Skip to main content

Review of Make Way For Lucia by John Van Druten at The Playhouse Theatre, Northampton

There have been a couple of television versions of the Mapp & Lucia novels by E. F. Benson over the years and irrespective of which generation version you might have seen, the roles of Miss Mapp and Mrs. Lucas were filled with some heavyweight performers. So taking on these roles could, in theory, be a challenge too much to live up to. However, that would be if the characters themselves were less the sum of the performer. These are great characters on paper as well as on stage and therefore Gena McCrystal (Miss Mapp) and Juliet O'Connor (Lucia) make them very much their own in the stage adaption by John Van Druten.

Lucia has arrived and breezed both into the town of Tilling and the musical chair roundabout of house rental that is want to occur here. Her rented property is Miss Mapp's and for some reason, Mapp fails to follow the routine of keeping away, constantly "popping in", so the battle lines are drawn.
Make Way for Lucia is the typical battle of supremacy in the upper echelons of society and set in the early 1930s, and it is tremendous if occasionally frivolous fun.

Ben Knight (Georgie) and Juliet O'Connor (Lucia)
As Mapp and Lucia, Gena and Juliet spark off one another with delight on occasion, and they leave the audience sometimes doubting who to side with, although I suspect that most, and perhaps intentionally, finally settle on the much less pompous Lucia.

As is to be expected from a stage play adapted from six books, there is a great deal of material to condense, and as such while the story itself is solid, many of the great fun characters are diminished somewhat by necessity. You leave with no doubt that you would have liked to have seen more of the "Scottish" Rev. Barlett played with scene stealing relish by Adrian Wyman, and those that have seen at least one of the television versions or even read the books, will know that there is more depth to biscuit chopping Diva Plaistow (Di Wyman).


Simon Rye (Major Flint) and Gena McCrystal (Miss Mapp)
Those that do get a good bit of stage time though are the wonderfully comic Ben Knight and his portrayal of Georgie, the campest ladies heartthrob you could wish to see. He has some glorious scenes both with Lucia, and with his love rival Major Flint, played with some rambunctiousness by Simon Rye, and very wisely overplaying the nature of the character to gain maximum humour.

The performance I saw was opening night and it suffered a little from infrequent hesitation from some of the cast, possibly down to opening night nerves and a slightly quiet audience. As the week passes, the audience will no doubt help lift the pace as well from the occasionally stalling delivery. Personally, I would have also liked to have seen the set a little more dressed to make it in keeping with the hint of more money on show. Even a carpet of some description would have glammed it up a touch. Costume wise though, it is a delight to the eye, and with the vast wave of seriously weird facial hair and wigs on display, delivers a visual delight adding very much to the comic value.

So, Make Way for Lucia entertains very much in its simple and light comedy. This isn't raucous stuff, but more traditional fair and not only does it genuinely suit The Playhouse stage, it also suits many of the performers who bring to life these larger than life characters. Great fun!

Performance reviewed: Tuesday 12th September 2017 at the Playhouse Theatre, Northampton.

Make Way for Lucia runs at the Playhouse Theatre, Northampton until Saturday 16th September 2017.

For full details of the Playhouse Theatre visit their website at http://www.theplayhousetheatre.net/
and can be found on Twitter @PlayhouseNTH or on Facebook at 
https://www.facebook.com/groups/1104164619627708/


Photos: Vicki Holland

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...

Review of Jekyll & Hyde at Royal & Derngate (Royal), Northampton

The Third Year BA Acting & Creative Practice students made their final appearance onstage together in an adaptation of Jekyll & Hyde by Royal & Derngate's Erica Martin, who directs with Trudy A Bell. It offered an inventive, if perhaps overlong, telling of the story, but allowed the diverse range of skills from the students to be fully exploited. This telling of Robert Louis Stevenson's classic, might at times feel a little different to those that know the story well. The piece itself, while in keeping with the Jekyll tale of a scientist exploring a hidden self, also developed a separate story, involving another culprit for Hyde's deadly adventures. This revolved around a local piece of history relating to the 1892 murder of Annie Pritchard (Amy Catherine), and the person convicted of her murder, an Andrew McCrae (Ben Loftus). It's a neat spin on fleshing out the tale, especially to allow more depth for the 23 strong year group to all be part of. So...