Skip to main content

Review of The (Almost) Complete History Of Britain by The Pantaloons at The Castle Theatre, Wellingborough

It became very apparent quite quickly during History Of Britain that to get full value from the experience, it would be worth regressing to childhood. Targeted at all, but with quite a lean towards the younger members of the audience, I switched off thirty years of life and found it much easier to chortle at The Pantaloons.

Dressed in paint speckled dungarees, the four performers are present in the theatre long before the show is ready to begin. Running through the foyer and mingling with the audience in the stalls selling their programmes, this is already a pretty entertainingly silly night before it begins. Our four performers Edward Ferrow, Kelly Griffiths, Neil Jennings and Alex Rivers have infectiously exuberant personalities and no matter how bad the jokes they throw at us get, you often can't help but have a little chuckle.

The writers responsible are Mark Hayward and Stephen Purcell, who also direct. They drag us through the history of Britain missing out vast amounts of it in the process, but with a soul purpose to entertain in a clownish way. It starts off rather clunky with hard work pieces featuring ancient Britain and a quiz take on War of the Roses that doesn't quite work. However things quickly pick up with the life of Henry VIII dealt with in an extremely funny way.

The Gilbert & Sullivan musical treatment of the Spanish Armada is without doubt the highlight of the show. Magically rewriting some their most well known tunes to tell the tale, with the best their version of The Mikado's I've Got A Little List. This also leads into perhaps the best lead in to the interval I have seen for sometime. Magic!

The second half opened with some audience interaction (hunches down in seat) and the splitting of the audience for the Civil War. I knew my history enough that once I was on the side of the Cavaliers, my days were numbered. The two audience members on stage were great value with their trading insults routine, but I have no idea what is wrong with picking fluff from your belly button.

Highlighting the fact that the best bits of the show were the musical parts the Victorian age done cabaret style was a little gem with a singing Charles Darwin and Florence Nightingale among others, and very funny songs to boot. The Great War was presented with surprising style and refinement for what had been a very much clowning show and it was bold, but quite wonderful to include the work of Wilfred Owen, which was performed wonderfully by Neil Jennings.

The final main piece before the whistle stop tour of the twentieth century was Uptown Abbey, a pastiche of something else completely different to avoid copyright infringement. It moves us between the two wars and provided two of the best comedy moments of the night with a "You rang m'lord" joke and one featuring more than one hat. Great stuff!

So an entertaining night featuring quite a few magic moments of entertainment. Not high art at any point and more Cbeebies that BBC4 but we all need some real stoopid in our life now and again, and the Pantaloons provided that.

«««


Performance reviewed: Thursday 31st March, 2016 at the Castle Theatre, Wellingborough.

The (Almost) Complete History Of Britain by The Pantaloons was performed at the Castle Theatre , Wellingborough on Thursday 31st March, 2016 only but it currently touring. Details can be found at http://www.thepantaloons.co.uk/

For details about The Castle see their website at http://thecastle.org.uk/


Popular posts from this blog

Review of Legally Blonde - The Musical at Milton Keynes Theatre

It is now a quarter of a century since Legally Blonde first hit the screens, featuring Reese Witherspoon in the iconic role of Elle Woods, and now 19 years since the film became a Broadway musical. Legally Blonde is back on tour and now at Milton Keynes for a fresh take on the show. So, in the hands of director Nikolai Foster, who often likes to shake things up, is this pink spectacle as relevant and enjoyable as it has been in the past? Legally Blonde tells the story of Elle Woods, a UCLA sorority sister who tries to get into Harvard Law School to win back her boyfriend, Warner. During her time at Harvard, Elle begins to realise that things beyond Warner are becoming increasingly more relevant to her progress in life. The role of Elle Woods is in the hands of Amber Davies, a now very big name beyond theatre, thanks to her appearance on Strictly Come Dancing . However, more significantly here, is being fresh from victory at the WhatsOnStage Awards for her performance in The Great Ga...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...