Skip to main content

Review of The Dame Of Sark at The Playhouse Theatre, Northampton

I am beginning to enjoy many of the amateur productions that Northampton offers as much as many of the professional ones. Some would say that this should be at odds with common sense because they have neither the budget, the time or the skilled actors (shall stop your right there buster). This is amateur dramatics darling, that is what it is all about. I have taken a liking a little more to these amateur ones perhaps because the performers seem more human to my unskilled eye. They occasionally fluff their lines, much like I forget to buy the milk. They didn't last night though at the rather quaint Playhouse Theatre. Maybe a hesitation or two, but certainly nothing involving cries from behind stage.

The stage in question was, to quote the programme "the drawing room of the Seigneurie of Sark" and rather lovely it was as well. A typical am-dram set, not complicated and very functional. The play that took place upon it was The Dame Of Sark by William Douglas Home (brother of the slightly more famous Alec). This in turn was based upon the true story of Sibyl Hathaway and her life during the six year occupation of the Channel Islands during the Second World War. She was the Dame of the title, effectively leader of the island and a hereditary position.

On stage for most of the play, Rosa Follett was a delightful Sibyl, at turns sad but more impressive when attempting to get under the skin of the occupying forces. She held the whole piece together well and with such a large role this was vital. The support however were equally impressive. Jem Clack who I had previously seen in The Mystery Of Irma Vep was much more effective in this, and oddly enough considering the tone, also much funnier. He also held a quality American accent throughout that was both solid but not awkward on the ear.

While on the subject of accents though, I have to say these were very, very (too very's, read them!) good. Most especially Hugh Jones as Major Lanz, who sounded quite supremely German, and this held extremely well also in those typical German soldier shouting moments required later in the play. This was no Allo Allo, that's for sure.

However my quiet star of the show was Graham Follett as Colonel von Schmettau. He was unassuming and simply superb as the compassionate German, and whenever on stage was where the eye went. Everything from his gentle demeanour to his softly spoken words was just, well a delight to see and was worth the entry fee alone.

Although only my second visit to the Playhouse, I have to say it is proving to be a lovely little place to go. The Dame Of Sark is not only a powerful story, but it is also being performed really rather well at the Playhouse. A quiet and gentle delight of a play despite the subject matter and one well worth catching.


Performance reviewed: Wednesday 28th January, 2015

The Dame Of Sark continues at the Playhouse Theatre, Northampton until Saturday 31st January, 2015. For full details visit their website at http://www.theplayhousetheatre.net/

Popular posts from this blog

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of Party Season at Royal & Derngate (Royal), Northampton

Formed in 2011, the theatre group The Wardrobe Ensemble has created many shows for both adults and children. Over the years, they have established a rich connection with the Royal & Derngate, staging several productions here, including the recent Mog: The Forgetful Cat . With Party Season now opening at the venue, the focus returns to an adult-centred show. Party Season tells its story through three children’s parties over the course of one weekend. The usual social situations occur, awkwardness, one-upmanship, and the true chaos of such events as children descend on a single house. Though the setting is children’s parties, Party Season goes deeper. It explores what it means to be a parent, and in one amusing moment, what it is like not to be one. Party Season is a return to the triumphant balance that The Wardrobe Ensemble has between buffoonery and stark, human emotional storytelling. The simplicity of seeing a switch from the cast doing Gangnam Style to an emotional monologu...