Skip to main content

Review of The Same Faces - 27th August, 2016 at The Black Prince, Northampton

My one and only other previous experience of live improv was in the hands of the venerable Mischief Theatre team and a performance of Lights! Camera! Improvise! in London in 2015. It was a heck of an evening to see them weave a movie from a mixture of inputs from the audience, and was quite a team for The Same Faces to follow.

Founded by Tom Young, The Same Faces have been performing in Leicester and Northampton for a number of years and have swelled their ranks of performers to allow a huge amount of variety to not only the show but those bringing it to the stage. For my first encounter with the group, the performers I was to see were Tom Young himself who was joined by Dave Gotheridge, Jen Kenny, Thomas Lawrence and Becky Moore and musician David Burton. The format is simple, through a series of games the audience provide key ingredients to allow the performers to bring the stage alive with their impulsive talent. These can vary from the very simple addition of numbers or colours, to specialist subjects, careers or locations.

It is an expected hit and miss, however the talent on stage keeps the evening firmly in the hit department far more often than the other. Often it crashes into the quite superb realms of shear brilliance as that moment of inspiration clicks and we sit in amazement at how an ice cream palour has become an almost perfect venue for a film noir and the stirring adventure, The Maltease Whippy.

Also at the top of the bill is Greatest Hits, which provides like the Mischief show, a scary skill of these improv teams, the way they can form songs before our eyes. Tom Young's reggae takedown of the Daily Express was a particular highlight of the evening, and Jen Kenny manages to provide a scarily catchy number entitled "Look Away Now". Music rears its head later as well in the show to more success in the problem solving bartender scene. By the way of song, the performers tell their problems (provided by the audience) and also in song, the bartender (Jen Kenny) solves them. It works, somehow, more often than not and by the end, performers and audience alike and happily singing along to "Forget The Bruce".

Very occasionally scenes don't work as is the danger of nights like this, and for me a casualty on the night was the Question This round, which didn't gel, but such is improv, next month it could be the best round as the worlds of inspiration collide. One moment that everything perfect did happen was during the Party Quirks round and the handing of the quirk of "only being able to talk in pick up lines" to Thomas Lawrence. It was such a perfect moment, that party host Tom Young abandoned guessing the quirk (the object of the game) for a while to see how long he could go on. It turned out quite a while and provided one of many highlights in the evening.

It is safe to say that it took me a while to finally get to see The Same Faces and after seeing them, this is an obvious mistake on my part. They are a bunch of highly talented performers, who clearly work well together and provide not only an entertaining and funny evening, but also a really friendly environment to boot as well. There are very few ways that you could get as much entertainment for two hours for a fiver than this.

★★★

Performance reviewed: Saturday 27th August, 2016 at the The Black Prince, Northampton

The Same Faces appear monthly at The Black Prince, with their next show on Saturday 24th September, 2016. They also perform a monthly show in Leicester at The Criterion Free House

The Same Faces can be found on Facebook at https://www.facebook.com/TheSameFaces and on Twitter @TheSameFaces


Popular posts from this blog

Review of The Karate Kid - The Musical at Milton Keynes Theatre

There is no denying that the world of musical theatre is tremendously imaginative, and of all the films that could be adapted, perhaps the eighties teen drama The Karate Kid was not at the top of most people's lists for a musical adaptation. However, as our stage versions of Mr Miyagi and Daniel LaRusso arrive at Milton Keynes Theatre on a UK tour, I am happy to say that this is one of the most sensible film-to-musical decisions. Recently relocated from New Jersey to LA, Daniel becomes the target of a gang of Cobra Kai dojo students. However, unbeknownst to him, a quiet and unassuming maintenance man at his new home, Mr Miyagi, is on hand to offer a little more than some bonsai training. The first thing that ticks the box for a film-to-musical adaptation is having an original soundtrack, not an endless collection of awkwardly shoehorned music classics into the story. Here, alongside book writer Robert Mark Kamen, are some brilliantly crafted tunes by composer and lyricist Drew Gasp...

Review of Eric and Ern at Royal & Derngate (Royal), Northampton

The comedy of Eric Morecambe and Ernie Wise is carved into the very essence of Britishness, and while the years may now be distant from their domination of TV comedy, the light still shines bright on their work. This is thanks mostly to generation after generation being introduced to the shows via that near-annual appearance on TV schedules at Christmas. This will perhaps one day pass, but for now, this brilliant little show, Eric & Ern , now at Royal & Derngate, continues to honour that comedy on stage. Created and performed by Ian Ashpitel and Jonty Stephens, Eric & Ern is a show bringing the duo's most famous sketches and jokes back to the stage. Having worked together now for over twenty years, Ashpitel and Stephens have created the comedy act to perfection. Stephens brings Morecambe’s edgy, frantic energy and combines it perfectly with his timing and mannerisms; everything from the flick of the glasses to the wipe of the nose is pure Eric. Ashpital, as Wise has pe...

Review of Les Misérables at Milton Keynes Theatre, Milton Keynes

The musical version of Victor Hugo's 1862 novel Les Misérables has been thrilling audiences for over 30 years, and in London is has run continuously since October 1985, so, it is safe to say that it comes to Milton Keynes Theatre on it's UK and Ireland tour will some pedigree. I don't need to sell the name to you, and I didn't need to sell it to myself, because despite never having seen the full version, it is still one of my favourite musicals, thanks to seeing two different School Edition productions and the 2012 film. However, how does this version, the 2009 reimagining of the original stage show stand up on this tour production? After 19 years as a prisoner, Jean Valjean, imprisoned for stealing bread, is freed by Javert, the officer in charge of the prison workforce. After Valjean promptly breaks parole, he uses the profit from stolen silver to reinvent himself as a mayor and factory owner, but Javert vows to recapture Valjean and is on his trail across the ye...