Skip to main content

Review of The Same Faces - 27th August, 2016 at The Black Prince, Northampton

My one and only other previous experience of live improv was in the hands of the venerable Mischief Theatre team and a performance of Lights! Camera! Improvise! in London in 2015. It was a heck of an evening to see them weave a movie from a mixture of inputs from the audience, and was quite a team for The Same Faces to follow.

Founded by Tom Young, The Same Faces have been performing in Leicester and Northampton for a number of years and have swelled their ranks of performers to allow a huge amount of variety to not only the show but those bringing it to the stage. For my first encounter with the group, the performers I was to see were Tom Young himself who was joined by Dave Gotheridge, Jen Kenny, Thomas Lawrence and Becky Moore and musician David Burton. The format is simple, through a series of games the audience provide key ingredients to allow the performers to bring the stage alive with their impulsive talent. These can vary from the very simple addition of numbers or colours, to specialist subjects, careers or locations.

It is an expected hit and miss, however the talent on stage keeps the evening firmly in the hit department far more often than the other. Often it crashes into the quite superb realms of shear brilliance as that moment of inspiration clicks and we sit in amazement at how an ice cream palour has become an almost perfect venue for a film noir and the stirring adventure, The Maltease Whippy.

Also at the top of the bill is Greatest Hits, which provides like the Mischief show, a scary skill of these improv teams, the way they can form songs before our eyes. Tom Young's reggae takedown of the Daily Express was a particular highlight of the evening, and Jen Kenny manages to provide a scarily catchy number entitled "Look Away Now". Music rears its head later as well in the show to more success in the problem solving bartender scene. By the way of song, the performers tell their problems (provided by the audience) and also in song, the bartender (Jen Kenny) solves them. It works, somehow, more often than not and by the end, performers and audience alike and happily singing along to "Forget The Bruce".

Very occasionally scenes don't work as is the danger of nights like this, and for me a casualty on the night was the Question This round, which didn't gel, but such is improv, next month it could be the best round as the worlds of inspiration collide. One moment that everything perfect did happen was during the Party Quirks round and the handing of the quirk of "only being able to talk in pick up lines" to Thomas Lawrence. It was such a perfect moment, that party host Tom Young abandoned guessing the quirk (the object of the game) for a while to see how long he could go on. It turned out quite a while and provided one of many highlights in the evening.

It is safe to say that it took me a while to finally get to see The Same Faces and after seeing them, this is an obvious mistake on my part. They are a bunch of highly talented performers, who clearly work well together and provide not only an entertaining and funny evening, but also a really friendly environment to boot as well. There are very few ways that you could get as much entertainment for two hours for a fiver than this.

★★★

Performance reviewed: Saturday 27th August, 2016 at the The Black Prince, Northampton

The Same Faces appear monthly at The Black Prince, with their next show on Saturday 24th September, 2016. They also perform a monthly show in Leicester at The Criterion Free House

The Same Faces can be found on Facebook at https://www.facebook.com/TheSameFaces and on Twitter @TheSameFaces


Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

Review of Dial M For Mayhem! at Royal & Derngate (Royal), Northampton

Middle Ground Theatre has been creating unique and intrepid adventures for the stage since the late eighties, and with Dial M For Mayhem! , they take those experiences and bring to the stage a brand new play within a play now arriving for a week run at Royal & Derngate. Written by Margaret May Hobbs and directed by Michael Lunney, Dial M For Mayhem! has much to admire. Still, sadly, for every good joke, amusing set piece and chaotic moment, there are too many periods of flatness, stilted sequences and, especially during the first act, too many slow scenes which either tread the same old ground or bring nothing new to the proceedings and then fail to flow into the next leaving it often disjointed. The cast does their very best, though, and the characters they bring to the stage are entertaining and perfect for this farcical play, but they lack depth despite the script trying desperately at times to give them one. The attempt to create character also comes at the expense of the farc...