Skip to main content

Review of New Jersey Nights at Royal & Derngate (Derngate), Northampton


Since its inception on Broadway in 2005 and subsequent tours across the world, the musical Jersey Boys has popularised the music of Frankie Valli and the Four Seasons for a very new generation and refreshed it for the old. As an effect of this New Jersey Nights has been born.

Cynically this could be regarded as a cheap cash in for those revitalised new and old fans and when first entering the theatre the stage set could suggest that. Comprising of a bland makeshift bar set-up (backboards on wheels portraying the walls, a bar and to the right a table and chairs), it doesn't look particularly inviting. However as the four piece band take their places, initially behind the bar walls and a lone barman fiddles with the vintage radio for a signal, the stage soon becomes alive.

First the six dancers take to the stage dancing to a none Frankie Valli song and then the Four Seasons themselves take to the stage. Consisting of Damion Scarcella, Jonathan Hawkins, Adam Dougal and William Hazell, they immediately make an impressive impact with their lively rendition of “Oh What A Night”. The bulk of the more familiar songs to most are performed during the first act including the very finely performed “Sherry” where Sarcella clearly shows he can hit them important Valli high notes. Breaking up the songs the boys offer snippets of random facts about the group which for the best part are fillers and do suggest that the show is trying to be Jersey Boys rather than stand on its own two solid feet. There is also some attempted interaction with the audience, some more successful than others and some random jokes which occasionally work, but often don’t (it is doubtful anyone other than the boys mixed up One Direction with The Beatles). There is also a somewhat uncomfortable joke about Phil Spector, however this does manage to introduce one of the highlights of the show, as the previously dancing ladies take over stage as The Ronettes. Rachel Varney, Robyn Ford and Marianne Prinelle give impressive performances of “Be My Baby” and “Da Do Ron Ron” and while it would not be in keeping with the show, it actually would have been nice to have heard more from these.


The dancers are generally well choreographed by Emma Rogers although at times you feel they could dance a bit bigger and fill the stage more. Also during one of the early set changes they become totally pointless and a distraction as they pace around with clipboard and brooms depicting staff of a recording studio. The band also while being quite small in their number, do fill the theatre well with sound and are excellent throughout.

Returning to the Four Seasons however, the four performers work well as a team with no one consistently being Valli. Scarcella is clearly the performer who presents his famous high notes the best, while Hawkins feels the best singer of the four. Hazell however has the greatest presence on the stage, and actually makes the conversations with the audience work. His performance in the second act of “Earth Angel” with Dean Mongerio on sax is both funny and superbly vocalised. “Earth Angel” is one of several songs in the second act which have limited connection with Valli and while most are well performed they do appear fillers at times. Also in the second half on the evening there was a starting key issue at the start of “Blue Moon” from Dougal which was described as a mistake by the boys and if it was, they covered the mistake very professionally and it did ironically become a highlight of the evening with the crowd. (I have later learned that this "mistake" happened again on the Friday performace. However is was a fine little part of the show and like a lot of "ad-libbling", sometimes oddly enough if these are actually rehearsed scenes it does not impact negatively.)

The final few songs return to Valli classics with a great highlight being “Grease” performed with style by Hazell complete in his Zuko leather. With a final medley mega mix, those that are willing or (creaky bones allowing) able are up on their feet by the end and revelling in the classic tunes. This is what this show is all about, this is not a musical in anyway like Jersey Boys but a loving concert dedicated to those classic songs and while the ticket prices are a little steep for what is just a tribute act, one which if you are a fan of this music are unlikely to be disappointed with.

[rating:3.5/5]
Performance reviewed: Monday 15th September, 2014 at the Royal & Derngate (Derngate), Northampton. 

New Jersey Nights performed at the Royal & Derngate (Derngate) between Monday 15th September 2014 and Saturday 20th September 2014 and have now completed their current UK tour. A tour of China will begin later this year.
For further details visit the website at http://www.newjerseynights.com/

Popular posts from this blog

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...