Skip to main content

Review of Back In Time For Breakfast by Munchkins & Monsters Theatre Company at The Umbrella Fair 2016, Northampton

Munchkins and Monsters Theatre Company had what I personally consider two of the toughest audiences to keep entertained; a bunch of four, five, six, and whatever year olds gathered in a constantly distracting and sweltering tent with rock music emanating from another nearby tent; and myself surrounded by aforementioned children and in that sweltering tent. They had much to do to keep us absorbed in their performance of Back In Time For Breakfast. I have to say though thats against my fears at the start, very surprisingly this lively show managed to do just that, and for the best part me included.

Trapped in a secluded lighthouse with her family, Millie (Laura Richardson) dreams of magical journeys and on one night with a little wish on a star, a mysterious traveler, Jasper (Dale Forder) crashes his flying ship on the island and that magical journey becomes a reality.

This little piece has been lovingly created to encapture perhaps everything required of a children's entertainment show. Its brings gurning faces, silly dancing, jolly music, bright colours and a nice collection of simple, but very effective puppets. Providing the adults who have accompanied the children to the show with entertainment is a surprising amount of intelligent storytelling of an environmental (but never ever preaching) nature. It provides the perfect balance with silly fun from those like Percy the Penguin, and onto actually quite powerful imagery of the restoration of the ocean, via the most simple of things an umbrella as a jellyfish. It all allows the children to be happily taken in by their waving of the handouts and the adults to have perhaps a few more contemplative moments.
Dale Forder and Laura Richardson
There are several really great scenes during the show, a couple of favourites being the reconstruction of the ship with all its dancing and nicely constructed rountine, and then the fabulous nit-picking monkey who happily travails the crowd to the delight of the children and some of the adults. The audience interaction pieces are perhaps the best way to gauge a success of a show like this, and pretty much most of them were loving it and eager to be the one to have the chance of tossing the old sock at the big cat (you had to be there).
Dale Forder and Laura Richardson
As performers Dale Forder and Laura Richardson do everything that you would want from a childrens show, full of highly expressive faces and lively motion, making everything deliberately bigger and bolder than it needs to be to keep those distracted eyes on them.

This likeable pairing of performers coupled with an apparently simple tale full of hidden depths provides a great little show, which when performed it a more accommodating location is absolutely sure to keep the kids thrilled. Couple that with the fact you can then get your picture taken with Percy the Penguin at the end, makes this a sure fire hit.

Performance reviewed: Sunday 21st August, 2016 at the Umbrella Fair 2016, Northampton. 

Munchkins And Monsters have a website for details of upcoming shows at http://www.munchkinsandmonsterstheatre.co.uk/

Popular posts from this blog

Review of Pride & Prejudice* (*sort of) at Royal & Derngate (Derngate), Northampton

It is a truth universally acknowledged... No Stop! That is too obvious an opening line to a review of any Pride & Prejudice . Let us begin anew... Of all the classic regency novels from the 19th century, perhaps, one of the most famous is that of P ride & Prejudice by Jane Austen. The novel of manners telling the story of the Elizabeth Bennet her development and her family is maybe more famous now for the many adaptations the novel itself has had, including a certain wet-shirted Colin Firth edition from the nineties. Due to this, it is ripe for many a reworking and with a guaranteed audience waiting for it. Pride and Prejudice* (*sort of) is one of the more bold of those adaptations. However, for all its boldness, does this new version work, or in truth, is it one step too far? The answer is a clear yes, as this dynamic and brilliant reworking by writer and director Isobel McArthur has proven since first taking to the stage back in 2018 and now into this second UK tour, reachin...

Review of A Christmas Carol - A Ghost Story at Birmingham Rep

Charles Dickens's novella A Christmas Carol is a perennial favourite and over the years has been adapted countless times for television, film and here, with this adaptation by Mark Gatiss, subtitled A Ghost Story , a further stage version. Originally performed at the Nottingham Playhouse in 2022 before moving to London at the Alexandra Palace, and the same venues repeated the following year, its past success serves well for a further revival. Therefore for 2024, The Birmingham Rep has taken to staging their own production, with a mostly new cast including Matthew Cottle and Rufus Hound leading an excellent cast. Cottle as Ebenezer Scrooge is excellent, often exhibiting a much more sprightly Scrooge that we would remember, and also, much funnier at times. Despite Gatiss remaining remarkably faithful to the original, the show, directed with excellent pace by Adam Penford mines more comedy than you might expect. Cottle's Scrooge remains without question evil, but in his delivery ...

Review of Bat Out of Hell - The Musical at Milton Keynes Theatre

This tour of Bat Out of Hell - The Musical has become sadly a double-tribute as it tours throughout the UK into 2023 and the love of its creator Jim Steinman, and the man who made his work world-famous, Meat Loaf, both lost in the last year, runs through the cast in this impressive version of the show. The storyline of Bat Out of Hell takes the Peter Pan idea and warps it into a dystopian world of a group of youth known as The Lost trapped forever at 18 years of age. The centre of this group is Strat, who, after a chance encounter, becomes under the spell of Raven. Of course, into this mix must come a megalomaniac, as all dystopian worlds really need. This is the father of Raven, Falco, who, with his wife Sloane, battle The Lost, Raven’s relationship with Strat, and indeed their own very bizarre relationship, to the backdrop of Steinman’s music. Bat Out of Hell doesn’t start particularly well, be it the performance or a show issue, for the first twenty minutes there is a lack of clarit...