Skip to main content

Review of Cirque Berserk at the Royal & Derngate (Derngate), Northampton

I have seen three previous circus performances over the last few years, following a gap of over thirty years, and Cirque Berserk was one of them, and their return two years later to Derngate is often remarkably similar to their previous show, but never less than remarkable in itself.

The concluding act, the motorcyclists of the Globe of Death I have now seen four times, and while I have now become blasé about it, I can still revel in the delight of others seeing it for the first time, including my companion of the night, who often thought the whole evening was full of crazy. It is true really though that you must have to be more than a little crazy to be a circus performer and do some of these outlandish acts we witness. However, big them up and applaud all the crazy people, because through them, a really diverse audience (the most this side of a panto pretty much), was thrilled to beginning to end.

Cirque Berzerk covers most things you can think of from a modern circus, from acrobats, jugglers, a more modern take on a clown, and aerial performers, all package for a theatre audience. Unlike the tradional tented circus, there is absolutely no moment of an audience member being dragged onto the stage, if that might be a concern, this is a sharp and highly prepared circus, with no room for manoeuvre. This doesn't remove the heart from it though, it's still classic circus but with a more stylised sheen.

The performers are varied, but all remarkably skilled, the opening performance of stunning acrobat act, the Timbuktu Tumblers is amazing, and their relatively constant presence, bridging scenes often, is a nice touch. The Bolas Argentinas provide a nice bit of spark, literally, to their very traditional performance as well, and if Gabriel doesn't epitomise the crazy of a circus performer, I am not sure what will.

The Revolution Troupe once again returns with their amazing alternative tricks on a seesaw. Clearly featuring the most dangerous act, because the second act piece features the one and only sighting of safety wire, and watching it, you can see why.

The most major change to the evening for 2019 was a new "clown", in the arrival of the diminutive Paulo dos Santos. Standing just 3ft 6ins, he rises fair above his height in a brilliant collection of comic pieces, which the youngsters around me were certainly loving. This is clowning, but very different clowning, no silly costume, just fabulous physical comedy. Also, there is a double and glorious payoff in the second act, where he is given a nicely created emotional moment, and perhaps something you might never have seen from the circus clown before. Fabulous stuff.

Perhaps my own personal favourite though is the amazing travelling circus sequence in the second act, it's a stunning collection of set-pieces, all conclusively traditional and runs the full gamut of acts you could imagine, from jugglers, knife throwing, a bit of foot controlled archery. Quick paced, inventive and superbly performed.

Sadly, the one main thing I had to criticise last time hasn't really changed, and that is of the slightly over atmospheric lighting, great at times, poor at others, mostly to the detriment of the aerial performers like Jackie, who is poorly lit, to not allow the remarkable skills she has to be fully appreciated. Elsewhere in the technicals though, they are a pleasure and a delight, the pulsing and incredibly well-selected music tracks bring an incredible amount to this mostly dialogue-free production.

Cirque Berzerk is a short, snappy and slick evening, wrapped up within two hours. However, you never feel shortchanged in any way, because the whole production is packed to the rafters with acts and dealt with at such a pace, you as an audience member probably couldn't cope with anymore and it would also dilute the impact. The creative team of creative director Julius Green and producer Martin Burton have got it just right, the very perfect evening of non-theatre theatre, a bit of something very different that everyone should see at least once. And no scary clowns to boot!

Remarkable skills and feats on display, in a show that will thrill kids of all ages.
½


Performance reviewed: Tuesday 28th March 2019 at the Royal & Derngate (Derngate), Northampton.

Cirque Berserk runs at the Royal & Derngate until Saturday 30th March 2019 
and continues its tour. Details at http://www.cirqueberserk.co.uk/

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Photos: Piet-Hein Out


Popular posts from this blog

Review of The Jolly Christmas Postman at Royal & Derngate (Royal), Northampton

The Northampton Royal and Derngate have a tradition of producing a family play in the Royal Theatre alongside a spectacular pantomime in the Derngate, offering a more subtle Christmas treat for a family audience. However, this calendar staple has been missing since 2019, when the fine Pippi Longstocking graced the Royal stage and an unmentionable virus reared its head. Based on this triumphant return this year in the guise of The Jolly Christmas Postman , it has been heartily missed. Adam Peck has truly lovingly adapted  The Jolly Christmas Postman  for the stage from the original story by Janet and Allan Ahlberg. From the beginning, this is a proper cracker of theatre entertainment that captivates an occasionally distractable audience of all ages. The story follows the adventures of a friendly postman beset by an influx of mail on Christmas Eve and his adventures with an assortment of Fairy-Tale characters. What is, in essence, a kid's show aimed primarily at young children ...

Review of Cinderella at Royal & Derngate (Derngate), Northampton

Over the last few years, the annual Royal & Derngate pantomime has been produced by Evolution Productions and from the pen of Paul Hendy. It is safe to say they have been crackers, bringing everything you expect and more from traditional pantomime. This year, they are all back, this time with their take on the very traditional story of Cinderella . So, does the magic dust fall once again successfully on the stage of the Derngate? The answer is yes, as Evolution and Hendy prove they have found the magic formula to create another successful pantomime for Derngate. There are moments this year, though, where it is too clever for its own good, with some exceptionally good jokes lost to the panto audience (yes, I got the Hacker joke, but the tumbleweed reaction suggested it didn't hit the audience present). Cast-wise, it is a solid and assured collection of performers who don't always hit the mark. Joanne Clifton, as the Fairy, is a perfect fit for panto with her infectious smile...

Review of Never Let Me Go at Royal & Derngate (Royal), Northampton

Kazuo Ishiguro's 2005  Never Let Me Go is a slightly difficult novel to categorise at times, but most call it a science-fiction speculative piece. With some limited spoilers for those unfamiliar with the Man Booker Prize-shortlisted work, Ishiguro paints a world where people, clones, are created for the benefit of medical science, destined to become donors to rid the world of deaths from solvable diseases for the rich. It is a powerful piece and while it had a successful film version back in 2010, could a stage version, now running at Royal & Derngate, work similarly? The answer to that is yes, and perhaps even better than the film version. The intimate world of the theatre feels like a stronger location for the story to unfold, bringing the piece straight to the audience with no potential interruption or break to the tale. We learn of Kathy, Ruth and Tommy's (the main protagonists) fixed life through their eyes and live their life for the long, but never dr...