Skip to main content

Review of New Jersey Nights at Royal & Derngate (Derngate), Northampton


Since its inception on Broadway in 2005 and subsequent tours across the world, the musical Jersey Boys has popularised the music of Frankie Valli and the Four Seasons for a very new generation and refreshed it for the old. As an effect of this New Jersey Nights has been born.

Cynically this could be regarded as a cheap cash in for those revitalised new and old fans and when first entering the theatre the stage set could suggest that. Comprising of a bland makeshift bar set-up (backboards on wheels portraying the walls, a bar and to the right a table and chairs), it doesn't look particularly inviting. However as the four piece band take their places, initially behind the bar walls and a lone barman fiddles with the vintage radio for a signal, the stage soon becomes alive.

First the six dancers take to the stage dancing to a none Frankie Valli song and then the Four Seasons themselves take to the stage. Consisting of Damion Scarcella, Jonathan Hawkins, Adam Dougal and William Hazell, they immediately make an impressive impact with their lively rendition of “Oh What A Night”. The bulk of the more familiar songs to most are performed during the first act including the very finely performed “Sherry” where Sarcella clearly shows he can hit them important Valli high notes. Breaking up the songs the boys offer snippets of random facts about the group which for the best part are fillers and do suggest that the show is trying to be Jersey Boys rather than stand on its own two solid feet. There is also some attempted interaction with the audience, some more successful than others and some random jokes which occasionally work, but often don’t (it is doubtful anyone other than the boys mixed up One Direction with The Beatles). There is also a somewhat uncomfortable joke about Phil Spector, however this does manage to introduce one of the highlights of the show, as the previously dancing ladies take over stage as The Ronettes. Rachel Varney, Robyn Ford and Marianne Prinelle give impressive performances of “Be My Baby” and “Da Do Ron Ron” and while it would not be in keeping with the show, it actually would have been nice to have heard more from these.


The dancers are generally well choreographed by Emma Rogers although at times you feel they could dance a bit bigger and fill the stage more. Also during one of the early set changes they become totally pointless and a distraction as they pace around with clipboard and brooms depicting staff of a recording studio. The band also while being quite small in their number, do fill the theatre well with sound and are excellent throughout.

Returning to the Four Seasons however, the four performers work well as a team with no one consistently being Valli. Scarcella is clearly the performer who presents his famous high notes the best, while Hawkins feels the best singer of the four. Hazell however has the greatest presence on the stage, and actually makes the conversations with the audience work. His performance in the second act of “Earth Angel” with Dean Mongerio on sax is both funny and superbly vocalised. “Earth Angel” is one of several songs in the second act which have limited connection with Valli and while most are well performed they do appear fillers at times. Also in the second half on the evening there was a starting key issue at the start of “Blue Moon” from Dougal which was described as a mistake by the boys and if it was, they covered the mistake very professionally and it did ironically become a highlight of the evening with the crowd. (I have later learned that this "mistake" happened again on the Friday performace. However is was a fine little part of the show and like a lot of "ad-libbling", sometimes oddly enough if these are actually rehearsed scenes it does not impact negatively.)

The final few songs return to Valli classics with a great highlight being “Grease” performed with style by Hazell complete in his Zuko leather. With a final medley mega mix, those that are willing or (creaky bones allowing) able are up on their feet by the end and revelling in the classic tunes. This is what this show is all about, this is not a musical in anyway like Jersey Boys but a loving concert dedicated to those classic songs and while the ticket prices are a little steep for what is just a tribute act, one which if you are a fan of this music are unlikely to be disappointed with.

[rating:3.5/5]
Performance reviewed: Monday 15th September, 2014 at the Royal & Derngate (Derngate), Northampton. 

New Jersey Nights performed at the Royal & Derngate (Derngate) between Monday 15th September 2014 and Saturday 20th September 2014 and have now completed their current UK tour. A tour of China will begin later this year.
For further details visit the website at http://www.newjerseynights.com/

Popular posts from this blog

Review of Jesus Christ Superstar (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

The now-legendary Jesus Christ Superstar , written by Andrew Lloyd Webber and Tim Rice, initially struggled to find backing in 1970, so its first airing was as a concept album rather than the now mainly recognised stage show. Now, 55 years later, the legendary Northampton Musical Theatre Company, at least in Northampton, brings the show to the Royal & Derngate once again, after last performing it in 2010. The story, I suspect, needs little introduction, so I leave you to ensure you know the story before heading to the theatre to see the show. And what a show it is: this is the N.M.T.C., almost at the top of their game, assembling the cream of their group and a vast cast supporting the main players. As lead, newcomer Linden Iliffe takes on the weighty role of Jesus of Nazareth, and he is terrific in the challenging part, depicting the innocent power imbued in him and his desperation and disappointment as his life unravels amid bitter betrayal and disownment. He has a powerful voice,...

Review of Mary Poppins at Milton Keynes Theatre

The 1964 Disney film Mary Poppins is one of the most fondly remembered family films and has been a staple of many children's childhoods ever since its release. Adapted from P. L. Travers's book series featuring the famous nanny, it took until 2004 for the show to reach the stage, with this musical adaptation featuring a book by Julian Fellowes. The stage musical used the familiar songs from the film by Richard M. Sherman and Robert B. Sherman and added new ones by George Stiles and Anthony Drewe, all under the watchful eye of co-creator Cameron Mackintosh. It is safe to say that many people were involved in bringing this show to the stage. The story, of course, tells of the family Banks—father George, mother Winifred, and the tricky-to-handle children Michael and Jane. Following a job advertisement thrown into the fireplace, a nanny named Mary Poppins arrives at their home, and the Banks' family experiences a very different world than they have ever before. Touring to sele...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...