Skip to main content

Review of Pete Firman - Trickster at Royal & Derngate (Royal), Northampton

I have been a fan of magic since growing up with it on my telly in the eighties. During that decade of my youth, the now much maligned king was Paul Daniels, and he was a Saturday night fix attracting between 12-15 million viewers in its heydays. It is now considered rubbish, old fashioned, and not worth your time by an audience that now watches The X-Factor on a weekly basis. Go figure.

However, magic has always appealed to me from my television armchair and when the BBC revived magic for the Saturday night audience in the form of the series The Magicians a few years back, I watched. Although it sadly struggled to gain much foothold on the viewing figures, I enjoyed it and it introduced a brand new generation of modern day magicians. Youthful, edgy, and occasionally totally bizarre, they breathed new life into the genre as they plied their skills in some often spectacular and downright scary tricks.

One of them was the young (well younger than me anyway) Pete Firman from and last night I had the pleasure of seeing him live in my very first full live magic show. I had done a modest amount of research before the show and had decided that to avoid any on stage embarrassment, the safest scenario would be a seat in the circle. So settled with a modest band of merry men and ladies we observed from a safe distance the feats on show.

If you are familiar with old style magic, I can safely say that Mr Firman's show falls squarely into this category. If not, let me say that there is none of the showy prop related shenanigans on display here and no big spectacles, this is the comfy, sweet little Royal stage after all. There was not even a wardrobe with swords stuck into it and no chopping tables for damsels to be spliced on. Pretty much the biggest it got was a chair in a box, a very simple but very neat opening trick. The cleanness of stage however allowed Mr Firman to partake in the simple things like close-up card tricks (and yes even in the circle, they were still close-up), mind reading and a bit of swallowing stuff.

It was a wonderful collection of tricks and because it wasn't over the top, it allowed Mr Firman to add his second skill, his remarkable, quick witted personality into the mix. Totally at ease with his audience whether they be in their seats, or very frequently on stage with him. He really is a remarkable stage presence.

The audience participation is also an amazing feat and must totally go beyond the plant situation, otherwise he would need a bus to get them around. A veritable conveyor belt of members of the public up the stairs to the stage made me grateful to be observing from afar. I did my time on the Royal stage thanks to The Play That Goes Wrong, and hopefully will not have to tread the boards again too soon. The audience members however did seem remarkably at ease on stage, even when they were about to have things stuck into them or threatened with having to complete the show themselves. This is all of course down to Mr Firman, whether they are being gently ribbed (poor old Jason), or potentially having to inflict pain, he keeps them calm, because he himself is the perfect calm host. He may look a little alarming at times, a slightly deranged twinkle in the eye perhaps, but he guides his "volunteers" by the hand expertly and if you are worried you might get picked. Don't be. No one died and the audience was with you all the time, as they knew they just might be next.

I really couldn't have hoped for more from my first experience of live magic. Fascinating, bewildering, puzzling and also very, very funny throughout. Mr Firman provides two hours of quality entertainment and even if you think magic is not your bag, give it the benefit of the doubt and see a master of his trade at work.

««««½

Performance viewed: Thursday 6th November, 2014 at the Royal & Derngate (Royal).

Pete Firman's Trickster tour is currently running throughout November and details can be found on his website at http://www.petefirman.co.uk/ and he can be followed on Twitter @petefirman

Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre, Milton Keynes

Seeing the 46-year-old Rocky Horror Show at the theatre for the first time is quite an experience on many levels. First and foremost as a regular theatregoer, the audience, even on a relatively demure evening of a Monday, is something you would never really experience at a theatre beyond this show. Many are dressed up (even on that demure Monday), and so many are so in tune with the show, that these regular fans have become entwined within it. They know every word of the script, they contribute to it, they enhance it, often they make Richard O'Brien's already adult content into something much more adult. It's a revelation of experience, much before a newbie such as myself even considers the show. Laura Harrison's beautifully clear rendition of Science Fiction/Double Feature sets the scene for some generally excellent performances of O'Brien's classic tunes, in a musical which is clearly audible, sadly not something that always happens with many productio...

Review of Bat Out of Hell - The Musical at Milton Keynes Theatre

This tour of Bat Out of Hell - The Musical has become sadly a double-tribute as it tours throughout the UK into 2023 and the love of its creator Jim Steinman, and the man who made his work world-famous, Meat Loaf, both lost in the last year, runs through the cast in this impressive version of the show. The storyline of Bat Out of Hell takes the Peter Pan idea and warps it into a dystopian world of a group of youth known as The Lost trapped forever at 18 years of age. The centre of this group is Strat, who, after a chance encounter, becomes under the spell of Raven. Of course, into this mix must come a megalomaniac, as all dystopian worlds really need. This is the father of Raven, Falco, who, with his wife Sloane, battle The Lost, Raven’s relationship with Strat, and indeed their own very bizarre relationship, to the backdrop of Steinman’s music. Bat Out of Hell doesn’t start particularly well, be it the performance or a show issue, for the first twenty minutes there is a lack of clarit...

Review of Cinderella, performed by University Of Northampton BA Actors at Maidwell Hall (Avenue Campus), Northampton

So, this is a bit different, the third year actors (my fifth group of them!) do panto, Cinderella to be precise. Pantomime is my perennial favourite bit of theatre. Oh no, it isn't! However, I have long acknowledged that for an actor, the form is both incredibly important, because if you can entertain kids, you can probably do anything, it also provides a large opening for a regular gig each year as they are so abundant. Therefore, it comes as no surprise that the intelligent bods teaching these students have come to the decision to create a little panto action of their own. This first of three (and the other two are very different beasts, as you will learn from the next reviews) is the ever so traditional one. Formed partly from the work of Looking Glass Theatre and director James Smith, I first saw much of this piece in January 2015, and although I didn't remember a great deal of it after this time, the cheese song managed to flash back to me, perhaps, sadly. So, ...