Review of Back In Time For Breakfast by Munchkins & Monsters Theatre Company at The Umbrella Fair 2016, Northampton

Munchkins and Monsters Theatre Company had what I personally consider two of the toughest audiences to keep entertained; a bunch of four, five, six, and whatever year olds gathered in a constantly distracting and sweltering tent with rock music emanating from another nearby tent; and myself surrounded by aforementioned children and in that sweltering tent. They had much to do to keep us absorbed in their performance of Back In Time For Breakfast. I have to say though thats against my fears at the start, very surprisingly this lively show managed to do just that, and for the best part me included.

Trapped in a secluded lighthouse with her family, Millie (Laura Richardson) dreams of magical journeys and on one night with a little wish on a star, a mysterious traveler, Jasper (Dale Forder) crashes his flying ship on the island and that magical journey becomes a reality.

This little piece has been lovingly created to encapture perhaps everything required of a children's entertainment show. Its brings gurning faces, silly dancing, jolly music, bright colours and a nice collection of simple, but very effective puppets. Providing the adults who have accompanied the children to the show with entertainment is a surprising amount of intelligent storytelling of an environmental (but never ever preaching) nature. It provides the perfect balance with silly fun from those like Percy the Penguin, and onto actually quite powerful imagery of the restoration of the ocean, via the most simple of things an umbrella as a jellyfish. It all allows the children to be happily taken in by their waving of the handouts and the adults to have perhaps a few more contemplative moments.

Dale Forder and Laura Richardson

There are several really great scenes during the show, a couple of favourites being the reconstruction of the ship with all its dancing and nicely constructed rountine, and then the fabulous nit-picking monkey who happily travails the crowd to the delight of the children and some of the adults. The audience interaction pieces are perhaps the best way to gauge a success of a show like this, and pretty much most of them were loving it and eager to be the one to have the chance of tossing the old sock at the big cat (you had to be there).

Dale Forder and Laura Richardson

As performers Dale Forder and Laura Richardson do everything that you would want from a childrens show, full of highly expressive faces and lively motion, making everything deliberately bigger and bolder than it needs to be to keep those distracted eyes on them.

This likeable pairing of performers coupled with an apparently simple tale full of hidden depths provides a great little show, which when performed it a more accommodating location is absolutely sure to keep the kids thrilled. Couple that with the fact you can then get your picture taken with Percy the Penguin at the end, makes this a sure fire hit.

Performance reviewed: Sunday 21st August, 2016 at the Umbrella Fair 2016, Northampton.

Munchkins And Monsters have a website for details of upcoming shows at http://www.munchkinsandmonsterstheatre.co.uk/

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

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