.

The tour features in its cast, the star of Coronation Street, Nigel Pivaro, who will be familiar to many in having played the role of Terry Duckworth between 1983 – 2012. For this tour though, he will be swapping the cobbles for the stage and performing the role of ‘Da’ in this production.

Nigel Pivaro says: “I am thrilled to be marking my return to the stage in this production of TheCommitments. It’s an iconic story that resonates across the years, about people who though distant from the music’s origins find communion and expression in the Motown style. A musical genre which was borne out of oppression and which the characters embrace as their own. The Motown Sound is as vibrant today as it was when it first burst through in the Sixties.”

Roddy Doyle added: “I’m delighted that The Commitments are coming back in 2022 & 2023 and I’m particularly looking forward to seeing how Nigel Pivaro tackles the part of Jimmy Rabbitte’s Da.”

This new tour for 2022/23 is directed by Andrew Linnie. Andrew made his West End debut in the original production in 2013, playing the role of Dean, the band’s sax player. He then went on to star in the lead role of Jimmy Rabitte in the 2016/2017 UK tour.

Also in the cast, as Deco is Olivier Award nominee Ian McIntosh. Ian is no stranger to this role, having previously played Alternate Deco during the original West End run. Previous credits include Galileo in the UK tour of We Will Rock You, Sid Worley in An Officer and a Gentleman and he was Olivier nominated for ‘Best Supporting Actor in a Musical’ for his role as Barry in Beautiful – The Carole King Musical. His extensive musical career has also seen him perform in Hair and Can’t Buy Me Love.

Other casting includes James Killeen as Jimmy, Stuart Reid as Joey, Ciara Mackey as Imelda, Michael Mahony as Oustpan, Ryan Kelly as Billy, Conor Litten as Dean, Guy Freeman as Derek, Stephen O’Riain as James, Ronnie Yorke as Mickah, Eve Kitchingman as Natalie, and Sarah Gardiner as Bernie. Maryann Lynch, Alice Croft, James Deegan, Callum Martin, Joshua Barton, Ed Thorpe and Colm Gleeson make up the ensemble.

The Commitments musical has been adapted from the novel by Booker prize-winning author Roddy
Doyle. Featuring an electric playlist, The Commitments showcases more than 20 soul classics performed live on stage, including Night Train, Try A Little Tenderness, River Deep, Mountain High, In The Midnight Hour, Papa Was A Rolling Stone, Save Me, Mustang Sally, I Heard It Through The Grapevine, Thin Line Between Love and Hate, Reach Out, Uptight, Knock On Wood, I Can’t Turn You Loose and many more!

Performances: Mon 24 - Sat 29 Oct at 7.30pm – Wed & Sat Matinee 2.30pm

Tickets: From £13*

General bookings: 0844 871 7615*

Access bookings: 0333 009 5399

Group bookings: 0207 206 1174

Online Booking: ATGTICKETS.COM/MiltonKeynes*

*Fees may apply. Calls cost up to 7p per minute, plus your phone company’s access charge

Facebook, Twitter and Instagram:@MKTheatre

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

A Small Mind At The Theatre

Search This Blog