Skip to main content

Review of The Same Faces - 27th August, 2016 at The Black Prince, Northampton

My one and only other previous experience of live improv was in the hands of the venerable Mischief Theatre team and a performance of Lights! Camera! Improvise! in London in 2015. It was a heck of an evening to see them weave a movie from a mixture of inputs from the audience, and was quite a team for The Same Faces to follow.

Founded by Tom Young, The Same Faces have been performing in Leicester and Northampton for a number of years and have swelled their ranks of performers to allow a huge amount of variety to not only the show but those bringing it to the stage. For my first encounter with the group, the performers I was to see were Tom Young himself who was joined by Dave Gotheridge, Jen Kenny, Thomas Lawrence and Becky Moore and musician David Burton. The format is simple, through a series of games the audience provide key ingredients to allow the performers to bring the stage alive with their impulsive talent. These can vary from the very simple addition of numbers or colours, to specialist subjects, careers or locations.

It is an expected hit and miss, however the talent on stage keeps the evening firmly in the hit department far more often than the other. Often it crashes into the quite superb realms of shear brilliance as that moment of inspiration clicks and we sit in amazement at how an ice cream palour has become an almost perfect venue for a film noir and the stirring adventure, The Maltease Whippy.

Also at the top of the bill is Greatest Hits, which provides like the Mischief show, a scary skill of these improv teams, the way they can form songs before our eyes. Tom Young's reggae takedown of the Daily Express was a particular highlight of the evening, and Jen Kenny manages to provide a scarily catchy number entitled "Look Away Now". Music rears its head later as well in the show to more success in the problem solving bartender scene. By the way of song, the performers tell their problems (provided by the audience) and also in song, the bartender (Jen Kenny) solves them. It works, somehow, more often than not and by the end, performers and audience alike and happily singing along to "Forget The Bruce".

Very occasionally scenes don't work as is the danger of nights like this, and for me a casualty on the night was the Question This round, which didn't gel, but such is improv, next month it could be the best round as the worlds of inspiration collide. One moment that everything perfect did happen was during the Party Quirks round and the handing of the quirk of "only being able to talk in pick up lines" to Thomas Lawrence. It was such a perfect moment, that party host Tom Young abandoned guessing the quirk (the object of the game) for a while to see how long he could go on. It turned out quite a while and provided one of many highlights in the evening.

It is safe to say that it took me a while to finally get to see The Same Faces and after seeing them, this is an obvious mistake on my part. They are a bunch of highly talented performers, who clearly work well together and provide not only an entertaining and funny evening, but also a really friendly environment to boot as well. There are very few ways that you could get as much entertainment for two hours for a fiver than this.

★★★

Performance reviewed: Saturday 27th August, 2016 at the The Black Prince, Northampton

The Same Faces appear monthly at The Black Prince, with their next show on Saturday 24th September, 2016. They also perform a monthly show in Leicester at The Criterion Free House

The Same Faces can be found on Facebook at https://www.facebook.com/TheSameFaces and on Twitter @TheSameFaces


Popular posts from this blog

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...