Skip to main content

Review of She Echoes performed by University Of Northampton BA Actors at Isham Dark (Avenue Campus), Northampton

The University of Northampton BA Actors devised shows are never, ever, a disappointment. Many of them like the incredibly splendid Orientation from last year, I could happily watch more than once. She Echos easily falls into that category and I shall return tomorrow to watch it once again.

Taking the concept of alternative possibilities made famous in popular by Gwyneth Paltrow in Sliding Doors, She Echoes creates a multiple splitting world of Emily and her success in work, family, driving and most importantly love. We awake each morning with Emily either early, late, or with time to read the paper or not, and a meeting with her sister who may be back on the bottle or sipping coffee. Emily may walk to work, she may drive, she may get the tube. She might go to the Red Ruby club or not.

Each of these scenarios is created in two ways, first through repetition of scenes where charges occur on route through alternating incidents; some simple, some startlingly dramatic. The second way is a split stage scenario, used with incredible effect during the Red Ruby scene. Both work, but seeing the freeze frame play out at the club is the best by a considerable margin as the most innocent of moments like a spilt drink spirals into devastating events. Perhaps you might feel it is contrived at times, but really it surely isn't. A fight in a club, truly would if you think about it come down to a chance of encounter like this if they are indeed strangers. This is why as Liam Faik takes apart in a quite remarkable stage fight a good Samaritan, you truly feel how possible this could be. While this occurs, alongside is the most wonderful scenario playing out, of love and friendliness. The contrast could not be better, the effect on the audience perhaps not possibly stronger.

Emily is played by an ever changing cast member and each of them creates a slightly different but fascinating interpretation of the role as the world evolves ahead of her. This is throughout a quite staggering ensemble piece, as the University shows always are. There is a constant buzz of effort and support for each other and the youthful and ambition drive to create perfection knows no bounds.

The fast paced scenes are brilliantly worked and perhaps the lighting available in Isham Dark has never looked better in this creation designed by Jessica Bichard. There is also an incredible Charleston inspired dance routine choreographed purely through the students. This coupled with the work of director of Lily McLeish and most importantly the creative input and drive of the performance of the students creates a swift and sharp seventy minutes of brilliance.

I simply loved it, it often created a lump in the throat, a stirring of adrenaline and "dust" in the eyes. A remarkable piece of theatre in every way possible, performed by yet again another collection of startlingly good students, now firmly on route to the Royal, the Flash Festival and beyond. Just amazing.

Performance viewed: Wednesday 7th December, 2016 (matinee) at Isham Dark, University Of Northampton (Avenue Campus).

She Echoes runs until Saturday, 10th December, 2016.
Twitter feed for the University actors is @BA_Actors and a Facebook event page at https://www.facebook.com/events/1821958538081112/

Popular posts from this blog

Review of The Jolly Christmas Postman at Royal & Derngate (Royal), Northampton

The Northampton Royal and Derngate have a tradition of producing a family play in the Royal Theatre alongside a spectacular pantomime in the Derngate, offering a more subtle Christmas treat for a family audience. However, this calendar staple has been missing since 2019, when the fine Pippi Longstocking graced the Royal stage and an unmentionable virus reared its head. Based on this triumphant return this year in the guise of The Jolly Christmas Postman , it has been heartily missed. Adam Peck has truly lovingly adapted  The Jolly Christmas Postman  for the stage from the original story by Janet and Allan Ahlberg. From the beginning, this is a proper cracker of theatre entertainment that captivates an occasionally distractable audience of all ages. The story follows the adventures of a friendly postman beset by an influx of mail on Christmas Eve and his adventures with an assortment of Fairy-Tale characters. What is, in essence, a kid's show aimed primarily at young children ...

Review of Cinderella at Royal & Derngate (Derngate), Northampton

Over the last few years, the annual Royal & Derngate pantomime has been produced by Evolution Productions and from the pen of Paul Hendy. It is safe to say they have been crackers, bringing everything you expect and more from traditional pantomime. This year, they are all back, this time with their take on the very traditional story of Cinderella . So, does the magic dust fall once again successfully on the stage of the Derngate? The answer is yes, as Evolution and Hendy prove they have found the magic formula to create another successful pantomime for Derngate. There are moments this year, though, where it is too clever for its own good, with some exceptionally good jokes lost to the panto audience (yes, I got the Hacker joke, but the tumbleweed reaction suggested it didn't hit the audience present). Cast-wise, it is a solid and assured collection of performers who don't always hit the mark. Joanne Clifton, as the Fairy, is a perfect fit for panto with her infectious smile...

Review of Never Let Me Go at Royal & Derngate (Royal), Northampton

Kazuo Ishiguro's 2005  Never Let Me Go is a slightly difficult novel to categorise at times, but most call it a science-fiction speculative piece. With some limited spoilers for those unfamiliar with the Man Booker Prize-shortlisted work, Ishiguro paints a world where people, clones, are created for the benefit of medical science, destined to become donors to rid the world of deaths from solvable diseases for the rich. It is a powerful piece and while it had a successful film version back in 2010, could a stage version, now running at Royal & Derngate, work similarly? The answer to that is yes, and perhaps even better than the film version. The intimate world of the theatre feels like a stronger location for the story to unfold, bringing the piece straight to the audience with no potential interruption or break to the tale. We learn of Kathy, Ruth and Tommy's (the main protagonists) fixed life through their eyes and live their life for the long, but never dr...