Skip to main content

Review of The Same Faces - 27th August, 2016 at The Black Prince, Northampton

My one and only other previous experience of live improv was in the hands of the venerable Mischief Theatre team and a performance of Lights! Camera! Improvise! in London in 2015. It was a heck of an evening to see them weave a movie from a mixture of inputs from the audience, and was quite a team for The Same Faces to follow.

Founded by Tom Young, The Same Faces have been performing in Leicester and Northampton for a number of years and have swelled their ranks of performers to allow a huge amount of variety to not only the show but those bringing it to the stage. For my first encounter with the group, the performers I was to see were Tom Young himself who was joined by Dave Gotheridge, Jen Kenny, Thomas Lawrence and Becky Moore and musician David Burton. The format is simple, through a series of games the audience provide key ingredients to allow the performers to bring the stage alive with their impulsive talent. These can vary from the very simple addition of numbers or colours, to specialist subjects, careers or locations.

It is an expected hit and miss, however the talent on stage keeps the evening firmly in the hit department far more often than the other. Often it crashes into the quite superb realms of shear brilliance as that moment of inspiration clicks and we sit in amazement at how an ice cream palour has become an almost perfect venue for a film noir and the stirring adventure, The Maltease Whippy.

Also at the top of the bill is Greatest Hits, which provides like the Mischief show, a scary skill of these improv teams, the way they can form songs before our eyes. Tom Young's reggae takedown of the Daily Express was a particular highlight of the evening, and Jen Kenny manages to provide a scarily catchy number entitled "Look Away Now". Music rears its head later as well in the show to more success in the problem solving bartender scene. By the way of song, the performers tell their problems (provided by the audience) and also in song, the bartender (Jen Kenny) solves them. It works, somehow, more often than not and by the end, performers and audience alike and happily singing along to "Forget The Bruce".

Very occasionally scenes don't work as is the danger of nights like this, and for me a casualty on the night was the Question This round, which didn't gel, but such is improv, next month it could be the best round as the worlds of inspiration collide. One moment that everything perfect did happen was during the Party Quirks round and the handing of the quirk of "only being able to talk in pick up lines" to Thomas Lawrence. It was such a perfect moment, that party host Tom Young abandoned guessing the quirk (the object of the game) for a while to see how long he could go on. It turned out quite a while and provided one of many highlights in the evening.

It is safe to say that it took me a while to finally get to see The Same Faces and after seeing them, this is an obvious mistake on my part. They are a bunch of highly talented performers, who clearly work well together and provide not only an entertaining and funny evening, but also a really friendly environment to boot as well. There are very few ways that you could get as much entertainment for two hours for a fiver than this.

★★★

Performance reviewed: Saturday 27th August, 2016 at the The Black Prince, Northampton

The Same Faces appear monthly at The Black Prince, with their next show on Saturday 24th September, 2016. They also perform a monthly show in Leicester at The Criterion Free House

The Same Faces can be found on Facebook at https://www.facebook.com/TheSameFaces and on Twitter @TheSameFaces


Popular posts from this blog

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of The Wizard Of Oz by the Northampton Musical Theatre Company at Royal & Derngate (Derngate), Northampton

The last couple of shows from the award-winning Northampton Musical Theatre Company has been a slightly mixed bag, with their last show at Derngate the rather difficult to get a grip on thrills of Grease , a woefully inferior stage version of the classic film despite being very well performed. Their best show recently was ironically Summer Holiday , hidden at the much smaller Cripps venue. Therefore still in the wake of the exceptional Sister Act , does The Wizard of Oz create the Derngate magic once again? The answer for me, is both yes and no, it is as always an exceptional production filled from top to tail with talent, as NMTC is so renowned for, and packing the audience in and thrilling them like perhaps nothing like Oz can in the musical department, you cannot question its selection really. However, like Grease , and to readjust a requote, "it's just Oz". This time I use it in the way that Oz is just a little over-familiar, I am desperate for the buzz that I go...

Review of Mamma Mia! at Royal & Derngate (Derngate), Northampton

Ahead of my trip to see Mamma Mia! in Northampton, I had enough conversations about the show to discover that there appears to be no in-between with people over their love or hate of the work of ABBA (music and lyrics by Benny Andersson and Björn Ulvaeus). For your information, patient reader, I fall firmly in the love department and an audience member of Mamma Mia! like myself is always going to ride on a tidal wave of joy as this jukebox churns out an incredible selection of their numbers (and truly reveals a substantially great back catalogue, that even a hater could not deny), however, is the show they are weaved around actually any good? The answer is mostly, yes. It is though, a typical popcorn musical where you are just required to switch your brain off for two hours or so and ride that tidal wave to Kalokairi, and observe the bright colours and frivolous nature of the plot. The plot, such as it is, involves 20-year-old Sophie, who is heading towards marria...