Skip to main content

Review of Make Way For Lucia by John Van Druten at The Playhouse Theatre, Northampton

There have been a couple of television versions of the Mapp & Lucia novels by E. F. Benson over the years and irrespective of which generation version you might have seen, the roles of Miss Mapp and Mrs. Lucas were filled with some heavyweight performers. So taking on these roles could, in theory, be a challenge too much to live up to. However, that would be if the characters themselves were less the sum of the performer. These are great characters on paper as well as on stage and therefore Gena McCrystal (Miss Mapp) and Juliet O'Connor (Lucia) make them very much their own in the stage adaption by John Van Druten.

Lucia has arrived and breezed both into the town of Tilling and the musical chair roundabout of house rental that is want to occur here. Her rented property is Miss Mapp's and for some reason, Mapp fails to follow the routine of keeping away, constantly "popping in", so the battle lines are drawn.
Make Way for Lucia is the typical battle of supremacy in the upper echelons of society and set in the early 1930s, and it is tremendous if occasionally frivolous fun.

Ben Knight (Georgie) and Juliet O'Connor (Lucia)
As Mapp and Lucia, Gena and Juliet spark off one another with delight on occasion, and they leave the audience sometimes doubting who to side with, although I suspect that most, and perhaps intentionally, finally settle on the much less pompous Lucia.

As is to be expected from a stage play adapted from six books, there is a great deal of material to condense, and as such while the story itself is solid, many of the great fun characters are diminished somewhat by necessity. You leave with no doubt that you would have liked to have seen more of the "Scottish" Rev. Barlett played with scene stealing relish by Adrian Wyman, and those that have seen at least one of the television versions or even read the books, will know that there is more depth to biscuit chopping Diva Plaistow (Di Wyman).


Simon Rye (Major Flint) and Gena McCrystal (Miss Mapp)
Those that do get a good bit of stage time though are the wonderfully comic Ben Knight and his portrayal of Georgie, the campest ladies heartthrob you could wish to see. He has some glorious scenes both with Lucia, and with his love rival Major Flint, played with some rambunctiousness by Simon Rye, and very wisely overplaying the nature of the character to gain maximum humour.

The performance I saw was opening night and it suffered a little from infrequent hesitation from some of the cast, possibly down to opening night nerves and a slightly quiet audience. As the week passes, the audience will no doubt help lift the pace as well from the occasionally stalling delivery. Personally, I would have also liked to have seen the set a little more dressed to make it in keeping with the hint of more money on show. Even a carpet of some description would have glammed it up a touch. Costume wise though, it is a delight to the eye, and with the vast wave of seriously weird facial hair and wigs on display, delivers a visual delight adding very much to the comic value.

So, Make Way for Lucia entertains very much in its simple and light comedy. This isn't raucous stuff, but more traditional fair and not only does it genuinely suit The Playhouse stage, it also suits many of the performers who bring to life these larger than life characters. Great fun!

Performance reviewed: Tuesday 12th September 2017 at the Playhouse Theatre, Northampton.

Make Way for Lucia runs at the Playhouse Theatre, Northampton until Saturday 16th September 2017.

For full details of the Playhouse Theatre visit their website at http://www.theplayhousetheatre.net/
and can be found on Twitter @PlayhouseNTH or on Facebook at 
https://www.facebook.com/groups/1104164619627708/


Photos: Vicki Holland

Popular posts from this blog

Review of Paranormal Activity at Milton Keynes Theatre

The low-budget film Paranormal Activity , first released in 2007, has since become the starting point of one of the most prolific horror series ever, with seven films now released in the franchise and another due next year. Its unique down-to-earth style of storytelling, inhabiting what is many people’s real life, with dangers within the house, has contributed greatly to its success. So, from one successful medium franchise, it is no surprise the series was developed for theatre in 2024, with a new story by Levi Holloway (though it borrows heavily from the original film). First performed at Leeds Playhouse before heading to both the West End and Broadway, and now, for 2026, a UK and Ireland tour, which this week arrives at Milton Keynes Theatre. So the question is: has the medium successfully crossed to the other side? Newly married couple, James and Lou, move from Chicago to London in an attempt to escape both of their past lives. However, as events begin to repeat themselves, they re...

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...